20 pages · York Shin City arc

Hunter × Hunter Chapter 94: Chapter 94

What happens in chapter 94

p.0Gon breaks through a wall using a kick.
p.10Man with glasses demonstrates control over a 4-meter En radius.
p.18A photo of the girl is shown being held by someone on the floor.

Gon charges forward and delivers a devastating kick that smashes through the wall with explosive force. The impact creates a large hole as debris scatters and the sound effect VLAM echoes across the panel. Below, the ruined hallway lies in shambles with broken walls, scattered debris, and a large hole in the floor. A man with a topknot stares upward in alarm, shouting that the wall was destroyed to escape.

Gon Nobunaga

The man with the topknot sweats as he considers his options, muttering which one he should follow. A detailed cross-section of the building reveals multiple floors with Gon and two other figures positioned on upper levels near a damaged area. The man realizes they are on the fourth floor and notes that the stairs are right next to their location.

Nobunaga Gon

Gon bursts through a crumbling wall in a powerful leap, shards of concrete and debris exploding outward as he charges forward with a fierce expression. Close behind, Killua smashes through another section of the broken structure, landing in a crouch amid the falling rubble. In a dimly lit corridor, Nobunaga stands with his back partially turned, gripping a sheathed sword. He glances over his shoulder and shouts, "THE ONE WITH DARK HAIR!!"

Gon Killua Nobunaga

Nobunaga sprints down a long, damaged hallway as large onomatopoeia "BATAM" echoes. He skids to a stop with a surprised "!" expression. In close-up, Nobunaga thinks, "I CAN BREAK IT DOWN AND FOLLOW HIM, BUT... HE LOCKED THE DOOR." Multiple small panels show him testing locked doors with repeated "BATAM" impacts and a "clac" sound. From a low angle, Gon lies on the debris-strewn floor while Nobunaga considers, "IF I ATTACK FROM THE SIDE, HE'LL BE CAUGHT LIKE A RAT IN A TRAP!!" A final "TAP" is heard as Nobunaga moves into position.

Nobunaga Gon

Nobunaga presses his ear to the wall, listening intently as faint tapping sounds echo from above. He mutters that he can hear the target moving downstairs. In the next room, the man with glasses sprints through a narrow corridor, realizing his target is only two rooms ahead. He curses the target's stupidity. Suddenly the man with glasses smashes through the wall with a violent VLAM, debris flying as he spots the other figure fleeing. He lands in a powerful stance and declares there will be no more hesitation; he must pursue the dark-haired one. With a massive BATAM the wall beside Nobunaga explodes inward, sending cracks and dust across the surface as Nobunaga flinches with a startled Ah!

NobunagaMan with glasses

The man with glasses bursts through another wall into a hallway, landing with a heavy TAP as rubble falls around him. He immediately dashes forward. Through a large hole in the wall he scans the next room, muttering that he must hurry. In the debris-filled chamber below, overturned chairs, broken furniture, and a potted palm tree lie scattered across the tiled floor. The man with glasses stands among the wreckage and shouts where the target is hiding. From below Nobunaga wonders if the target hid somewhere, noting there is no hole in the wall and the door remains locked.

Man with glassesNobunaga

Killua bursts forward with wide eyes and an open mouth, shouting desperately, 'ARE YOU HERE?!' as the large vertical letters 'KILLUA!!!' emphasize his cry. Below him, the man with glasses turns sharply in profile, reacting with a startled '!?'. In a small panel, a figure is seen bursting through a door from behind, prompting the exclamation 'HOW DID HE ESCAPE?!' and 'CRAP!'. The view shifts to a long, damaged corridor where a voice calls out 'YEAH!' and 'I'M HERE!'. At the bottom, the bearded man studies a floor plan marked with arrows and the word 'HOLE', thinking aloud, 'HE HID IN THE ROOM, WAITING FOR ME TO ACT, AND WENT AROUND ME...' while another voice curses, 'DAMN... THAT LAST HOLE HE MADE WAS A TRICK!'

KilluaMan with glassesBearded man

Killua stands firmly in the ruined corridor, legs planted wide, and declares, 'LET'S ATTACK HIM TOGETHER!!' while another voice notes, 'AND HE WENT INTO THE CORRIDOR!!!'. Suddenly a massive impact shakes the hallway as 'VLAM' and motion lines erupt from a distant door, followed by a smaller 'TAC' sound effect near the floor debris. The corridor is left empty except for scattered rubble and broken furniture.

Killua

In a ruined, dimly lit hallway lined with broken windows and scattered debris, a sudden crash erupts as a figure smashes through a wall or door frame. The man with a topknot and glasses bursts into the corridor amid flying rubble and impact lines, his body twisted in mid-motion. Narration wonders whether the hidden enemies are using the darkness to their advantage. A wide view of the empty hallway follows, with text noting that their presences can no longer be felt. The scene cuts to a dramatic close-up of a scarred man’s intense face, his eyes narrowed and aura flaring as he mutters, “THE ID-IOTS …”

Man with glassesScarred man

The man with glasses and topknot launches forward in a powerful leap, surrounded by radiating speed lines and large stylized sound effects. The panel explodes with motion as he extends his arm. Below, three instructional diagrams explain the Nen technique En: a standing silhouette shows aura normally limited to a few centimeters, an arrow points downward, and a larger circle illustrates the expanded range. Text states that En consists of enlarging aura depending on needs and is the technique of major extension of Ten and Ren. A small asterisk notes that “EN” is “circle” in Japanese.

Man with glasses

A man with glasses and a topknot sits cross-legged in traditional robes, hands resting on his knees. Narration states that masters of the technique can increase their En to around 50m and feel the motions of a leaf. Beside him, a close-up reveals the intense gaze of a bearded man with a topknot who explains that thanks to his En he can feel every form of life and every single object that enters the perimeter. In a wide circular panel the man with glasses stands amid a massive pile of shattered debris and broken furniture, stating he can hide his En with the least noise but will react instantly and draw his sword if anyone enters the perimeter. He adds that he can only extend his En to around 4m but that is more than enough, noting it is actually his limit. With a confident stance he calls out "COME." A final close-up shows narrowed eyes declaring "I'M WAITING FOR YOU!!!!"

Man with glassesBearded man

Two pairs of sneakers pound across cracked pavement and rubble, motion lines streaking behind them. The scene opens to a devastated cityscape of collapsed buildings and mountains of debris under a dark sky. Gon and Killua stand amid the ruins; Killua leans forward with an angry expression, shouting "IDIOT!!!" while Gon faces him with a determined look, fists clenched at his sides.

Gon Killua

Killua and Gon stand face to face on a rooftop at night. Killua glares and warns, "FORGET IT! BY THE TIME YOU REACT, HE WOULD HAVE ALREADY SENT YOU TO ANOTHER WORLD." Gon growls back, "GRR! I WANTED TO FIGHT WITH HIM, AND YOU... RRR!" Gon suddenly looks shocked, sweat dropping as he blurts "WHAT??" Killua continues explaining that they only know the basics of Nen and that their opponent is not someone they can handle. In a smaller panel Gon sits with a 100% rate note while Killua adds "A.MOST." Killua then states, "YOU'RE THE ONE WHO KEEPS HIS HEAD AND CALMS ME. THE RECKLESS ONE IS ME." The two boys dash across the rooftop with motion lines as Killua declares, "I'M FINALLY REFINING THE KILLUA I KNOW." Gon urges, "DON'T JUMP TO CONCLUSIONS! THE ONE WHO WE CAN RELY ON." In the large bottom panel under dramatic lighting, Gon sits on a railing with one leg raised while Killua leans forward. Gon says, "BAH, IT DEPENDS ON WHAT YOU WANNA DO." Killua replies, "FINE, AND NOW?"

Gon Killua

Killua continues, "WE COULD GET 6 BILLION JENIS AT ONCE, JUST CAPTURING 3 OF THEM, BUT... THAT DEFINITELY USED TO BE OUR FIRST OBJECTIVE..." Gon suddenly shouts from a higher vantage, "I WANNA BEAT THEM UP!!" Killua looks surprised, "WHAT A SURPRISE." In the next sequence Killua explains their Nen must contain whatever is required to counter the Troupe and that they need to develop their own Nen. Gon reacts with "EH?! WHY?" while running down stairs. Killua states the fastest way is to ask Kurapika. Gon asks "ARE YOU SURE?" and Killua replies they will know if they ask him. Gon exclaims "WHAT?!" upon learning the chain user who killed one of the Troupe is Kurapika. Killua notes, "KURAPIKA STARTED USING NEN AT THE SAME TIME WE DID. IF THAT'S THE CASE, WE MAY HAVE A CHANCE AS WELL." The two boys run together down the long staircase as Gon says, "I KNEW YOU WOULDN'T UNDERSTAND."

Gon Killua

Killua stands in profile with spiky white hair, his expression serious as he speaks. "But if we want to fight against the Ryodan, we have to surpass those. Of course, we have our own skills and abilities." Gon, standing beside him in a sleeveless shirt, replies simply, "Yep." In the next panel Gon asks, "And you think Kurapika knows the way to do it?" The scene shifts to a busy train platform where several people search for someone. A man with glasses holds a phone to his ear and says, "I'm trying to call him." Nearby, another man suggests, "Find a restaurant..." while a third states, "We have to find him."

Killua GonMan with glasses

A caption reads "4 hours before Gon and Killua escaped from the Ryodan." The location is labeled "Ringon Airport." A girl with long light hair in a frilly dress stands in the foreground, shopping bags in hand. She excitedly examines cosmetics, saying "Ah!! That's the foundation I wanted..." and "Oh! This wig is so cute!! And that lipstick, that spray, and this nail polish!!" A small creature-like figure complains, "I'll also buy some clothes." Another voice notes, "Boss, it's about time." In a lower panel the same creature mutters, "Same here... Just shopping with her is going to kill me..." while the girl continues browsing. Sound effects show "PFFFF" and "ゴォォン flop flop" as a helicopter flies overhead.

Light-haired girlShort creature-like figure

In the busy airport terminal, travelers move through the doors and past security. A long-haired girl stands in the foreground, glancing sideways. Nearby, a bearded man watches the crowd. The long-haired girl speaks up, asking someone to watch her bags as she heads off. "Watch my bags, okay? I'm going to the bathroom." A man with glasses and a girl wearing a hat and round glasses converse nearby. The girl with the hat reports on information gained from her flute about a target's recovered strength. The man with glasses replies briefly. He questions whether things will be fine for Kurapika. In the lower panels, the man with glasses continues, noting that the target will not hesitate to sacrifice everything for his goal and that he has one priority he must fulfill first. The girl with the hat adds that even if professionals have reached an agreement, there is no reason they will team up as a group. She can only trust the melodies she has heard. The bearded man asks what the other thinks of the idea of pro criminals.

Long-haired girlBearded manMan with glassesGirl with hat and glasses

Large text reading "BLA BLA BLA BLA" dominates the top of the page above a group of women chatting in the terminal. A speech bubble questions the point of a life spent killing oneself. Another replies that such a life is not worth living. The bearded man and man with glasses watch a line, wondering if the long-haired girl is still in it and noting she is taking time. A small panel shows an apple machine with sound effects. The man with glasses remarks that having no fun in life is a crime and that he will circle the world with his earnings once the job is done. In a lower panel, the long-haired girl points toward a hallway and says she will check. Suddenly the man with glasses reacts with shock, exclaiming "WHAT?!" as the long-haired girl stands before an open door revealing an empty room, shouting that there is no one inside.

Long-haired girlBearded manMan with glassesGirl with hat and glasses

A light-haired girl strides purposefully through a bustling airport terminal, her long hair flowing behind her. She thinks to herself, "MY FATHER'S A LIAR." In the background, travelers move about with luggage and carts. Nearby panels show a group of people waving goodbye with "PROB NO" and "THANKS!" while another figure reacts with "I'LL TCHAC #!" as the girl appears to stumble or fall dramatically. A large black panel emphasizes her internal monologue: "SINCE THE BEGINNING, HE DIDN'T HAVE ANY INTENTION OF BRINGING ME TO THE AUCTION!!" and "I KNOW QUITE WELL THAT IF HE PROMISES SOMETHING, IT'S JUST A LIE." In the bottom panel, the girl walks away down a long corridor as a person lies on the floor holding a torn photo of her, shouting "DON'T CARE! I'LL GO BY MYSELF!"

light-haired girlman with glassesunidentified terminal staffunidentified waving group

ANNOUNCEMENT 1 I COULDN'T HELP IT, AND I WROTE IT IN THE SUMMARY OF JUMP, BUT... [Drawing of a cute round creature with ears, smiling, labeled "AREUH" and "ARGH"] MY CHILD WAS BORN. IT'S A BOY, WHO WEIGHED 2 KG 924 AT BIRTH. NOW, HE'S 5 KG 600.

End of chapter20 pages

Discussion

About this chapter

Hunter × Hunter Chapter 94: Chapter 94

Chapter: 94
Summarised: 22 Aug 2026
Pages: 20
Arc: York Shin City
Previous: Chapter 93
Next: Chapter 95

Chapter 94 summary

Gon and Killua burst through walls and floors to escape, drawing the attention of Nobunaga and the man with glasses who attempt to corner them using locked doors and side attacks. The man with glasses deploys En to scan the area while the boys reach the streets and argue about confronting the Ryodan. Killua insists they need stronger Nen abilities and suggests asking Kurapika for guidance before the scene shifts to events four hours earlier at Ringon Airport involving a long-haired girl and her companions.

19 key facts · 12 characters

Key facts in chapter 94

Gon breaks through a wall using a kick. The room shows significant structural damage from the escape.
Nobunaga is deciding which target to pursue. The group is located on the fourth floor of the building.
Gon and Killua are breaking through a wall into a new area. Nobunaga is present in the corridor and has noticed the intruders.
Nobunaga is chasing someone who locked a door behind them. Gon is positioned on the floor in the hallway below Nobunaga's view. Nobunaga is testing multiple doors in sequence.
Nobunaga is listening through a wall. The man with glasses breaks through a wall to continue pursuit. The target is described as dark-haired by the pursuer. The impact occurs directly beside Nobunaga.
The man with glasses enters a debris-filled room through a wall breach. Nobunaga remains in the room below the chase. The room contains overturned furniture and a potted plant. No visible exit hole or unlocked door is present according to Nobunaga.
Killua is actively searching or calling out in the building. The man with glasses is surprised by Killua's presence. Killua escaped a room by creating a false trail with a hole. A corridor is shown with multiple doors and scattered debris. The bearded man is analyzing Killua's movements on a map.
Killua proposes attacking an opponent together. Someone observes that the target entered the corridor. A violent impact occurs at the far end of the hallway.
The hallway is heavily damaged with shattered windows and scattered debris. A character with a topknot and glasses smashes into the corridor. A scarred man appears in extreme close-up with a fierce expression.
En is defined as the major extension of Ten and Ren. Normal aura range is limited to a few centimeters without En. The technique allows the user to enlarge their aura circle as needed.
Man with glasses demonstrates control over a 4-meter En radius. The technique allows instant reaction to anything entering the perimeter. Debris field visually represents the area covered by En.
The area is a heavily destroyed urban zone. Gon and Killua are present together in the ruins.
Gon and Killua are discussing a powerful Nen user they cannot yet defeat. The boys are on a rooftop at night. Killua is refining his own abilities and mindset. They mention needing someone reliable to depend on.
The Troupe members have a bounty of two billion jennies each. Kurapika is the chain user who killed a member of the Troupe. Kurapika started using Nen around the same time as Gon and Killua. Gon and Killua are running down a long outdoor staircase at night.
Killua and Gon are discussing a strategy against the Ryodan. Kurapika is mentioned as possibly knowing a way forward. A search party is looking for an absent person on a train platform.
The scene takes place at Ringon Airport four hours before Gon and Killua escaped the Ryodan. A light-haired girl is enthusiastically shopping for cosmetics and a wig. A small creature accompanies her and expresses frustration with the shopping.
Scene takes place inside an airport terminal with visible doors and signage. Long-haired girl is departing temporarily to the bathroom. Man with glasses discusses Kurapika's situation with the girl in the hat. The group references melodies heard and professional agreements.
The long-haired girl leaves the group to investigate a hallway. An empty room is discovered behind a door. The man with glasses reacts with alarm to the empty room. Background includes an apple vending machine and terminal architecture.
Light-haired girl is determined to go to the auction alone. Her father promised to take her but had no intention of doing so. The scene takes place in an airport terminal. A photo of the girl is shown being held by someone on the floor.

Symbols and visual details19 · show

Gon mid-kick with determined expression and spiky hair Large foot dominating the foreground breaking through wall Explosion and impact lines radiating from contact point Debris flying outward from the breach Man with topknot looking up with wide eyes and open mouth Destroyed multi-level interior with rubble on floor Hole in distant wall visible in background Speech bubbles positioned near the man's face Motion lines emphasizing speed of the kick
Close-up of Nobunaga's face with narrowed eyes and sweat drops Building cross-section diagram showing multiple stories Three small figures visible on different floors Damaged section highlighted on one floor Staircases marked on the right side of the diagram Speech bubbles with radiating emphasis lines Dark background contrasting the white diagram
Gon leaps forward with clenched fists and determined eyes amid flying debris Killua crouches low while breaking through a wall with one hand extended Nobunaga holds a long sheathed weapon in a narrow hallway Large dark hole in the wall behind the boys indicates forced entry Scattered concrete fragments and motion lines emphasize speed and impact Nobunaga's topknot hairstyle and glasses are clearly visible Gon's spiky black hair contrasts with Killua's light messy hair Dust and small rocks fill the air around the breaking point
Nobunaga running through a ruined corridor with motion lines Multiple locked doors along the hallway walls Close-up of Nobunaga's focused face with sweat drop Gon seen from behind lying prone among rubble Sound effects BATAM and TAP placed near doors and impacts Nobunaga holding his weapon while checking each door Debris and broken floor tiles throughout the hallway Small plant-like object visible in the background corridor
Close-up of Nobunaga's face pressed against the wall showing concentration Sound effect TAP TAP TAP placed near the ceiling Man with glasses running through a striped corridor background Large VLAM impact SFX with radiating lines and wall debris Man with glasses crouched in dynamic landing pose after breaking wall Speed lines emphasizing forward motion and impact BATAM large impact SFX overlapping cracked wall surface Dust and plaster fragments scattering from the broken wall Nobunaga's head turned sharply toward the impact point Small Ah! reaction bubble near Nobunaga's mouth
Man with glasses leaping through a circular wall hole with speed lines TAP sound effect near the landing foot Large irregular hole in a cracked concrete wall Scattered broken chairs and debris across a grid-tiled floor Potted palm tree standing amid the wreckage Man with glasses holding a weapon while searching the room WHERE IS HE?! speech bubble in the ruined room Nobunaga's face shown from below looking upward Horizontal lines suggesting floor or ceiling perspective
Killua's face dominates the top panel with motion lines radiating outward. Vertical 'KILLUA!!!' lettering runs along the right side of the top panel. Man with glasses shown in profile with sweat drop and exclamation mark. Broken door with impact lines indicating forced exit. Floor plan diagram shows arrows and labeled 'HOLE'. Long empty corridor with debris on the floor and damaged walls. Close-up of bearded man's eyes showing realization. Speech bubbles positioned above and beside characters indicating direction of voices.
Killua stands centered in the corridor with determined posture. Large impact lettering 'VLAM' with multiple exclamation marks. Small 'TAC' sound effect near the floor. Debris and broken doors scattered throughout the hallway. Perspective lines emphasize the long empty corridor.
Damaged empty hallway with broken windows and debris Figure bursting through wall with motion lines and rubble SFX: TAC, VLAM, ! Close-up of scarred face with intense glare and aura flames Narration boxes placed along the corridor walls
Dramatic full-page leap with radiating speed lines Large stylized SFX: FUUUU, Lo Three-panel diagram sequence showing aura expansion Silhouette figures demonstrating En range Footnote explaining Japanese meaning of En
Man with glasses sits in meditative posture wearing traditional robes and glasses. Close-up emphasizes the bearded man's sharp gaze and topknot. Large circular panel centers the man with glasses surrounded by chaotic debris. Broken furniture and rubble form a dense circular field around the standing figure. Sword hilt visible at the man's side. Intense close-up of eyes fills the bottom panel. Motion lines and shading emphasize the En perimeter concept. Debris includes shattered doors, frames, and household objects. The man's forward-leaning posture signals readiness to draw.
Close-up of two pairs of sneakers running on cracked ground. Destroyed high-rise buildings line the horizon. Rubble and broken concrete cover the entire foreground. Killua's spiky hair and sleeveless outfit stand out against the ruins. Gon's jacket and boots are visible as he stands ready. Dark sky and distant mountains create a desolate atmosphere. Scattered wooden planks and metal debris lie everywhere. Killua's body language shows frustration and forward motion.
Close-up profile faces of Gon and Killua facing each other with intense eye contact. Sweat drop on Gon's head during surprise reaction. Motion lines showing rapid movement across rooftop panels. Large speech bubbles dominating upper panels. Nighttime city background with faint lights and foliage. Gon kicking leg extended in bottom panel. Dramatic spotlight effect on bottom panel with circular highlights. Killua's spiky hair and Gon's black hair with star motif visible. Rooftop railing and wooden deck surface details. Exclamation marks and emphasis lines around dialogue.
Killua's back view with spiky hair in upper left panel. Gon leaping dynamically with arms outstretched on stairs. Long perspective shots of wooden staircase descending into darkness. Speech bubbles with jagged edges for surprise and emphasis. Motion lines indicating running and downward movement. Night sky with stars visible in upper right panels. Gon pointing forward while speaking. Close-up of Killua's serious expression when mentioning Kurapika. Circular highlight effects around characters in lower panels. Stylized speed lines filling background during action.
Close-up profile of Killua with motion lines in hair Train station interior with pillars and doors Speech bubbles positioned right-to-left Group of people walking away on stairs in background panel Man with glasses holding phone and papers
Helicopter flying above airport terminal Shopping area with cosmetics counter and wigs Large speech bubbles from the girl Small horned creature reacting with sweat drops Airport benches and travelers in background
Airport terminal doors and security checkpoint in background Long-haired girl shown in close-up profile with neutral expression Bearded man standing with arms crossed observing the area Man with glasses wearing a distinctive jacket with emblems Girl with hat and glasses holding a small object while speaking Crowd of travelers moving through the terminal Speech bubbles positioned above characters indicating conversation flow Panel layout showing right-to-left reading order with airport signage
Large stylized text "BLA BLA BLA BLA" across the top panel Group of women standing and talking near a potted plant Bearded man and man with glasses observing from the side Apple-shaped vending machine with "Clap Clap" SFX Long-haired girl pointing down a hallway Empty room visible through an open doorway Man with glasses showing a startled expression with motion lines Girl with hat and glasses visible at the bottom of a panel
light-haired girl walking confidently in a sleeveless dress and sandals airport terminal with check-in counters and ceiling lights speech bubble in upper left reading "MY FATHER'S A LIAR." small panel with waving figures and "PROB NO" "THANKS!" sound effect "I'LL TCHAC #!" during a fall large black panel with radiating lines for emphasis narration text about father's false promises and auction bottom panel showing girl walking away into corridor person on floor holding photo of the girl speech bubble "DON'T CARE! I'LL GO BY MYSELF!" page number 25 visible at bottom left

York Shin City arc

Cite this chapter

Hunter × Hunter, ch. 94 — Chapter 94https://loresquare.com/hunter-x-hunter/source/chapter/94

Every page of Hunter × Hunter chapter 94 has an address of its own. Add #page-10 to the link above and it opens on page 10 instead of at the top — so a comment that says “see chapter 94” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.