Page 1: - Narration states citizens of the Blue Sea are incapable of sky combat. - Old man tells Sanji he will know soon enough and to try breaking the shell. - Sanji asks what the barrel is for. - Old man instructs to watch closely. - Usopp yells for Sanji to stop swinging so hard. - Nami warns Sanji not to make a hole in the ship. Page 2: - Sanji states he swung as hard as he could yet the barrel did not break. - Old man notes he told Sanji to hit gently but not that gently. - Usopp observes that the barrel took no damage. - Old man remarks the barrel absorbed all the impact. Page 3: - Old man instructs Sanji to press the facing part and aim the open side of the dial at the barrel. - Usopp and Nami react with surprise EH!!. - Usopp screams GYAAAAA-AAH!!! during the explosion. - Nami yells KYAAH!!! amid the blast. Page 4: - Gan Fall explains that the Impact Dial absorbs and stores impact energy for later release, calm instructional tone. - Gan Fall clarifies this is an Impact Dial rather than a normal punch, stern explanatory mood. - Usopp recognizes the technique as the same one used by the meatball priest, surprised realization. Page 5: - Gan Fall describes Reject Dial as ten times stronger than Impact Dial and potentially lethal to user, historical warning tone. - Usopp reacts that the dial is dangerous enough to be called a weapon, shocked exclamation. - Gan Fall mentions legends of even stronger dials on Sky Island, informative continuation. Page 6: - Sanji questions the explanation about Mantra and artificial clouds, skeptical interruption. - Gan Fall states that Blue Sea citizens unaware of dials stand no chance in sky combat, explanatory tone. - Gan Fall describes Mantra as a power of perception where humans emit an inner voice, cautious explanation. Page 7: - Priest figure notes Shura was defeated and calls it a surprising beginning, amused smirk. - Voice from below exclaims shock at Shura's defeat, panicked reaction. - Wild-haired man laughs that God was not on their side and two priests have fallen, mocking tone.