16 pages · Chimera Ant arc

Hunter × Hunter Chapter 216: The Republic of East Goruto

What happens in chapter 216

Gon and Killua train and reaffirm their determination after the woman's rebuke about Kaito. She shares her backstory involving Kokuchi swans, Kaito, and her mining area home. Chimera Ants including the Speed King and Glutton King pursue their own paths to power. An armored intruder storms the palace, leading to chaos and a confrontation in the hall where the Chimera Ant King addresses Knuckle, Killua, and others.

  1. p.0Chapter title appears at the top of the page.
  2. p.7A large impact or attack occurs on the right side of the page.
  3. p.14Intense reaction and rumbling SFX indicate a major revelation or threat.
216

The Republic of East Goruto

00
A vast rocky landscape of towering stone formations stretches under the sky. The chapter title reads No.216◆THE REPUBLIC OF EAST GORUTO. In a close-up, Gon lies on his back with spiky hair and wide eyes. A truck drives away with trailing dots. A long-haired girl reads an open book intently. Inside a wooden room, Gon sits on the floor with knees drawn up while Killua hunches forward; a small armored figure lies nearby. Sound effects show rattling impacts. In the final panels Gon and Killua clasp hands, both exclaiming WOO.
GonKillualong-haired girl readingsmall armored figure
01
Killua appears in extreme close-up, face contorted with rage, fist raised, shouting WOO GA— —!!!! amid impact lines. In the next panels Killua stands in profile declaring I'M BACK UP ON MY FEET!! with a Hmph!! sound. Gon responds OKAY!! from the side. Killua's intense eyes fill a panel as he thinks SINCE KNUCKLE AND EVERYONE WILL DEFINITELY RESCUE KAITO.... He continues I'M GONNA BECOME STRONGER! and later I WON'T DISAPPOINT KAITO WHEN HE RETURNS. Killua stands determined with clenched fists while Gon watches from the background.
02
A woman with long hair and a wide hat sits reading an ornate book. She speaks firmly: "I was going to kick you off if you didn't shape up by the time we passed this mountain." Kaito probably wouldn't want to see you guys if he knew you were being like this. The boy with spiky hair, Gon, listens as she continues, "So you've known all along. Oh? We've been with him longer. Even though you may have met him before us..." In a dramatic close-up she leans forward intensely, declaring, "What I want from you two isn't regret or remorse!! He is most definitely still alive." Close-ups follow of an eye and a pointing finger as she urges, "All the way through! Show the determination to see it through... Make the right decision and... What is it that you have to do right now?" Gon responds with fierce resolve, "Ex-actly. Yeah!" The woman, now seated on wooden stairs with Gon standing nearby and a small round creature beside her, adds, "If you're weak, train. Even here, you can at least do squats or pushups, right?"
woman with wide hatGonsmall round creature
03
A flashback panel shows a bearded man hanging upside down asking, "Why do you want to become a Hunter?" The woman answers, "I have a huge debt to pay off." In a desert landscape labeled "SPINA," a small figure walks among rocky formations. Close-ups show wide eyes and the woman continuing, "The reason for that is still unknown...whether it's because of the water, the food, or the climate... They're birds who only live around certain mining areas. Yup. Have you ever heard of Kokuchi swans?" She adjusts her hat and explains, "Kaito was the first adult to seriously listen to us - two kids with absolutely nothing. Although, to be honest, there's really not much left of it. So I just bought the entire area." The final panel shows a dark silhouette of hills labeled "OUR HOME" and "That mining area is where Stin and I grew up..."
woman with wide hatbearded man hanging upside downsmall round creatureGon
04
It is the oldest memory I possess, and will never fade. The beautiful sight of the tens of thousands of Kokuchi swans taking flight with the sunrise every morning... A young woman with long hair and a hat chews bubble gum while recalling Kaito's words. "That he envied us," she says. "Kaito only said one thing... Just how important it was to me. I only realized after it was designated to be a potential dumping ground..." A lone silhouetted figure stands holding a sword. "He doesn't even know where he was born. He doesn't have a place to call home." The young woman continues, "I will show it to you guys... when we've completed this mission..." Killua and a small wide-eyed companion look on. A final oval caption declares, "MY TREASURE."
long-haired girl in hatsilhouetted swordsmanKilluasmall wide-eyed companion
05
Inside a wooden structure with carved pillars, two robed figures converse at a counter while a long-haired young woman in a kimono stands holding an open scroll. Large black Japanese sound effects erupt across the panel. The woman turns sharply, eyes wide. A close-up shows her hair whipping as a small creature with mandibles latches onto her head, blood spraying. Impact SFX and motion lines emphasize the sudden attack. The creature is flung away in the final panel amid more large SFX.
long-haired woman in kimonotwo robed figuressmall attacking creature
06
A lone figure sprints across open ground toward a massive, ancient tree with sprawling roots. The runner raises an arm triumphantly and shouts, "GOAL!" In a close-up, a feline humanoid with wild hair, cat ears, and a scarred cheek glares forward with intense eyes. A vertical box declares "I AM" while a large speech bubble proclaims "THE SPEED KING!!" Below, the creature's clawed foot slams into the dirt as two massive circular bursts of text explode outward: "THAT CAN STOP ME!!" and "THERE IS NOBODY."
feline humanoidrunning figure
07
A crocodile-like creature lounges while declaring it will take its time. It muses that at that speed Zitoh is probably past the borders by now. The creature envisions "A PARADISE ALL TO MYSELF" filled with "AN ABUNDANCE OF FOOD AND FEMALES." It continues that cows, pigs, humans, and boars do not matter as long as there are plenty of them. A close-up shows its eye as it concludes "AFTER ALL..." On the right side of the page, a massive impact erupts with radiating speed lines and the word "root" visible near the bottom.
crocodile-like creature
08
A lone muscular figure with a long tail stands on cracked ground beneath a massive glowing ring, hands on hips, declaring, "I AM THE GLUTTON KING." A huge crocodile-like beast lies sprawled nearby amid scattered debris and impact marks. In another scene, several chimeric figures gather on rocky terrain: a lion-headed soldier, a floating monkey-like creature, a small winged girl with a tail, a long-haired person seen from behind, and a hooded figure with a pot. Text boxes state that those who were once soldiers have each started on their own path to become king. The sequence ends on a close view of a person in a striped hat and dark jacket, with the words "THE KING..." and "AND" framing the panel.
muscular tailed manlion-headed soldiermonkey-like chimerawinged girllong-haired figurehooded pot-carrying figurestriped-hat observer
09
A grand domed palace complex rises in a vast desert landscape. A winged figure with a long tail flies low over the central avenue toward the main building. Text on the right states that someone has arrived at the Republic of East Goruto. In the foreground, broken stone fragments lie scattered. The final panel shows a close-up of the striped-hat observer, eyes narrowed, with a small speech bubble reading "HMM."
winged tailed figurestriped-hat observer
10
A close-up shows a pair of feet in striped leg wraps and dark toe guards stepping onto a dusty surface. Nearby soldiers in camouflage uniforms and helmets stare in surprise. One mutters, "LOOKS LIKE IT." Another questions, "A COSTUME?" A third blurts, "WHAT THE HELL IS THAT?!" with a sharp "!!" reaction. In a wide view, a tall armored figure stands with its back to the viewer, its segmented tail-like appendage raised and aimed forward like a weapon. Camouflaged soldiers surround the area, some aiming rifles. The armored figure suddenly strikes; soldiers are hurled through the air amid violent impact lines and debris. In the final panels, remaining soldiers shout warnings: "IF YOU DON'T COMPL..." and "LEAVE THESE PREMISES AT ONCE!!" as the confrontation escalates.
armored figure with tail weaponcamouflaged soldiersclose-up of striped leg wraps and feet
11
A full-page chaotic splash depicts a heavily distorted and fragmented figure amid dense ink splatters, scratches, and black blots. The image is almost entirely obscured by violent scribbles and explosive marks, suggesting an overwhelming impact or transformation occurring in the center of the frame.
heavily obscured central figure
12
On a brightly lit stage, a troupe of costumed performers dances to lively music as musical notes float through the air. A young woman in a revealing bunny outfit stands at the front of the stage, one arm extended as she calls out, "INTRUDERS? GET RID OF THEM." Seated below in a grand chair, a heavyset man with glasses and a scar on his cheek waves off the concern, declaring, "DON'T BOTHER ME WITH EVERY LITTLE THING THAT COMES UP!" He then lifts a cell phone to his ear and states firmly, "I'M BUSY RIGHT NOW!" In a lower panel the same man bursts into laughter, clapping his hands together with "HO HO HO" while his body shakes. He is next shown happily eating from a large bowl of food with chopsticks. A close-up focuses on a fluffy pom-pom tail attached to someone's rear. The final panel shows a figure tumbling violently to the floor with a loud crash sound effect as an unseen voice remarks, "WHAT AN IDIOT..."
bunny girl performerlarge man with glassesstage performers
13
In a vast, columned palace hall with a checkered floor, several figures stand at a distance. The Chimera Ant King stands prominently in the foreground, arms crossed, addressing unseen intruders. He states, "I DON'T KNOW WHICH COUNTRY'S MILITARY YOU GUYS BELONG TO... BUT AS LONG AS YOU'VE TRESPASSED INTO THIS PALACE, DON'T EXPECT A COMFORTABLE DEATH." Behind him, Shaiapouf and other Royal Guards are visible. A close-up shows Knuckle Bine with a serious expression, while another panel captures Killua's intense gaze. An unseen voice says "MMMM." A Royal Guard addresses the King with "YOUR MAJESTY." The Chimera Ant King continues, "I CAN SENSE IT EVEN WITHOUT CONCENTRATING MY EYES," his massive form dominating the lower panel as he looks toward the distant figures in the hall.
Chimera Ant KingShaiapoufKnuckle BineKillua
14
Against a pitch-black background, a powerful silhouette stands amid roaring white flames. A voice declares, "IT'S A RARE PREY." In a tight close-up, a wide, grinning mouth fills the panel as the speaker continues, "MY MOUTH IS WATER-ING..." Below, a horizontal strip shows a clawed hand reaching upward amid heavy Japanese sound effects. The scene shifts to a tense close-up of a spiky-haired man in a high-collared outfit, sweat on his face, eyes wide with shock. Speech bubbles read "THIS... THIS IS..." while onomatopoeia "ゴゴゴゴ" rumbles around him. In the background, a worried man with a ponytail watches. The final panel reveals a grotesque, fleshy surface riddled with dark holes and textured ridges.
silhouetted muscular manspiky-haired man in high collarponytailed man
15
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End of chapter16 pages

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About this chapter

Hunter × Hunter Chapter 216: The Republic of East Goruto

Chapter
216
Summarised
Pages
16
Previous

Chapter 216 summary

Gon and Killua train and reaffirm their determination after the woman's rebuke about Kaito. She shares her backstory involving Kokuchi swans, Kaito, and her mining area home. Chimera Ants including the Speed King and Glutton King pursue their own paths to power. An armored intruder storms the palace, leading to chaos and a confrontation in the hall where the Chimera Ant King addresses Knuckle, Killua, and others. The King senses a rare prey amid rising threats.

15 key facts · 37 characters

Key facts in chapter 216

  • Chapter title appears at the top of the page. Gon and Killua exchange a WOO exclamation in the final panel.
  • Killua vows to become stronger and not disappoint Kaito. Killua believes Knuckle and others will rescue Kaito.
  • The woman references having traveled with Kite longer than Gon and Killua. Gon shows strong determination in response to the woman's challenge. The scene takes place partly on wooden stairs with personal belongings scattered.
  • The woman is named Spina and grew up in a mining area with Stin. Kite provided financial support to Spina and another child when they had nothing. Spina purchased the entire mining area after Kite's contribution.
  • Narration describes an unchanging memory of Kokuchi swans at sunrise. Kaito is referenced as having made one significant statement. The location was later designated a potential dumping ground. The silhouetted figure is said to not know his birthplace. The silhouetted figure has no place to call home. The promise to reveal the site is tied to mission completion.
  • Scene takes place inside a wooden building with ornate pillars. A long-haired woman holds an open scroll before the attack. Two robed figures stand with backs partially turned. A small creature suddenly attacks the woman's head. Blood is visibly sprayed from the impact site. Large stylized Japanese SFX accompany the assault.
  • A character reaches a large tree and calls it the goal. A feline humanoid identifies as the Speed King. The feline humanoid claims nothing can stop them.
  • A crocodile-like chimera ant plans to create its own paradise. The creature mentions Zitoh moving at high speed past borders. A large impact or attack occurs on the right side of the page.
  • A character self-identifies as the Glutton King. Multiple chimeric beings are shown diverging from their former soldier roles. The striped-hat observer appears at the bottom of the page.
  • A winged figure approaches a large palace in a desert setting. The location is identified as the Republic of East Goruto. The striped-hat observer reacts with a thoughtful sound.
  • Soldiers react with confusion to the approaching figure. The armored figure possesses a long flexible tail weapon. Multiple camouflaged soldiers are present and armed. The attack sends several soldiers flying. A direct order to leave the premises is issued.
  • Page consists of a single full-bleed abstract panel. Heavy ink damage and scribbles dominate the composition. Central figure is almost completely obscured.
  • A stage performance is underway with multiple dancers. The bunny girl stands on the raised stage platform. The large man receives a phone call while watching the show. Food is visible on the table in front of the large man. A character falls with a crash sound effect.
  • The scene takes place inside a large palace interior. Multiple figures are visible at varying distances. The Chimera Ant King is the central speaking figure. Knuckle Bine and Killua appear in close-up panels. Royal Guards stand near the King.
  • A rare prey is announced against a dramatic flame silhouette. A character expresses physical hunger with watering mouth. Intense reaction and rumbling SFX indicate a major revelation or threat.
Symbols and visual details15 · show
  • Wide rocky canyon with layered stone pillars fills the top panel. Gon lies supine with spiky hair spread and eyes open. Truck moves rightward trailing motion dots. Long-haired girl holds an open book close to her face. Gon and Killua sit side-by-side on a wooden floor. Small armored figure lies on its back near the boys. Killua hunches with back to viewer, head lowered. Gon and Killua grip each other's hands tightly. Large WOO speech bubbles appear beside both boys. Curtains and wooden walls form the room interior. Impact SFX lines surround the seated characters. Gon looks upward with surprised expression in close-up.
  • Killua's face fills the frame with veins, teeth bared, and fist raised. Large starburst SFX surrounds Killua's head. Killua stands in profile with mouth open and arm extended. Gon appears in close-up with wide eyes and open mouth. Killua's eyes are shown in extreme close-up with intense glare. Killua stands full-body with clenched fists and determined stance. Map or book lies open on the floor near Killua. Vertical motion lines frame the top panel. Gon watches Killua from the left side of a panel. Killua's boots and jacket are detailed in the final pose.
  • woman reading large ornate book with floral patterns close-up of intense eye with detailed iris pointing finger emphasizing decision motion lines around Gon's determined face wooden staircase setting with scattered items book held open showing decorative pages
  • desert landscape with rocky spires labeled SPINA upside-down bearded man in panel woman adjusting hat while speaking silhouette of hills at dusk labeled OUR HOME book with decorative borders held by woman
  • sunrise over water with flock of birds in flight large flock of Kokuchi swans silhouetted against sky bubble gum bubble on speaker's mouth close-up of eye with detailed lashes lone figure holding sword in profile motion lines around silhouetted figure Killua's spiky hair and intense expression small companion clinging to Killua's shoulder oval caption box at bottom of page horizontal panel layout with narration boxes above
  • wooden interior with carved tree-like pillars open scroll held by the woman large black SFX dominating the panel woman's hair flying from sudden movement blood spray from head wound small creature with visible mandibles motion lines indicating violent impact profile view of woman's shocked face final panel showing creature being thrown
  • massive gnarled tree with exposed roots dominates the background runner dashes left to right across cracked earth cat-like humanoid shows bared teeth and intense forward gaze vertical text box reading "I AM" placed beside the face large circular burst containing "THE SPEED KING!!" clawed foot impacting the ground with motion lines two overlapping circular text bursts at bottom of page SFX lines emphasize speed and impact scar visible on the feline humanoid's cheek open savanna-like terrain with distant hills
  • crocodile-like head with open jaws and sharp teeth large motion lines radiating from a central impact small panel showing the creature's eye in close-up SFX "ドドド" and "ビキ" indicating movement or impact text box reading "root" near the explosion effect scattered debris and dust around the creature's feet horizontal panels stacked on the left side vertical splash panel dominating the right half
  • Large circular energy ring dominates the upper left of the first panel. Muscular figure stands with hands on hips and tail visible behind. Crocodile beast sprawls across the foreground with open jaws. Impact lines and debris scatter around the beast. Lion-headed soldier wears a skull necklace and glares sideways. Monkey chimera floats upside-down with swirling motion lines. Small winged girl stands on a rock ledge with tail curled. Long-haired figure faces away, hair flowing down the back. Hooded figure carries a large pot and stands near ruins. Striped-hat observer appears in profile with neutral expression. Text boxes occupy lower-left and upper-right of the middle panel. Rocky outcrops and broken stone structures fill the background. Dust and particle effects surround the floating monkey.
  • Large palace with multiple domes and towers fills the center of the upper panel. Winged figure flies directly toward the palace with wings spread wide. Long tail trails behind the flying figure. Desert landscape stretches to distant mountains in the background. Rectangular pools and rows of trees line the palace approach. Broken stone debris appears in the lower foreground. Striped-hat observer wears a dark jacket with a circular emblem. Small "HMM." speech bubble floats near the observer's face. Architectural details include crosses atop domes and colonnades. Dust and faint motion lines suggest recent impact or arrival.
  • close-up of clawed or guarded bare feet on dusty ground soldiers in patterned camouflage and helmets reacting with shock large armored humanoid figure viewed from behind with raised segmented tail rifle-holding soldiers positioned around a dark building silhouette explosive impact lines and flying bodies in bottom-left panel speech bubbles placed near soldiers on the right side of the page motion lines indicating rapid tail strike and soldier ejection
  • dense ink splatters and black blots across entire page chaotic scribble lines covering the figure fragmented circular and limb-like shapes barely visible explosive texture filling foreground and background
  • musical notes scattered across the stage scene large round stage with wooden floor and curtains bunny costume with pom-poms and tail man seated in ornate high-backed chair cell phone held to the man's ear bowl of food and chopsticks on table pom-pom tail close-up on rear impact lines and motion indicating fall laughter sweat drops around the man's head dark background panel isolating the phone call
  • grand palace hall with tall pillars checkered tile floor extending into distance Chimera Ant King with crossed arms Royal Guard figures standing behind the King silhouettes of distant intruders in the hall close-up of Knuckle Bine's face and beret close-up of Killua's eyes and hair King's lower body and robe in final panel speech bubbles positioned near the King
  • White flame-like aura surrounds a standing figure on black background. Close-up emphasizes a wide, curved mouth with visible teeth. Clawed hand silhouette reaches upward in a narrow panel. Heavy motion lines and repeating SFX surround the spiky-haired character. Background figure shows a worried expression and defensive posture. Final panel focuses on a porous, organic-looking surface with multiple cavities.
  1. 214Decision
  2. 215Dying Wish
  3. 216The Republic of East Goruto
  4. 217Meat Garden
  5. 218Confession
  6. 219Awakening

Cite this chapter

Hunter × Hunter, ch. 216 — The Republic of East Gorutohttps://loresquare.com/hunter-x-hunter/source/chapter/216

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