20 pages · Succession Contest arc

Hunter × Hunter Chapter 379: Collaboration

What happens in chapter 379

The chapter opens with a witness recounting a murder and encounter with a camouflaged soldier who counts victims up to twenty before fleeing due to outside noise. Investigators analyze a locked toilet from which the suspect vanished, noting clues like level, number of people, and possible Nen use. A Heil-ly family member named Cashew is questioned.

  1. p.0Chapter number 379 titled COLLABORATION.
  2. p.9Nobunaga proposes the culprit is a hitman from a rival family.
  3. p.19The man with glasses proposes an alliance to eliminate the threat early.
379

Collaboration

00
A short-haired person stands with their back to the viewer in a dimly lit room. Narration explains the sequence of events: shortly after she opened the door, there was the sound of her collapsing. Upon hearing a knocking, she headed for the entrance. The chapter title reads HUNTER x HUNTER No. 379 ◆ COLLABORATION. In the next panels, the same person is shown from behind reaching toward a wooden door while narration continues: as I exited the toilet, panicking... I tried calling out, but there was no response. A speech bubble near the door reads MS. ****? Another panel shows the back of their shirt with the text ARE YOU OKAY? Below, a large close-up reveals a menacing dark silhouette with glowing circular eyes and a crescent-shaped mouth, accompanied by the line THAT MAN WAS STANDING THERE. To the right, the short-haired person is seen in profile staring at a heavily bolted metal door with a small arrow pointing to the lock mechanism.
short-haired persondark silhouette figure
01
Colorful promotional credits page for Hunter x Hunter. Gon Freecss appears in the foreground with green spiky hair, wide green eyes, and an intense expression against a fiery orange and yellow background. Credits list: cleaned by Prostyle, 2B; redrawn by Matryel, Shack; typesetting by Rtsd, Nora, Dylan, Zero; translated by DzyDzyDino; provided by Friedrich. A notice box warns against rehosting the chapter and directs readers to official volumes.
Gon Freecss
02
From behind, a short-haired passenger stares down a dim hallway where a long-haired woman lies dead in a pool of blood. The passenger recalls stepping aside as ordered. In the corridor, a soldier in full camouflage and helmet stands with two other passengers, one saying 'OUT OF THE WAY.' The passenger thinks, 'I COULDN'T HAVE SPEAK EVEN IF I WANTED TO...' while the soldier grips a knife and warns, 'IF YOU MAKE ANY NOISE, I'LL KILL YOU.' The soldier adds, 'EVEN IF THAT MAN HADN'T TOLD ME THAT...' The passenger focuses on a sign reading '3RD DECK - UPPER STORY SINGLE PASSENGER ROOM' and 'CABINETS & BED' as the soldier declares, 'AND THAT WAS ALL I WAS FOCUSED ON.' The passenger decides, 'I DECIDED THAT IN ORDER TO SURVIVE, I HAD BETTER DO EXACTLY AS HE SAID.'
short-haired passengercamouflaged soldierlong-haired woman
03
The short-haired passenger continues praying 'PLEASE, PLEASE, PLEASE...!!!' while convinced any sound would mean death. The camouflaged soldier reflects that targeting a single passenger room was tidy and had planned to stop at exactly twenty people. The passenger admits having no idea what the soldier meant. The soldier counts '1... 2... 3...' while holding a knife, and a silhouette of another figure appears with the number '20?'. The passenger thinks 'JUST AS I THOUGHT I WAS ABOUT TO BE KILLED...' then hears running footsteps, banging on doors, a shriek, and voices calling for help outside the room. The soldier turns toward the noise as the passenger realizes the man has left.
short-haired passengercamouflaged soldiersilhouetted figure
04
A man in a long coat stands with hands clasped in a narrow corridor as voices recount the incident. "AND I WAS HERE ALL THE WAY UNTIL THE ROYAL ARMY'S SOLDIERS PRIED THE DOOR OPEN..." "YES..." "FROM THE IN-SIDE...?" "HE LOCKED THE TOILET DOOR FROM THE INSIDE." Flashbacks show soldiers forcing open a bathroom door from outside while another figure inside claims he was present the entire time. "FROM INSIDE THERE." "HE HAD TO HAVE ESCAPED..." The man in the coat listens intently. Further testimony confirms the door remained locked from within according to the royal army, yet the suspect never emerged. "AND THE ROYAL ARMY HAD ALSO CONFIRMED THAT THE DOOR WAS INDEED LOCKED." "BUT THAT MAN NEVER CAME OUT OF THE TOILET." "THE ROYAL SOLDIERS SAID THE EXACT SAME THING TO ME." A helmeted officer concludes that even a rat could not fit through the drainpipes, let alone a human. In a lower panel the same officer analyzes the case: "THESE ARE THE KEYS TO UNRAVELING THIS MYSTERY ...!" noting the words "LEVEL," "NUMBER OF PEOPLE," "20," "21," and "ONE OFF." He reasons that killing the victim would have been instantaneous and questions why the culprit would leave a witness, suspecting a Nen user. Nearby soldiers question a curly-haired individual who admits sitting next to the female victim in the cafeteria. "AND WE JUST HAPPENED TO SIT NEXT TO EACH-OTHER IN THE CAFETERIA..." "BY THE WAY... WHAT IS YOUR RELATION TO THE FEMALE VICTIM?"
helmeted officerlong-coated mancurly-haired witnessroyal army soldiers
05
A short-haired woman with a tear-streaked face clasps her hands near her mouth. "TO REALLY GET TO KNOW HER... OR BE THERE FOR HER...!" "...BUT I NEVER GOT THE CHANCE..." In the hallway below, the helmeted officer speaks with her while soldiers stand guard. "I'LL PROBABLY COME BY TO QUESTION YOU A FEW MORE TIMES." "...WHY DON'T YOU HEAD BACK TO YOUR ROOM AND REST FOR NOW?" The woman walks away down the corridor past armed personnel. In a wider view she is seen crying in the middle of a crowded hallway filled with soldiers and onlookers. The final panel shows a close-up of her face with a neutral, exhausted expression and the label "HEIL-LY FAMILY MEMBER - CASHEW LEVEL 1" beside her. Small ellipsis marks hover near her head as the scene fades.
Cashewhelmeted officerroyal army soldiers
06
In a crowded room full of investigators and officials, a voice declares a desire to know how long it will take them to find the criminal after identifying him. Another speaker wants to get a feel for the investigation prowess of the army and the Hunter Association. The boss herself said that if you wish for it strongly enough, your ability will answer you. They note that they won't catch me and if they do, I'll just escape, but if caught you'll be executed—no doubt about it. In a hallway, the scarred man stands with a young figure in a hoodie. He praises the work as excellent and states that like that, he'll weave some truth in with the lies, some lies in with the truth, leaving little hints for them to piece together why he wasn't killed. The scarred man clenches his fist as his power surges with dramatic sound effects. He feels it now, just now, the gift and ability bestowed upon him. He recognizes it as a spatial teleportation ability, not exactly one he cares for at all. As Luini said, he vanished from the toilet. A woman with closed eyes appears, stating she has succeeded in making contact with the investigation team and will go in even deeper next. The scarred man walks away, thinking he'll take it slow, both raising his levels and wishing for his gift, wondering if all that fun rushing forward to get everything done is really worth it.
scarred manhooded young figurelong-haired woman
07
The scarred man stands alone inside a small, sealed single room with one door, closed in by walls with no means of entering or leaving. He declares these are the requirements to activate his ability. He walks toward the door, which allows travel to another location once activated. He demonstrates opening the walls or floor of that room with a blade. If the door to the original room is opened, it ceases to be a locked room, resetting his ability so it cannot be used on that room again. He can return to his original room at any time, but his destination is also limited to places he has been before. It seems he can even travel back and forth outside the ship, but with the risk of his ability getting reset, he hasn't tested it for now. The scarred man grips his weapon and smiles confidently while explaining the limits.
scarred man
08
A figure stands on a high ledge inside a dim storage structure and declares, "WITH THE SPIDERS." Below, another person tumbles through the air with arms outstretched as the first continues, "FOR NOW, I'M GOING TO LOOK FORWARD TO MY COLLABORATION..." The sound effect "Zuuu..." trails after them. The scene shifts to a vast, cluttered warehouse floor littered with overturned boxes, scattered papers, and debris. Three men stand amid the mess: Phinks Magkav, Nobunaga Hazama, and Feitan Pohtoh. Phinks reports, "ONE PERSON ESCAPED." Nobunaga corrects him, "NOT QUITE." Feitan adds, "THEY'VE ALL VANISHED."
Phinks MagkavNobunaga HazamaFeitan Pohtohspiky-haired man on ledgefalling man
09
Phinks stands in a long, empty corridor and says, "IT'S LIKE THEY'RE JUST SCREAMING 'FOLLOW ME!'" He adds, "I DON'T LIKE THIS ONE BIT." A separate panel shows a bloodied corpse slumped against the wall with the note that the blood has dried and the body disappeared then reappeared. Nobunaga, Phinks, and Feitan examine the scene. Nobunaga suggests whatever happened may have nothing to do with them. Phinks questions the logic of letting another mafia member escape. Feitan wonders what the enemy is trying to accomplish. In a close-up, Phinks asks whether the wounds look like the work of different people. Nobunaga replies, "NOT EXACTLY." The final panel shows Nobunaga's intense close-up as he concludes, "I BELIEVE THE ENEMY IS A HITMAN FROM ANOTHER FAMILY WHO DESIRES A CONFRONTATION TO BREAK OUT BETWEEN US. THE CULPRIT WAS PERFECTLY CONTENT FOR US TO LEAP TO ACTION AFTER SEEING THAT ONE CORPSE AND WIND UP BREAKING INTO A HUGE DISPUTE WITH THE OTHER MAFIA MEMBERS... AT LEAST THEY WOULD HAVE BEEN..."
Phinks MagkavNobunaga HazamaFeitan Pohtohbloodied corpse
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A man with a topknot strokes his chin thoughtfully while speaking. "THE MORE THEY SEEM ...JUST LIKE US." "IN FACT, THE MORE I THINK ABOUT THIS CULPRIT..." Nearby, the same man stands over a small hooded figure holding a long object, with another person watching from the side. Speech bubbles continue the discussion: "BUT SINCE IT DIDN'T WORK, HE HAD NO CHOICE BUT TO CONTINUE ON WITH HIS ORIGINAL PLAN?" "SO THEN WHAT ARE YOU SAYING? HE JUST HAPPENED ACROSS US SO DECIDED HE'D TRY TO USE US..." "THAT'S A STRETCH." "DON'T YOU THINK SO?" Close-up panels show a masked figure with a skull emblem and a stern blond man. The scene shifts to a wide view of scattered papers and debris on the floor. "REGARDLESS, THE FIRST CORPSE..." "PERHAPS THE CULPRIT MADE A MISTAKE AND SOMEONE ESCAPED, AND HE'S GONE TO CHASE AFTER HIM." "IT MAY BE EXACTLY AS YOU SAID, SEPARATE ACTS BY DIFFERENT CULPRITS." "OF COURSE, THIS IS NOTHING MORE THAN MY SPECULATION." A large close-up reveals a scarred, intense man with narrowed eyes. "WITHOUT A DOUBT..." "THAT WAS SOMEONE PLAYING GAMES WITH US..."
topknot manhooded small figuremasked bandana figurestern blond manscarred intense man
11
A long corridor view shows three figures walking away, with footprints and dark stains trailing behind. A speech bubble explains: "IF HE ATTACHED HIS GUM TO THE CORPSE AND YANKED IT OVER THE TOPS OF OUR HEADS, THAT IS." "WE DEFINITELY WOULD HAVE NOTICED IF IT WAS HISOKA'S BUNGEE GUM." A close-up shows the masked bandana figure looking upward. "THE NECK SEVERED NOT BY CARD, BUT BY LARGE BLADE AND SLOPPILY." "NOT HISOKA." Another panel reveals a blond man in profile. "BUT AT THE CHA-R FAMILY...!" "WHOEVER IT IS, THEIR BLADE ISN'T POINTED AT US..." The final wide panel depicts an empty corridor stretching into the distance, lined with pipes, doors, and a distant cabinet, marked by a trail of dark footprints and stains on the floor.
masked bandana figureblond man in profilethree distant walking figures
12
A man with slicked-back hair glances at a security camera and wonders aloud what might be hidden inside the secured area. Nearby, a man with a topknot in a white robe examines a heavy door and remarks that there is no telling what lurks behind closed doors. In the hallway, a woman with a ponytail and two men approach a reinforced door at the end of the corridor. The topknotted man inserts a tool into the lock mechanism, producing a sharp GCHK sound as he works. The slick-haired man asks if the door is locked. The topknotted man replies that he figured as much. From below, a voice calls out "...Hey..." The group then stands at the entrance to a long, dimly lit basement hallway lined with doors and pipes, staring into the darkness ahead.
slick-haired man in uniformtopknotted man in white robeponytailed womanman in dark jacketbandaged figure
13
A group of armed individuals stands in the hallway facing the intruders. One man in a suit introduces himself as Wang, underboss of the Cha-r family, stating his superiors instructed him to wait. He adds that he hates slow, tedious work and will ask direct questions. Wang questions whether the group attacked their warehouse keepers. The topknotted man and the slick-haired man stand visibly tense as Wang looms in close-up, his eyes narrowed behind glasses.
Wangslick-haired man in uniformtopknotted man in white robebandaged figurearmed men in casual and formal attire
14
In a vast, crowded cafeteria filled with inmates and visitors seated at long tables, people eat, talk, and move about under harsh lighting. Murmurs ripple through the room as several figures glance around with wary expressions. A lone man in a light robe sits at a small table in the center of the hall, calmly handling small cards or tokens. Hands carry two metal trays loaded with food: one holds grilled meat, vegetables, rice, and bread rolls, while the other contains packaged items, a canned drink, and a wrapped bar. The trays are presented forward as if being delivered or inspected.
robed man at tablecafeteria crowd
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The robed man remains seated at his table while a suited man stands nearby and another figure in a patterned shirt crouches low. Franklin stands with his back partly turned, speaking to a scarred man with an X-mark on his cheek. The scarred man replies with a stern expression. Franklin states he does not take pointless actions and questions whether Franklin intends to search for Hisoka or still has something to say. The scarred man answers that they have already moved seats. He adds that if he waits, Hisoka will eventually come to him on his own because Hisoka is also searching for them to kill them. An elderly woman with long hair, smoking a cigarette, listens and responds with understanding. She is identified as Cha-r Family Vice-Boss Ittoku.
Franklinscarred man with X cheekCha-r Family Vice-Boss Ittokurobed man at tablesuited man
16
A scarred man with X marks on his cheek sits in profile, placing something into his mouth as he speaks. "It wasn't us," he states firmly. Across from him, an elderly woman with a headscarf and cigarette replies that she has just received word some of their young troops and two warehouse keepers were killed or abducted. She asks what he makes of that. The scarred man explains they had sent word that three of their members went to the warehouse to retrieve weapons, so there was no reason to provoke their members. He cannot see what is happening. The woman suggests that if they came picking a fight they are not the type to back down, but at least that is what she would like to say if the ones who started it were the ones that started it. A third party must have taken advantage of the situation. The scarred man concludes that in that case it was not them. The scene shifts to debris and broken glass on the floor as the woman asks who knows and the man wonders if it might be him or not. She questions if he thinks it is Hisoka. In close-up the scarred man crunches something between his teeth and affirms once more, "But it wasn't us." The woman responds, "I see."
scarred man with X markselderly woman with headscarf
17
The scarred man continues speaking with a neutral expression. The elderly woman asks if Hisoka was his only reason for boarding the ship and notes that they are thieves after all. Three figures stand together on an open deck under a cloudy sky: the scarred man, a young man in a jacket, and a man in a checkered coat. The scarred man states that unless someone picks one first they will not be starting any fights and will not move on to any other plans until they kill Hisoka. The elderly woman replies "But..." while holding her cigarette near her mouth. A hand wearing a studded glove adjusts the glove on the other hand with a sharp FWSS sound. The scarred man apologizes for having bothered her. She answers that she understands. The final panel shows a long empty hallway with pipes and windows.
scarred man with X markselderly woman with headscarfyoung man in jacketman in checkered coat
18
In a dimly lit room, a man in a robe stands beside a hooded figure while a suited man with glasses speaks into a phone. "I believe I've got a vague idea of what happened now," he says. "My apologies." Nearby, another suited man reports, "Two of our idiot men were so shocked that they let him in. That over there is the Cha-r family hideout... and earlier a man came by carrying one of our warehouse keepers who was drenched in blood." In the hallway, several figures stand at a distance as three people walk away down the corridor. "Understood," one replies. "...Yes." The suited man with glasses continues, "The man's face was also covered in blood, so they couldn't identify him, but he kept shouting 'The spiders did this!' According to testimony of those inside the hideout..." A voice responds, "Not exactly. I see. And as soon as he came inside... ka-boom! I take it?" The man with glasses narrows his eyes. "They could manipulate us with a sloppy set-up like this. But what really pisses me off is that someone thinks..." The blond man beside him says, "Yes, I know. After all, that man somehow disappeared at some point... And we've been telling you this whole time that we didn't do anything! This is all his scheme!" The man with glasses concludes, "I believe the enemy is a hitman from another family who desires a confrontation to break out between us. Thankfully you are calm, level-headed people who will listen to reason. And with the warehouse keeper already dead, we've no way to verify his story."
man with glasses and dark hairblond-haired manhooded figureman in robegroup of suited mendistant figures in hallway
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The discussion continues with the man with glasses explaining, "It's a restriction that keeps one from jumping (teleporting) to a place they've never actually visited. So he came to fulfill that requirement! There's a kind of activation requirement for spatial teleportation abilities known as 'marking'." A figure stands in a doorway as another voice asks, "Entering your hideout itself was his true goal. Per-haps... What do you mean by that...?" The man with glasses stares intensely. "Just how dangerous it is now that he's succeeded. If you're a Nen user, then you should well understand..." He adds, "And they have enough power to do as they please and back it up...! They don't hold anything back - Frank and open - without any concern for enemy or ally. They are completely removed from the concept of balance." Adjusting his glasses with a serious expression, the man with glasses declares, "I must crush them before they have the chance to sprout...!! Would you accept...? ...If I proposed we team up... As I thought, they are seeds of danger." The page ends with the chapter number.
man with glasses and dark hairblond-haired manfigure in doorwaysilhouetted man
End of chapter20 pages

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About this chapter

Hunter × Hunter Chapter 379: Collaboration

Chapter
379
Summarised
Pages
20
Previous

Chapter 379 summary

The chapter opens with a witness recounting a murder and encounter with a camouflaged soldier who counts victims up to twenty before fleeing due to outside noise. Investigators analyze a locked toilet from which the suspect vanished, noting clues like level, number of people, and possible Nen use. A Heil-ly family member named Cashew is questioned. The scarred man reveals his spatial teleportation ability activated by locked rooms and discusses it with allies. The Spiders (Phinks, Nobunaga, Feitan) investigate a warehouse and corpses, suspecting a setup to provoke conflict between mafia families. They meet with Cha-r family members including Wang and Ittoku, denying involvement in attacks and agreeing that an outside hitman, possibly Hisoka, is manipulating events. The groups consider teaming up against the threat.

19 key facts · 40 characters

Key facts in chapter 379

  • Chapter number 379 titled COLLABORATION Story involves a character reacting to a collapse and a knocking sound A dark figure is described as standing near the door
  • The scene takes place on the 3rd deck upper story single passenger room. A woman lies dead in the hallway with visible blood. The soldier carries a knife and wears full camouflage gear. The passenger is forced to remain silent and compliant.
  • The soldier intended to kill exactly twenty people. The passenger remains frozen in terror inside the room. Noise from outside the corridor interrupts the moment. The soldier's counting reaches at least twenty.
  • The toilet door was locked from the inside according to multiple witnesses. Royal army soldiers pried the door open and found no one inside. The officer notes inconsistencies involving the numbers 20, 21, and one off. A witness admits to sitting next to the victim in the cafeteria.
  • The woman is identified as Heil-ly family member Cashew at level 1. She claims she never had the chance to get to know the victim. The officer plans additional questioning sessions.
  • The scarred man possesses a spatial teleportation ability. The ability was not the one he originally desired. A character named Luini previously vanished using a similar power. The scarred man is leaving deliberate hints for investigators. A woman has made contact with an investigation team.
  • The ability requires a single locked room with one door. Opening the original door resets the ability. Destinations are limited to places previously visited. The ability may allow travel outside the ship. The scarred man has not tested resetting the ability yet.
  • A character explicitly references collaboration with the Spiders. The warehouse contains numerous stacked and overturned boxes. Three visible men discuss the disappearance of multiple people.
  • The blood on the corpse has dried. The corpse disappeared and then reappeared at the scene. Nobunaga proposes the culprit is a hitman from a rival family.
  • Discussion centers on identity and motives of a culprit. First corpse is referenced as key evidence. Possibility of multiple culprits is considered. Hisoka's Bungee Gum is ruled out as the method.
  • Neck wound caused by large blade rather than card. Bungee Gum ruled out due to lack of notice. Trail of footprints leads down the corridor. The blade wielder's target is not the current group.
  • The area features heavy security including cameras and reinforced doors. Characters are investigating or breaching a locked door in a basement hallway. A sudden sound effect accompanies the lock manipulation.
  • Wang claims affiliation with the Cha-r family as underboss. The opposing group is armed with rifles and handguns. Wang directly accuses the arrivals of attacking warehouse keepers.
  • The scene takes place in a large shared dining facility. A solitary robed man sits apart from the crowd at a small table.
  • Franklin is addressed directly in conversation about Hisoka. The scarred man confirms the group has relocated their seats. Ittoku is the Cha-r Family Vice-Boss.
  • Warehouse keepers were killed and four troops abducted. Three members went to the warehouse to retrieve weapons. A third party is suspected of taking advantage of the situation. Hisoka is mentioned as a possible suspect.
  • The group will not move on other plans until Hisoka is killed. The scarred man is on the ship primarily because of Hisoka. The conversation takes place on a ship with an outdoor deck area.
  • A blood-covered man entered the Cha-r family hideout shouting about the spiders. The warehouse keeper who was carried in is already dead. The man with glasses believes the incident is a setup by a rival family hitman.
  • Teleportation requires prior visitation or marking of the destination. The intruders are described as completely removed from the concept of balance. The man with glasses proposes an alliance to eliminate the threat early.
Symbols and visual details19 · show
  • Back view of short-haired head with sharp black-and-white shading Wooden door with vertical grain lines and a small rectangular sign reading THUMP Silhouette with glowing white eyes and crescent moon mouth Heavily reinforced metal door with multiple horizontal bolts and padlocks Camouflage-patterned background in the final panel Manga page header with HUNTER x HUNTER logo and chapter number Speech bubble tail pointing toward the door Narration boxes placed in upper left and right of top panel
  • blood pool beside the body X-shaped tape on the floor open doorway with cabinets visible knife held low by the soldier helmet with black markings camouflage uniform with pouches sign on the door listing room features
  • sweat drop near the passenger's head knife blade raised in the soldier's hand counting numbers floating in panels motion lines indicating running outside helmet with black markings on the soldier
  • helmeted officer stands with arms crossed analyzing evidence long-coated man clasps hands while listening to testimony toilet door shown pried open by soldiers empty bathroom interior with scattered debris speech bubbles positioned above the officer's head during deduction curly-haired person seated among armed guards corridor with multiple doors and overhead lights impact lines around the forced door panel officer silhouette against a dark background while thinking soldiers holding rifles in the background
  • woman's hands clasped tightly in front of her face tear rolling down the woman's cheek helmeted officer kneeling while speaking to the woman soldiers with rifles lining the corridor woman walking alone down the hallway large group of armed personnel in the background close-up of the woman's downturned eyes and neutral mouth label box identifying her as Heil-ly family member ellipsis marks indicating silence or hesitation shaded background emphasizing emotional weight
  • Crowded investigation room with multiple seated figures Scarred man standing tall in a narrow hallway Young figure walking ahead with back turned Close-up of scarred man's intense eyes and clenched fist Dramatic speed lines and impact SFX around the man Woman's face with closed eyes and slight smile Man walking away down a corridor with motion lines Speech bubbles positioned above and beside speakers Dark shading emphasizing the man's power activation Small panel showing the woman's lower face reacting
  • Isolated single room with one door Scarred man standing centered in the empty room Hand gripping a blade near a door Arrow indicating travel to another location Two figures in winter clothing inside a damaged room Close-up of scarred man's face holding a weapon Large circular speech bubbles framing key explanations Motion lines showing door opening effect Shaded background emphasizing isolation of the room
  • High ledge and open storage structure viewed from below Falling figure with arms spread wide Scattered boxes and papers across warehouse floor Three men standing in foreground with serious expressions Bandana with skull motif on one character Topknot hairstyle on central figure Slicked-back hair on leftmost man
  • Long empty corridor with distant dark opening Bloodied corpse slumped against wall Scattered playing cards near the body Three men standing together in discussion Close-up of Nobunaga's serious face filling the panel
  • topknot man holds hand to chin in thought scattered papers and debris across floor long object held by hooded figure skull emblem on bandana close-up of narrowed suspicious eyes corridor perspective with distant figures motion lines indicating past action shadows emphasizing serious expressions
  • dark footprints trailing down corridor blood-like stains on floor and walls skull emblem visible on bandana long empty hallway perspective pipes and doors lining walls distant cabinet at corridor end three figures seen from behind
  • security camera mounted on ceiling reinforced metal door with handle tool inserted into lock long empty basement corridor with pipes scattered debris on floor motion lines indicating sudden action
  • multiple firearms held by the group close-up of Wang's face with intense expression hallway background with pipes and doors shadowed dramatic lighting on Wang
  • Large open cafeteria with rows of tables and many seated figures Close-up panel of four men with tense, listening expressions and SFX ひそひそ Close-up panel of three men with serious faces and SFX ざわ ざわ Isolated man in robe seated alone at a table handling small objects Two food trays held in foreground showing detailed meals Background figures walking or standing throughout the hall
  • Franklin standing near the table with back partially visible Scarred man shown in profile with X facial mark Close-up of the scarred man's intense eyes Elderly woman Ittoku smoking and speaking Label box identifying Cha-r Family Vice-Boss Ittoku Background vending machines and seated diners
  • scarred man places item in mouth while speaking elderly woman smokes cigarette during conversation debris and shattered glass scattered across floor close-up of scarred man's face with X tattoos sound effect CRUNCH near scarred man's mouth
  • three men standing together on deck under clouds studded glove being adjusted with FWSS effect empty industrial hallway with pipes and windows elderly woman holds cigarette to mouth while thinking
  • phone held to ear during report blood-drenched warehouse keeper mentioned hallway perspective with distant observers close-up profile of man with glasses impact SFX 'ka-boom' warehouse keeper already dead hitman from another family suspected warehouse keeper disappearance noted
  • wooden door and beams in background close-up intense face of man with glasses hand adjusting glasses chapter end logo with small character portrait spatial teleportation restriction explained Nen user activation requirement 'marking' seeds of danger metaphor
  1. 376Determination
  2. 377Scheme
  3. 378Balance
  4. 379Collaboration
  5. 380Alarm
  6. 409Negotiations: Part 3
  7. 410Negotiations: Part 4

Cite this chapter

Hunter × Hunter, ch. 379 — Collaborationhttps://loresquare.com/hunter-x-hunter/source/chapter/379

Every page of Hunter × Hunter chapter 379 has an address of its own. Add #page-10 to the link above and it opens on page 10 instead of at the top — so a comment that says “see chapter 379” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.