Hunter × Hunter Chapter 311: Time Limit

A wide aerial view shows a large walled palace complex with a central fountain and surrounding buildings under a dark cloudy sky. Large black onomatopoeia "ドオオ" dominates the upper half. Below, three panels depict an interior corridor and an outdoor residential area. Killua lies on the ground in the bottom panel, looking upward with a neutral expression. Speech bubbles read: "THAT KOMUGI IS SPECIAL TO THE KING", "KILLUA CAME TO THE CONCLUSION", and "BUT OPINION ON HER IS DIVIDED BETWEEN THE KING'S BODYGUARDS".

In a chaotic aerial clash, a spiky-haired Pouf clone lunges forward with murderous intent, flames and motion lines erupting around him as he declares his desire to kill the girl. Nearby, another Pouf clone with a drum-like body strains to hold him back, shouting that he wants to save and protect her. The tall girl with long dark hair, a forehead emblem, and scaled limbs stands calmly on the right, listening. Below, the same girl now stands on cracked ground beside a small octopus-like creature. The creature points dramatically and explains that the girl is a double-edged sword to the king. A tiny chibi version of the creature lies dazed in the corner while impact lines radiate from a central crater.

Palm stands with one hand raised, questioning how soldier ants could side with humans. She points upward while asking why she and the small creature are still standing there. The creature sweats nervously as Palm continues, denying that the king's bodyguards would ever turn against him. In a smaller panel the creature apologizes and asks if there is any justification for the ants' behavior. Palm's face fills a large panel as she explains that because a human is important to the king, both protecting and killing the bodyguards are realistic options. She concludes there are definitely no contradictions in the bodyguards' loyalty.

Even so, the woman with the forehead mark insists they have not been killed or captured despite the danger. There was a time lapse of twenty minutes after the King's first En. The small winged creature demands how those facts and the phrase 'it's fine already' connect. She replies that even if that is true, it does not matter. The creature, eyes wide, snaps back asking what she is talking about. In the spacious room the woman explains that the King most likely did not notice the girl because she had covered her with her own hair, which could not register her as a person. If the King had noticed, he would have come to the creature first. She asks if he gets it so far. The creature recalls that during the first En it was carrying that girl. A figure lies on the floor giving an OK. The creature, still confused and angry, shouts that it is still not following what she is saying. She answers yes, stating that in the logical sense she has no objections.

The woman declares that the King's En will not pick up the girl as long as they cover her with something. The small creature stares in shock, muttering 'that's...' with wide eyes. It then proposes they will negotiate naturally but want to gain as much time as possible. The creature suddenly flares up, asking if she means it should just let Knuckle and Meleoron die before it without even negotiating anything. It demands to know how much time they are talking about. The woman replies that they will need to hide the girl in a place the King cannot find, and that this is also for that purpose.

A woman with long, dark hair stands in profile against a plain background, her expression serious and unwavering. She speaks firmly, her words appearing in a speech bubble beside her: "UNTIL THE KING DIES". Below this, a narrow panel reveals a pair of furious, narrowed eyes glaring forward with intense anger. In the bottom panel, a clawed hand reaches upward through swirling darkness toward a bright source of light.

A tall silhouette of the long-haired woman stands against a turbulent, cloudy sky as a round, spotted creature hovers nearby. Off-panel voices react in shock: "WHAT ON EARTH...." and "IS SHE SAYING?!". In the next tier, a spiky-haired character with wide eyes demands "TELL ME MORE CLEARLY!!" while another panel shows a sun-like face exclaiming "WHY DOES IT TURN INTO 'IT'S FINE ALREADY'?!" and "IF WE KNEW THAT, NO ONE WOULD HAVE TO SUFFER!!". A final panel features the sun-faced figure declaring "UNTIL THE KING DIES! WHEN WILL HE DIE?!". At the bottom, two speech bubbles read "IT WON'T TAKE VERY LONG" and "THE KING WILL DIE."

A massive skeletal hand thrusts forward through swirling debris and falling petals, its fingers splayed as if reaching for something unseen. To the right stands a slender woman with long flowing hair, wearing a short strapless dress and large circular wings, her body turned slightly away while her head looks back over her shoulder. Large roses bloom around her against a dark, cloudy sky dominated by a huge pale circle. In the lower left, a small round creature with an angry, furrowed expression and tentacle-like appendages hovers amid motion lines and scattered leaves. Bold text declares "WITHIN A FEW HOURS" near the woman and "THE KING WILL DIE" at the bottom of the page.

The scene shows a long, narrow aisle inside a vast storage facility lined with tall metal shelves packed with wooden crates and boxes. A small cart or forklift sits abandoned near the left wall. Dramatic shafts of light cut through the dusty air while large stylized sound effects "オオオオ" echo repeatedly across the space, suggesting a deep rumbling or powerful vibration shaking the entire warehouse.

In a dim storage room stacked with labeled crates, a figure with wild spiky hair lies inside an open wooden box, eyes half-open. Speech bubbles read: "A PLACE THAT NO ONE BUT US WOULD FIND" and "IT SHOULD BE FURTHER BACK.... YES". A long-haired girl stands among the shelves, replying "THIS WILL SERVE" as motion lines and impact shapes mark her movement. The scene shifts to a long corridor where the same girl faces a small round creature in the distance. Bubbles continue: "SO THE KING WON'T LOSE HIS COOL" and "NOW ALL WE HAVE TO DO IS NEGOTIATE WELL". She answers "I UNDERSTAND" while the creature glares with sharp teeth and angry brows. A close-up captures its furious expression surrounded by sweat drops and motion lines. The page ends on a black panel with two large bubbles stating "CRUEL" and "WE ARE".

A massive insectoid creature with a horned head and tattered wings is shown from above, surrounded by scattered black particles. Bold text declares "NO DIFFERENT FROM AN ANT". The lower panel depicts a heavy boot crushing down on the creature's body, with additional text reading "EVEN WORSE" and "NO".

Dark aircraft swarm across a smoke-filled sky, their lights cutting through falling debris. Below, a massive pile of skulls and bones lies tangled with abandoned rifles and helmets, crows circling overhead. In a flooded ruin, a bald figure sits motionless in shallow water surrounded by floating corpses, while distant silhouettes watch from the shore. A line of civilians stands under guard as armed soldiers hold rifles ready. Bare feet step through muddy water, one slipper discarded nearby. Soldiers confront a kneeling captive at gunpoint in a ruined street.

A skeletal fish lies on its side. Rows of skinned carcasses hang from hooks above piles of meat. Crosses mark graves in an open field under a cloudy sky. Soldiers beat people on the ground near a vehicle. In a ruined city street, a boy on crutches stands beside a girl with a bowl, tall buildings looming behind them. A heavily bandaged hand reaches forward from darkness.

A sleek white car sits parked outside a luxury dealership as a man in a suit gestures wildly beside it. Nearby shelves display glittering jewelry and a large ornate necklace on a black bust. On a brightly lit runway, a woman in a flowing dress and wide hat strikes a pose while another model walks behind her. In a dim alley, three ragged men sit on the ground; one drinks from a bottle while the others huddle with heads bowed. A long white limousine pulls up to a grand building where well-dressed people gather and chat at the entrance. Vast crowds fill an open square, some standing alone while others cluster together. Another dense gathering waves blank signs and banners. Close-up faces show a young boy looking upward in shock beside an elderly man with a pained, open-mouthed expression. A final panel fills with dozens of shouting, wide-eyed citizens holding signs aloft.

At an elegant party, a blonde woman in a low-cut dress smiles while holding a glass as a man in a tuxedo leans in to speak with her. Other guests mingle in the background near a long dining table covered with plates of food. A close-up shows a laughing mouth and raised glass. Two hands toast with crystal glasses filled with sparkling liquid. A sudden horizontal burst of light and speed lines cuts across the page. Below, a massive mushroom-cloud explosion erupts over a nighttime city skyline, buildings crumbling at its base as debris flies outward. At the bottom of the page, bold text declares the cause.

Detailed molecular diagrams fill the upper half of the page, mapping the chemical structure of the Rose poison with labeled atoms and bonds. A prominent text box states that the reason the Rose poison scattered in large amounts the moment the flower blooms is better than any other similar ones. Another box explains that besides being easily taken in by the body and rapidly destroying the internal organs of the unlucky ones who did not die in the explosion because of their distance from the flowering place, the poison also brings forth a great chain of poisonings. Lower panels depict a hunched, dotted figure clutching its body as text describes how the poison turns the flesh of the affected people into poison, which then starts releasing new poison while slowly leading them to death. The amount of poison and the time it takes for the victims to die is actually quite superb. At the bottom, against a dark backdrop, a large butterfly-winged silhouette hovers while a frog-headed character stares upward, concluding with the words IN SHORT.

A close-up shows a severely injured hand thrust forward against a black background, fingers splayed with a dark wound at the center. Bold text labels it INHUMANE and declares IT WAS THIS UN-RIVALLED. The hand belongs to a character whose face fills the lower panel, eyes wide with shock, mouth open, sweat flying, and the same wounded hand raised near their chin. Large lettering proclaims DEMONIC WEAPON as the character stares in horror at the injury.

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