20 pages · York Shin City arc

Hunter × Hunter Chapter 95: 3 Septembre 11

What happens in chapter 95

The chapter depicts the assembly of an eight-person team hired to eliminate the Genei Ryodan during the auction in the Cemetery Building. Silva and Zeno Zoldyck join the group, refusing orders while offering a discount, and tensions erupt when Zenji attacks the Nostrad clan leader. Kurapika intervenes in the fight.

  1. p.1The tall long-haired man stands prominently in the room's center.
  2. p.10A cityscape with multiple buildings is shown under a starry sky.
  3. p.18Sound effects indicate shaking or movement from the young woman.
95

3 Septembre 11

00
Under a bright full moon, a sprawling hotel complex and palm-lined grounds stretch across the night skyline. Inside a luxurious suite, an empty living room sits in silence with a round table, fireplace, and staircase visible. A spiky-haired young man stares forward with wide eyes and an open mouth. Beside him, two men stand close together, one with closed eyes and the other glaring ahead. A sharp profile view shows a figure with a distinctive eyebrow marking and the word 'The' nearby. Next to that, a bandaged man with closed eyes and a weary expression appears. In the suite, a door swings shut with a sharp 'clac' sound effect as the room remains otherwise still.
spiky-haired young manshort-haired man with closed eyesglaring man with sideburnsprofiled man with eyebrow markingbandaged weary man
01
A tall, long-haired muscular man stands confidently in the center of the room with arms at his sides. To his left, a much shorter man in a striped uniform and spring-like legs stands upright with a stern face. In a small inset panel, the short man leans over a balcony while saying 'NO, NOT YET.' Below, a bald man in a suit raises his hand and declares 'I THINK EVERYONE'S HERE.' The tall man remains the dominant figure in the doorway as the group gathers.
tall long-haired muscular manshort spring-legged man in uniformbald suited man
02
In a crowded stairwell, suited men descend while a voice mutters, "PFF... I DON'T ANSWER TO THEM. I'LL CALM DOWN, BUT NOT FOR THEM." A bald man with a goatee leans forward and warns, "YOU SHOULD MIND YOUR LANGUAGE... YOU KNOW THE GODFATHERS APPRECIATE THE PREDICTION-GIRL." Nearby, another man questions, "HOW SO? ISN'T IT AN 8-PERSON TEAM?" A third figure snaps, "ANOTHER WHO IS ALL TALK," followed by "PFF!" and the statement "NOSTRAD CLAN HAS ONE MORE PERSON COMING." The scene shifts to an interior room where a door shuts with a sharp "clac." The bald man glares sideways in irritation. Quick cuts show close-ups of stern faces: a long-haired man, a mustached man, a sunglassed man frowning, and a downward glance from the bald figure. The final wide panel reveals Killua standing in the foreground with a serious, focused expression, flanked by the mustached man on his right and the sunglassed man on his left.
Killuabald man with goateeman with sunglassesmustached man
03
Inside a spacious meeting room, a man declares, "LET'S GET RIGHT TO THE POINT. THE REQUEST IS SIMPLE: ELIMINATE THE GENEI RYODAN." Another voice adds, "THERE'S A CHANCE THAT THEY MIGHT SHOW THEMSELVES TONIGHT AT THE AUCTION, WHICH TAKES PLACE IN THE CEMETERY BUILDING." A third states, "THE CROWD CONTROL WILL INFORM US WHEN THEY APPEAR." From off-panel, someone announces, "NOW, EVERYONE HAS GATHERED." The bald man with sunglasses leans in and asserts, "ONLY THE RESULTS MATTER. TELL US WHAT YOU NEED, AND WE WILL PROVIDE IT." He continues, "YOUR METHODS DO NOT MATTER, YOU MAY DO THIS HOWEVER YOU WOULD LIKE." In the lower section, several figures discuss code names: one says "CALL ME 'BLUE.'" Another replies, "AND I'M 'RED.'" A third suggests, "LET'S PICK COLORS." Further dialogue proposes, "LET'S CHOOSE CODENAMES TO USE FOR WHEN WE CONTACT EACH OTHER," while a map of the building and neighborhood is presented. A man in a striped hat and another with a topknot listen intently.
bald man with sunglassesKilluaman in striped hatman with topknotassembled suited men
04
At a dimly lit table, several figures react with surprise as voices call out names. "SILVA ?" "ZENO..." "ZENO ?" "SILVA." An old bearded man and a tall figure with long hair sit among others in dark clothing. To the right, a stern man with long hair faces a scarred blond man who mutters "HOW CHILD-ISH..." A bandaged man asks "WHAT COLORS HAVE YOU CHOSEN?" while another snaps "HUH? YOU SAY SOMETHING?" The group discusses their approach. "WE'LL DO THINGS OUR OWN WAY." "YOU CAN CALL US, BUT WE WON'T ACCEPT ORDERS." A woman with flowing hair states "NO, THEY'RE OUR NAMES." The blond man retorts "THOSE AREN'T COLORS..." In profile, a man explains "IN NORMAL TIMES, WE DON'T REALLY HIDE." A sweating figure questions "THE ONES THAT NO ONE HAS EVER KNOWN WHAT THEY LOOK LIKE?" Another warns "SILVA... ZENO... DON'T TELL ME YOU'RE FROM THE ZOLDICK FAMILY?" A fierce man offers "WE'LL GIVE YOU A 30% DISCOUNT." The blond man growls "YOU NEVER KNOW, YOU MAY WANT SOMEONE KILLED." Finally, the scarred man demands "DO YOU WANT OUR BUSINESS CARD? THAT WAY, YOU'LL HAVE OUR ADDRESS AND PHONE NUMBER." The woman replies "OBVIOUSLY." The blond man concludes "WAIT... YOU'RE THE REAL ZOLDICKS? IT'S NOT A CODE NAME?"
SilvaZenolong-haired womanscarred blond manbandaged manheadband mandark-haired man
05
A narrator notes that the rest of the team consists of low-level people who understand the difference in aura. A long-haired man thinks "I WAS RIGHT IN THINKING THAT THE AURA THEY GIVE OFF IS SUPERIOR TO THE OTHERS." He also wonders about Killua's family. Close-ups show intense eyes and a figure with a topknot. From behind, a character says "IT DOESN'T MATTER, WE WON'T BE CALLING ANYONE." Another replies "WHATEVER THE NAME." A third considers "MAYBE THOSE TWO..." The topknotted man insists "TO REACH OUR GOAL, WE AT LEAST NEED COLLABORATION." A man with a scar on his face states "YOU SEEM TO HAVE FORGOTTEN THAT WE'RE DEALING WITH THE RYODAN. ACTING INDIVIDUALLY, WE DON'T STAND A CHANCE." The long-haired man responds "WE WON'T FORCE OURSELVES TO COORDINATE OUR ACTIONS." The scarred man adds "I ALSO WANT TO MOVE AS I WISH." Others note "I COMPLETELY AGREE. WE ALL HAVE DIFFERENT IDEAS AND STYLES." and "EVERYONE'S FREE TO ACT AS HE LIKES." A small panel shows a young-looking figure with short hair. The topknotted man asks "AND, WHAT DO YOU THINK?"
long-haired mantopknotted manscarred manshort-haired youthbackground figures
06
A young woman with light hair stares forward with wide eyes as two speech bubbles appear beside her. She says, "THE ONES WHO NEED SUPPORT CAN USE THE MEN FROM THE 'COMMUNITY.'" Another voice adds, "A CLUMSY COLLABORATION WILL ONLY TANGLE US UP." In the next row, a man in a hat speaks with a boy who has spiky hair: "THERE'S NOTHING STOPPING THE ONES WHO WANT TO TEAM UP." The boy replies, "FIVE TO FOUR? THE CASE IS CLOSED." "ACTING ALONE IS FINE WITH ME." A final panel states, "IF EVERYONE ACTS DISCREETLY, THERE SHOULDN'T BE ANY PROBLEM." The scene shifts to a spacious hallway where a large speech bubble declares, "ONLY A FEW PEOPLE IN THE COMMUNITY KNOW WHO YOU ARE." Another answers, "WAIT. WE'LL LEAD YOU INSIDE THE BUILDING." A distant bubble notes, "THE AUCTION WILL BEGIN AT 9 PM." At the bottom, several suited men gather. One with sunglasses grins while a bald man with round glasses rubs his hands. A man with slicked-back hair asks, "HEY, NOSTRAD, HOW ARE YOU?" Another responds, "COULD BE BETTER." A voice says, "HE'S GOTTEN SOME INSURANCE, LATELY, THE LITTLE..." The group discusses a map of the building as they walk down the corridor.
light-haired young womanspiky-haired boyman in hatNostradbald man with round glassessunglasses manslicked-back hair man
07
In the hallway, a bald man with round glasses demands, "MY HANDS...?" and continues, "SHOW THEM TO ME. SAY, YOUR HANDS... HOW ARE THEY?" He accuses, "I'VE EVEN BEEN TOLD YOU'VE LOST YOUR DIGITAL STAMPS..." and mocks, "RUBBING YOUR HANDS TOGETHER ALL THE TIME, DON'T YOU GET BLISTERS?" A tall figure in a suit stands with his back to the viewer while others watch from the lobby. The bald man laughs loudly with "HA-HA-HA-HA" and Japanese SFX "がっはっは." A mustached man in profile looks on. The bald man then states, "AND NOW, YOU'RE DEALING DIRECTLY WITH THE GODFATHERS, AND TALK, RELAXED." He adds, "NOT LONG AGO, YOU WERE ONLY THE BOSS OF A PROVINCIAL CLAN." The mustached man replies, "I DON'T CARE MUCH FOR THE JEALOUSY OF OTHERS." Suddenly the bald man is struck with a powerful blow; the impact SFX "BTAM" explodes across the panel as his body is sent flying backward with motion lines and debris.
bald man with round glassesmustached mantall suited figurebackground suited men
08
A man with sunglasses glares furiously, two exclamation marks flashing beside his face. In the next panel a voice yells "STOP !!!" while another shouts "ZENJI !!!" as dark silhouettes collide violently with sharp "VLAN" impact sounds. Kurapika, short blond hair and "M" vest visible, holds a thin chain taut against the bald man's throat. Zenji, sunglasses still on, bares his teeth and roars "GO AHEAD! YOU WANNA SLIT MY THROAT?! TRY IT!" and "WHAT DO YOU WANT?!" In the lower tier Zenji recoils with a pained "ARAH !!!" as bodies tangle on the floor. Voices call out "IT WON'T GET YOU ANYWHERE." "ZENJI, YOU TOO, RELEASE HIM." "STOP IT, KURAPIKA." A bearded man with a scar watches from the side while other suited figures stand in the background near a grid-patterned wall.
KurapikaZenjiunidentified bearded man
09
In a long hallway several people walk away from the viewer. A mustached man with slicked-back hair tells Kurapika "THEY DON'T UNDERSTAND ANYTHING." and "MY SUCCESS PUT A LOT OF PEOPLE UP TO WHAT THEY CAN'T HANDLE, AND THEY BECAME JEALOUS." He adds "IT'S FINE." while wiping blood from his mouth; Kurapika notes "YOU'RE BLEEDING." Two large white circles appear on black: "WHAT DO YOU THINK IS THE MOST IMPORTANT RELIABLE AND FULLY..." and "IN OUR TIME, THE MOST PRECIOUS THING IS INFORMATION." Kurapika walks ahead saying "I'M GOING TO CLIMB HIGHER." and "EVEN IF THE AMOUNT OF MY ENEMIES GROWS LARGER AND LARGER." The mustached man continues "THE ONE WHO IS ABLE TO SEE THINGS RELIABLE AND FULLY... WILL HAVE THE ABILITY TO GOVERN THE WORLD!" and finishes with "IN OTHER WORDS, 'PREDICTIONS.'" and "INFORMATION ABOUT THE FUTURE."
Kurapikamustached man with slicked-back hair
10
A young person with light hair stares ahead in profile against a dark background. "ACK," they reply curtly. Beside them, a close-up reveals a heavily scarred man with a thick mustache and intense eyes. "I'M RELYING ON YOUR ACTIONS," the scarred man states. He continues, "I INTEND TO GET EVEN WITH THEM." The scene shifts to a vast, star-filled night sky. Below, a sleek sedan drives through a sprawling city at night, its headlights cutting through the darkness as buildings and towers rise against the horizon.
young light-haired personscarred mustached man
11
The sedan speeds past a storefront labeled "Vritra". On a city street lined with parked cars, several police officers stand near vehicles. Inside a car, the young light-haired person and the scarred mustached man converse. "60% OF THE ELECTION CAMPAIGN OF THE CURRENT YORK SHIN MAYOR WAS FINANCED BY US," the scarred man notes. "THE POLICE ARE WORKING WITH US?" the young person asks. The scarred man replies, "IN A PERIMETER OF 1KM AROUND THE BUILDING, THERE ARE ONLY OUR MEN." He adds, "PLUS, THE CHIEF COMMISSIONER OF POLICE IS LOYAL TO THE MAYOR, SO DOING THIS IS A CHILDISH GAME." Two men stand outside: one in a police uniform holding a baton, the other a suited man with a tattooed arm and a gun. The officer says, "ANYONE WHO ENTERS WITHOUT AUTHORIZATION WON'T GET OUT."
young light-haired personscarred mustached manpolice officer with batontattooed armed man
12
A black car sits parked on a city street at night. A large speech bubble declares, "THE BOSS GAVE US THE SLIP!!" while another demands, "EXPLAIN IT IN DETAIL." On the right, Kurapika answers a cell phone with a sharp "HELLO?" as a panicked voice shouts, "AH! KURAPIKA?! WE'VE GOT A HUGE PROBLEM!" and an SFX reads "TOOOO." In a bustling indoor market, two disguised figures—a man in a head wrap and sunglasses and a shorter person in a hat and glasses—report what happened: "AFTER CHANGING CLOTHES IN THE BATHROOM, SHE DISAPPEARED. I THINK SHE WAS PLANNING IT FROM THE START." The taller one adds, "SHE LOOKED LIKE SHE WAS JUST DOING HER NORMAL SHOPPING, BUT..." Back at the car, Kurapika receives new orders: "YEP. RETURN TO THE HOTEL, AND WAIT FOR US." He reacts with surprise, "REALLY?!" and concludes, "IN THAT CASE, I THINK I MAY KNOW WHERE SHE MAY BE." The final panel shows an older mustached man in a suit, Nostrad, on the phone as Kurapika reports, "I THINK SHE'S GOING TO THE SAME PLACE WE ARE." Nostrad explodes, "WHAT?!" while someone else cries, "DON'T WORRY," and another voice asks, "WHAT'S GOING ON?" and "YOUR DAUGHTER HAS RUN AWAY." SFX include "KUF KOF ARF" and impact lines.
KurapikaNostradman in head wrap and sunglassesshort person in hat and glasses
13
Nostrad speaks urgently into his phone, noting, "SHE DOESN'T SEEM TO, BUT SHE HAS A FORMIDABLE SENSE OF INTUITION." He confirms, "YES," and states, "SHE WANTS TO JOIN THE AUCTION." Another panel shows him saying, "TO THE AUCTION." Kurapika listens as Nostrad continues, "I DON'T KNOW HOW, BUT SHE KNEW YOU WERE LYING TO HER." A small cell phone graphic displays "bip" and "Tic" while someone warns, "WITHOUT AN OFFICIAL AUTHORIZATION, SHE'LL BE STOPPED AT THE ENTRANCE, OR AT A ROADBLOCK!" and adds, "BUT IT'S IMPOSSIBLE FOR HER TO GO!" Nostrad then orders, "I'D LIKE TO TRANSMIT AN ORDER TO THE GUARDS AT THE ROADBLOCKS," declaring, "IT'S RIGHT NOSTRAD, FROM THE NOSTRAD CLAN!" The bottom spread reveals a nighttime city highway with overpasses, streetlights, and distant buildings. Large bubbles explain, "IF A 17 OR 18 YEAR OLD GIRL PRESENTS HERSELF WITH OFFICIAL AUTHORIZATION, YOU HAVE THE ORDER TO STOP HER, AND PROTECT HER, SHE'S MY DAUGHTER!" and instruct, "WHEN YOU'VE LOCATED HER, CONTACT ME! HERE ARE SOME SIGNS TO LOOK FOR..." SFX show "bip bip" near a small figure on the road.
14
A pair of gloved hands operates a small stamping device with a sharp 'bip' sound. A sleek black sedan speeds along a nighttime highway. At a brightly lit roadblock, several uniformed guards stand ready. The sedan pulls up and the guards wave it through without issue. 'IT'S OKAY.' 'PASS,' one guard says. Inside the car, a suited man and a young girl with pigtails exchange words with the checkpoint staff. 'THANK YOU VERY MUCH,' the girl says politely. 'IT'S A GOOD THING YOU WERE HERE, OR I WOULDN'T HAVE BEEN ABLE TO PASS THE ROADBLOCK,' the suited man adds. The guards step aside and the car continues onward. In a close-up, a young man wearing a headband and earring smiles broadly. 'YOU'RE WELCOME,' he replies.
headband young manpigtail girlsuited manroadblock guards
15
Three guards discuss the recent vehicle. One recalls hearing the girl mention her father but being rejected because she lacked permission. Another notes the girl's appearance differed slightly from the description. A third wonders how long ago it happened. An officer on a phone receives urgent orders: if the girl appears again, stop her and call immediately. A mustached man named Nostrad, sweating heavily, shouts into a phone demanding that a printed document and his daughter's picture be sent to all guards so she can be found. He exclaims that it is right Nostrad and that they are too late. The pigtail girl, now outside the car, asks an older man if he has a map of the city. The older man, still sweating, offers to search for her. A close-up shows an elderly man's worried face. The girl clasps her hands together as a 'sat' sound effect appears.
roadblock guardsNostradpigtail girlolder mustached manelderly man
16
In a dimly lit lounge filled with plants and nighttime city lights, two suited men sit at a table while a woman with long hair joins a dark-haired man at another table. "LET'S GET A DRINK," one man suggests. "WE STILL HAVE SOME TIME BEFORE THE OBJECTS OF THE AUCTION BEGIN TO BE SHOWN," replies his companion. The woman tells the man, "YES, THAT'S TRUE. THERE ARE EVEN HIGH RANKING PEOPLE WHO ASK FOR ME." The man responds hesitantly, "ER... I DON'T REMEMBER WHO TOLD ME, THOUGH... I'VE BEEN TOLD YOU'RE GOOD AT MAKING PREDICTIONS." Another man approaches and says, "OKAY. I'LL SIT DOWN THERE." A caption notes "↑ HOBO PICKED UP IN A PUBLIC PARK." The woman continues, "EVERY TIME, YES. IT SEEMS..." The man asks, "AND IT TURNS OUT TRUE EVERY TIME?" She instructs him, "WRITE DOWN YOUR FULL NAME, DATE OF BIRTH, AND BLOOD TYPE ON A PIECE OF PAPER." He replies, "IF YOU WANT." Excited, he exclaims, "WOAH! COOL! COULD YOU DO IT FOR ME TOO?" She explains, "YES, IT'S SYSTEMATICAL WRITING. MY HAND STARTS TO MOVE BY ITSELF, AND I WRITE." Then she asks, "'IT SEEMS'? YOU'RE THE ONE WHO MAKES THE PREDICTIONS, AREN'T YOU?"
dark-haired man in suitlong-haired womanbald man in suitman with glasses
17
The dark-haired man laughs, "HAHAHA! THAT'S NO BETTER!" The woman reacts with surprise. He adds, "MY FRIENDS CALL ME 'DANCHOU.'" She notes, "AND YOUR NAME ISN'T VERY COMMON." She reads aloud from the paper, "KURO RO LUCIFER, 26 YEARS OLD? YOU'RE A LOT OLDER THAN ME." The woman prepares to write, saying "I'M STARTING," with onomatopoeia "slat slat" as she taps the pen. A dramatic full-page panel shows her intense expression, hair flowing wildly, holding a pen with a monstrous aura effect around her arm. Below, a close-up reveals the man's eyes watching intently from the shadows.
Kuroro Luciferlong-haired woman
18
A detailed aerial map of a sprawling city fills the top of the page, showing streets, buildings, and a river. Below, an older man with slicked-back hair and a chain necklace reacts with surprise as a voice explains the situation. A young woman with long light-colored hair and wide eyes stares forward tensely. Speech bubbles convey: "BUT HOW?" "!?" "APPARENTLY, YOUR DAUGHTER IS ALREADY IN THE CEMETERY BUILDING." "I DON'T KNOW HOW SHE DID IT, BUT..." A speeding car races across the next panel with motion lines and the onomatopoeia "Vroooo". The older man shouts, "DRIVER! HURRY!" while another voice replies, "NO MATTER, LET'S GO!" In the bottom panel, the young woman leans forward with her hair flowing, emitting "Shak Shak" sound effects near her hands, while a young man in a dark suit and tie watches her with a neutral expression.
older man with slicked-back hairyoung woman with long light hairyoung man in dark suitcar driver
19
Large bold text at the top reads "ANNOUNCEMENT #2". The page contains a printed message: "THE ANIME ENDED IN MARCH 2001. THANKS TO ALL THOSE WHO TOOK PART IN ITS PRODUCTION. ALSO, THANKS TO ALL WHO WATCHED THE SERIES, A BIG THANKS... BUT, TO SAY EVERYTHING, OTHER PROJECTS ARE IN PREPARATION! WE'RE DOING ALL WE CAN SO THAT ONE DAY YOU CAN SEE THE REST IN SOME FORM OR ANOTHER! SO, SEE YOU SOON!" A simple cartoon dog with large eyes and floppy ears is drawn at the bottom.
cartoon dog
End of chapter20 pages

Discussion

About this chapter

Hunter × Hunter Chapter 95: 3 Septembre 11

Chapter
95
Summarised
Pages
20
Previous

Chapter 95 summary

The chapter depicts the assembly of an eight-person team hired to eliminate the Genei Ryodan during the auction in the Cemetery Building. Silva and Zeno Zoldyck join the group, refusing orders while offering a discount, and tensions erupt when Zenji attacks the Nostrad clan leader. Kurapika intervenes in the fight. Neon Nostrad escapes her handlers and heads toward the auction; Nostrad mobilizes roadblocks to stop her while the team prepares for the night operation.

18 key facts · 40 characters

Key facts in chapter 95

  • The tall long-haired man stands prominently in the room's center. The short man is identified by his distinctive spring legs and uniform vest. Dialogue indicates the group is still assembling.
  • Nostrad clan is stated to have one additional member arriving. Killua is shown standing between two adult men in a formal indoor setting. A door closes with audible "clac" during the sequence.
  • The auction is scheduled for tonight inside the cemetery building. Code names are being chosen for operational contact. A detailed map of the building and neighborhood is presented.
  • Silva and Zeno are addressed directly by name The group refuses to accept orders from others One character suspects the pair belong to the Zoldick family A business card with address and phone number is offered
  • The team includes low-level members who recognize aura differences Killua's family is referenced in internal thought The group refuses to force coordination among members Ryodan is mentioned as a threat requiring caution
  • Auction is scheduled to begin at 9 PM. Only a few community members know the identity in question. The group is inside a large building with a tiled hallway.
  • The bald man physically attacks the mustached man. The confrontation occurs inside a large building lobby. The bald man references past provincial status of the other man.
  • Zenji is the bald man wearing sunglasses Kurapika is holding a chain weapon to Zenji's throat A bearded man with a scar appears in the final panel
  • The mustached man is bleeding from the mouth Kurapika states his intention to climb higher The conversation centers on the power of future information and predictions
  • Dialogue occurs between a young light-haired person and a scarred mustached man. The exchange takes place at night. A cityscape with multiple buildings is shown under a starry sky.
  • The location is York Shin City. The scarred mustached man claims influence over the mayor's campaign and local police. A 1km perimeter around a building is stated to be controlled by their men.
  • Kurapika is speaking on a cell phone during the scene. The escaped person changed clothes in a bathroom before disappearing. Nostrad is identified as the father of the runaway girl. The group is instructed to return to their hotel. The market scene shows multiple background pedestrians.
  • Nostrad is transmitting orders to roadblock guards. The girl is described as 17 or 18 years old. The scene takes place at night on a city highway. Nostrad claims the girl is his daughter. A cell phone is actively used for communication.
  • A black sedan successfully passes a nighttime roadblock. The girl inside the car thanks the guards. A headband-wearing young man assists the passage.
  • Nostrad issues orders to capture his daughter at the roadblock. The girl requests a city map from the older man. Guards realize the girl has already passed through.
  • Scene takes place in a public lounge at night. Woman claims to make accurate predictions for clients. Man requests the woman perform a prediction for him. Prediction method involves writing personal details on paper.
  • Kuroro Lucifer is referred to as 'Danchou' by his friends. Kuroro Lucifer is 26 years old. The woman begins the prediction process after seeing the name. A dramatic visual effect accompanies the start of the writing.
  • A city map is prominently displayed at the top of the page. Characters discuss a daughter who has reached the cemetery building. A car is shown speeding with urgency. Sound effects indicate shaking or movement from the young woman.
Symbols and visual details18 · show
  • Tall long-haired man towers in the foreground wearing a black outfit with white sash. Short man wears a vest labeled 'EN SERVICE A VIE' and has coiled spring legs. Small panel shows the short man leaning from a high vantage point. Bald man in suit gestures with raised hand and numbered motion lines. Large chapter header banner displays 'N°095 3 SEPTEMBRE 11' at the bottom.
  • stairwell descent with multiple suited figures in background bald man with goatee shown in close-up profile door labeled with SFX "clac" Killua centered in large panel wearing black-and-white jacket with stylized emblem two adult men positioned behind Killua as bodyguards sequence of reaction close-ups emphasizing stern expressions motion lines and panel borders directing right-to-left flow indoor room with lamp, plant, and window in background
  • large meeting room with sofas, table, television, and potted plants group of suited figures standing and seated around central table bald man with sunglasses shown in extreme close-up hand-drawn map of building and neighborhood held up code-name discussion among kneeling and seated figures SFX and speech bubbles arranged around the room layout window view showing city lights at night
  • Group seated around a table with varied postures and expressions of surprise Speech bubbles clustered around the central table scene Close-up profiles emphasizing tension and suspicion Sweat drops on faces indicating stress Business card reference as a plot device Dark clothing and distinctive hairstyles marking each figure
  • Split panels showing group discussion from multiple angles Close-up of eyes conveying intensity Back views emphasizing conversation flow Aura and power level implied through dialogue Varied hairstyles and clothing distinguishing speakers
  • speech bubbles positioned right-to-left across panels hallway perspective lines leading to distant doors men in dark suits walking in formation map held in hand impact lines around figures close-up faces showing expressions
  • laughter SFX filling the panel impact lines radiating from the strike blurred motion of the falling body lobby furniture and distant onlookers close-up ear and profile shots
  • Close-up of angry face with sunglasses and double exclamation marks Violent impact silhouettes with motion lines and VLAN SFX Chain held to throat in close confrontation Large shouting head of bald man with sunglasses Tangled group of fighters on the floor with radial speed lines Bearded observer in rightmost panel
  • Wide hallway with multiple figures walking away Profile close-ups of mustached man and Kurapika conversing Two large speech circles on black background Kurapika walking ahead with motion lines Planet-like sphere in background of one panel Close-up of mustached man's face with light burst effect
  • close-up profile of young light-haired person against black background scarred face and mustache of older man emphasized in tight panel speech bubble placement near each speaker starry night sky panel as transition city skyline at night with distant illuminated towers sedan headlights on as it moves through urban streets dark atmospheric shading throughout panels motion implied by car position on road
  • sedan driving past Vritra storefront police officers checking cars on street interior car conversation between two characters tattoo visible on suited man's arm police baton held across officer's shoulder handgun holstered on suited man's belt urban street with multiple vehicles and pedestrians speech bubbles indicating ongoing discussion
  • parked black sedan with visible license plate area Kurapika holding cell phone to ear with intense expression two figures in market wearing disguises and reporting crowd of background shoppers in market scene Nostrad gripping phone with angry furrowed brow speech bubbles positioned right-to-left across panels SFX 'TOOOO' near phone conversation impact lines and 'KUF KOF ARF' at bottom panel nighttime city street setting with building blinds indoor market with hanging signs and distant figures Nostrad's suit and mustache detail visible Kurapika's blonde hair and dark outfit shown phone cord and device details in lower panels
  • Nostrad holding cell phone with intense close-up expression Kurapika shown in profile listening to the call cell phone graphic with 'bip' and 'Tic' sound effects nighttime elevated highway with multiple lanes and cars city skyline with illuminated buildings and overpasses large circular speech bubbles dominating lower panels small running figure on the highway below roadblock barriers and streetlights visible Nostrad's scarred face and mustache detail blonde hair of Kurapika visible in side view vertical blinds in background of phone panels distant tiny figures walking on the overpass
  • Close-up of gloved hands operating a stamping device Black sedan in motion on dark highway Nighttime roadblock with multiple guards Guard speech bubbles positioned above the checkpoint line Girl seated inside the car looking forward Suited man beside the girl Headband young man shown in large close-up with confident expression Earring visible on the headband young man's ear Motion lines indicating the car's forward movement Bright lights of the roadblock contrasting the dark background
  • Multiple circular speech bubbles showing guard conversation Police officers standing at the roadblock at night Nostrad shouting into a cell phone with sweat drops Car shown in a small inset panel Pigtail girl holding a chain with a ring Older man leaning in close with sweat drops Close-up of elderly man's distressed face Girl's hands clasped together 'sat' sound effect near the girl's hands Dark background with scattered light spots
  • Nighttime cafe interior with large windows and potted plants. Speech bubbles positioned above seated figures. Small panel showing starry night sky. Woman holding a pen and paper at the table. Man leaning forward with an eager expression. Close-up of the woman's face with wide eyes. Panel layout mixes wide establishing shots and tight dialogue close-ups. Sound effect absent; focus on conversation. Characters seated across from each other at a low table. Background figures visible in the lounge setting.
  • Woman holding paper and pen with wide-eyed shock. Man seen from behind with spiky hair. Large splash panel with swirling energy lines and monstrous mouth motif. Close-up of shadowed eyes at the bottom of the page. Onomatopoeia 'slat' repeated near the pen. Woman's hair dramatically spread out in motion. Dark background contrasting with bright energy effects. Panel borders break during the intense moment. Pen gripped tightly in the woman's hand. Aura-like flames surrounding the writing arm.
  • detailed city map with labeled streets and river motion lines indicating rapid car movement chain necklace on older man Shak Shak sound effects near the woman's hands Vroooo onomatopoeia beside the car wide-eyed tense expression on the woman surprised reaction lines around the older man
  1. 92Chapter 92
  2. 93No.093
  3. 94Chapter 94
  4. 953 Septembre 11
  5. 96N°096 3-SEPTEMBRE-12
  6. 97Chapter 97
  7. 98Chapter 98

Cite this chapter

Hunter × Hunter, ch. 95 — 3 Septembre 11https://loresquare.com/hunter-x-hunter/source/chapter/95

Every page of Hunter × Hunter chapter 95 has an address of its own. Add #page-10 to the link above and it opens on page 10 instead of at the top — so a comment that says “see chapter 95” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.