21 pages · Amazon Lily arc

One Piece Chapter 517: Bath Time

What happens in chapter 517

The Kuja Pirates return through the gates of Amazon Lily to a massive welcome from the island's women and children. Boa Hancock, Boa Sandersonia, and Boa Marigold disembark while the crowd cheers, and Hancock questions whether anything has changed on the island. Attendants report that the warriors are away subduing a dangerous monkey in the jungle.

  1. p.0Chapter 517 is titled BATH TIME.
  2. p.10Previous empress showed mercy allowing Gloriosa's return.
  3. p.18Hancock reacts with fury upon recognizing Luffy as male.
517

Bath Time

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00
The chapter opens with the title text, "Chapter 517: \"BATH TIME\"." The cover story continues as "CP9 INDEPENDENT ACTION REPORT VOL. 24: \"CP9 LEAVES SAINT POPLA.\"" A sailing ship moves across open water under full canvas, with the CP9 members visible aboard as they depart the town that had become unsafe for them. The sea is calm but heavily shaded, birds circle overhead, and the vessel looks small against the wide horizon. The cover image has no direct connection to Luffy's current Amazon Lily crisis, but it continues the independent CP9 side story: after the previous town scenes, they have now left Saint Popla by ship. Scanner-hosting boilerplate below the artwork is unrelated and ignored.
CP9 members
01
The enormous gates of Amazon Lily open with a heavy "GAKON..." as someone commands, "OPEN THE GATES!!!" and the cry spreads: "LADY HEBIHIME HAS RETURNED!!!" The Kuja Pirates' ship passes through the mountain gate while the city erupts in welcome. Women wave from the road and buildings, shouting, "WELCOME HOME!!!" and "WELCOME HOME, KUJA PIRATES!!" The Yuda sea snakes pull the vessel into the inner harbor, their long necks rising above the crowd. One group cheers, "WE GOT A HUGE HAUL!! ZAHAHAHAHA!!" while others call out names in excitement, including "KYAAA, RAN!! DAISY!!" The page turns Hancock's return into a public celebration: the whole island crowds around the route, delighted by the pirates' safe return and their plunder, while the forbidden man crisis remains hidden offstage.
Boa HancockKuja PiratesKuja womenRanDaisyYuda sea snakes
02
The Gorgon Sisters disembark in triumph. Boa Hancock strides at the center, long hair and cloak flowing, while Boa Sandersonia and Boa Marigold flank her and the crowd showers them with admiration. Women cry, "LADY HEBIHIME!!!" "HER BEAUTY KNOWS NO BOUNDS!!" "LADY SANDER-SONIA!!" and "LADY MARIGOLD!!" Children gush, "THEY'RE SO COOL!!!" and "I'M GONNA JOIN THEM SOMEDAY!" while others shout, "KYAAAA!!! IT'S THE GORGON SISTERS!!" A Kuja attendant thanks Hancock for her work and says, "WE HAVE PREPARED YOUR CARRIAGE." Hancock, however, immediately turns to the state of the country and asks, "HAS ANYTHING CHANGED HERE?" The answer comes carefully: "NO, NOT A THING..." The lie is heavy, because Luffy's intrusion has already broken the island's deepest rule, but the people dare not disturb their beloved empress.
03
The Kuja unload plunder in the city, displaying goods from the voyage. One woman proudly says, "THIS IS AN AMAZING HAUL!! STEEL, GUNPOW-DER, SAKE, AND PRODUCE FROM THE NORTH!!" Another explains, "WE PLUNDERED TWO MERCHANT SHIPS AND A PIRATE SHIP. AND RIGHT BEFORE WE GOT BACK, WE TOOK THE CARGO OF A GOVERNMENT SHIP!" Elder Nyon appears among the crowd and asks, "RAN, DID YOU GET ANY BOOKS?" When addressed as "ELDER NYON!" she is handed a paper: "THE GOVERNMENT SHIP WE MET JUST NOW HAD THIS NEWSPAPER. HERE YOU GO." The scene then cuts to Amazon Lily, Kuja Castle, where the citizens call, "WELCOME BACK!" and "WELCOME BACK, LADY HEBIHIME." From within the castle approach, Hancock notices something and asks her attendant, "... ENISHIDA, WHAT IS THIS?" The question points toward a gift waiting inside the palace.
Boa HancockElder NyonRanEnishidaKuja PiratesKuja women
04
Enishida explains the object placed in Hancock's room: "A CLAY STATUE OF YOU, LADY HEBIHIME, THAT THE CHILDREN FROM THE VILLAGE WORKED VERY HARD ON." Another attendant says, "THEY EVEN PAINTED IT... I'M SURE THAT IT WAS VERY DIFFICULT FOR THEM." Enishida adds, "THEY CARRIED IT TO THE CASTLE VERY CAREFULLY, SO AS NOT TO BREAK IT. IT WAS VERY CUTE..." Hancock studies the handmade statue, which awkwardly imitates her face and pose, and says only, "I SEE... THEY MADE ME OUT OF CLAY..." Then she suddenly smashes it apart with a violent crash. An attendant screams, "IT'S RUINING THE DECOR OF THIS ROOM..." while Hancock declares, "IT'S SO UGLY...!!" and orders, "DON'T BRING SUCH FILTHY THINGS INTO THE CASTLE!! JUST THROW IT AWAY AND CLEAN UP THE FLOOR!! MORE IMPORTANTLY, ENISHIDA..." The children's devotion means nothing to her when it offends her sense of beauty.
05
Hancock asks why the warriors are not at the port to defend the kingdom: "I DIDN'T SEE THE WARRIORS DEFENDING OUR KINGDOM AT THE PORT." Enishida nervously explains, "... AH, ABOUT THAT... IT SEEMS THAT A DANGEROUS 'MONKEY' WAS SPOTTED IN THE JUNGLE... AND SO, THEY ALL WENT TO SUBDUE IT!! BUT DO NOT WORRY, THEY WILL RETURN SOON. MY APOLOGIES THAT THEY WERE UNABLE TO RECEIVE YOU." Hancock dismisses the matter: "A MONKEY...? WELL, WHATEVER..." One of her snake companions murmurs "NYORO NYORO" as she asks, "WOULD YOU LIKE SOMETHING TO DRINK?" Hancock settles in regally and replies, "BRING ME SOME WHITE SAKE." The snake, curled around her chair, adds, "MIGHT I HAVE A CUP AS WELL!!?" The page shows how successfully the Kuja have hidden Luffy's presence: to Hancock, the island's emergency has been reduced to a vague jungle animal problem.
06
Elder Nyon suddenly appears in Hancock's room, startling everyone. Hancock demands, "ELDER NYON...!! THIS IS MY ROOM, WHY ARE YOU IN HERE?" The old woman snaps back, "I CAN ENTER FROM WHEREVER I WANT...!!" Sandersonia and Marigold react in shock, "E... ELDER NYON...!!" and "WHERE DID YOU COME FROM!?" Hancock coldly says, "THROW HER OUT!" but Elder Nyon shouts, "WAIT, HEBIHIME!!!" Hancock reminds her of the proper address, "... HAVE YOU FORGOTTEN MY TITLE?" Elder Nyon corrects herself through gritted urgency: "... EXCUSE ME, LADY HEBIHIME...!!" and gets to the point: "THERE'S A GOVERNMENT SHIP ANCHORED IN THE WATERS NEAR HERE, ISN'T THERE...?" The interruption pierces Hancock's private comfort, forcing the issue of the Marine summons back into the castle despite Hancock's irritation.
07
Elder Nyon lays out the situation plainly: "THAT SHIP HAS COME TO RETRIEVE YOU. AM I WRONG? THE GOVERNMENT HAS ORDERED YOU TO ASSEMBLE, AND HAS SENT THEM TO ESCORT YOU, RIGHT?" Hancock lounges on her throne and answers, "YES, IT IS AN INVITATION TO WAR..." Elder Nyon erupts, "WHY DIDN'T YOU GO!! YOU MUST GO WITH THEM!!!" She warns that as long as Hancock cooperates, the treaty will be upheld and Hancock's life will never be in danger. Hancock covers her mouth and replies theatrically, "But... I'm so scared..." Elder Nyon immediately melts, heart-eyed, saying, "HAWAWA!! SHE'S JUST LIKE A PUPPY..." while an attendant scolds, "NOW'S NOT THE TIME FOR THAT!!! ELDER NYON..." The page balances comedy and serious politics: Elder Nyon knows the danger to Amazon Lily, but Hancock's beauty and performance still overpower even the old former empress.
08
Elder Nyon explains why Hancock's position matters beyond pride. The castle and mountain defenses loom as she says, "RIGHT NOW... OUR COUNTRY... IS BEING PROTECTED BY YOUR STATUS AS A SHICHIBUKAI." Long ago, the Calm Belt was their greatest defense, protecting them from foreign invaders. But now, the Government has developed technology that allows its ships to cross that sea. In the throne room, Elder Nyon presses on: because Hancock is a Shichibukai, the Government does not interfere with Amazon Lily despite the Kuja Pirates' actions. If Hancock loses her title and the island returns to being just another pirate country, "IT WILL END IN TRAGEDY!!!" Elder Nyon shouts, "WE HAVE CHILDREN AND THE ELDERLY HERE, TOO!!!" Hancock, sipping calmly, asks, "ARE YOU JUST WORRIED FOR YOUR OWN WELL-BEING?" Elder Nyon denies fear for herself: she has lived a good life and does not care when she dies, then offers a crystal ball to illuminate Hancock's future.
09
Elder Nyon tries to use her crystal ball, crying "CRYSTAL BALL: GO," but Hancock cuts her off with blunt fury: "YOU'RE SO ANNOYING!!!" She orders, "THROW HER OUT!!!" and the attendants answer, "YES, IMMEDI-ATELY!!" Elder Nyon protests, "WAIT!! HEBIHIME!!" Hancock then addresses her by name and status: "JUST WHO DO YOU THINK YOU ARE...? YOUR TIME IS LONG OVER... FORMER-FORMER-FORMER EMPRESS OF AMAZON LILY, GLORIOSA!!" Gloriosa flinches, exposed. Hancock insists that even if the country is destroyed, all will forgive her, "BECAUSE OF MY WHIMS..." and repeats the reason: "AFTER ALL... THAT IS BECAUSE I'M BEAUTIFUL!!" She leans backward so far that she is somehow looking down on everyone from below, prompting a comment: "THERE YOU GO AGAIN!! LADY HEBIHIME, THAT POSE SHOWS YOU LOOK DOWN ON OTHERS TOO MUCH!! BUT RATHER THAN LOOKING DOWN, YOU'RE LOOKING UP!!"
10
Gloriosa refuses to be silenced and accuses Hancock directly: "YOU'RE A TRAITOR TO THE KUJA WHO, WHILE YOU WERE THE EMPRESS, ABANDONED THIS COUNTRY AND WENT OUT TO SEA!!! AND THEN YOU SHAMELESSLY CAME BACK." She says the only reason Hancock was accepted back was because the previous empress showed her mercy. Hancock grabs Gloriosa by the face, making the old woman cry, "OW OW OW...!!" and answers, "THEN YOU JUST GO ON LIVING THAT WAY... I AM THE EMPRESS NOW, AND YOU HAVE NO RIGHT TO SPEAK TO ME!!" Attendants gasp, "LADY HEBIHIME!!!" Gloriosa, squeezed and humiliated, still manages to say, "BUT, I CANNOT HELP BUT ADMIRE YOUR PASSION. IT'S MY LOSS..." Hancock releases or tosses her aside, and Gloriosa twists the exchange into hope: "SO YOU UNDERSTAND, HEBIHIME... I'M GLAD THAT I SPOKE WITH YOU!! THANK YOU!! SO YOU'LL GO FOR US!!?"
11
For a moment Hancock smiles and says, "JUST KIDDING. DON'T GET CARRIED AWAY." Then she shouts, "GET OUT OF MY SIGHT!!!" and Gloriosa is blasted or thrown out of the castle window with a violent impact. The attendants scream, "OOOOHH-HHH!!!" and one cries, "DAMN YOU, HEBI-HIMEEE!!" Hancock coolly claims, "I slipped..." then sweetly adds, "OH YES, YES, THAT HAPPENS ALL THE TIME." Down below, Gloriosa does not die. She falls hard and rebounds into a landing with "HAIYAA!!!" while the women shout, "ELDER NYON!?" She crosses her arms, breathing hard, and declares, "I MAY HAVE GROWN OLD, BUT I'M STILL A KUJA WARRIOR!!" The page turns Hancock's cruelty into another exaggerated gag, but it also shows Gloriosa's resilience and the old authority she still carries despite being discarded.
12
A bell rings through the castle with "KANKAN-KANKAN!!!" and the announcement spreads: "IT IS NOW TIME FOR... LADY HEBIHIME'S BATH!!!" The castle is cleared immediately. Guards order, "GET OUT OF THE CASTLE AT ONCE!!" and attendants herd everyone away while people protest, "... B... BUT I'M EATING." They are told, "LADY HEBIHIME IS TAKING A BATH! NO, NO, WE HAVE TO HURRY!! QUICKLY, GET OUTSIDE...!!" Outside, the crowd gathers in the streets and shops. A woman carrying food remarks, "OH, IT'S BATH TIME..." while another explains, "THE STORES ARE GONNA GET CROWDED WITH EVERYONE FROM THE CASTLE OUT HERE." Even the warriors outside seem to understand the ritual. The page establishes the bath as a strict, island-wide privacy rule: when Hancock bathes, the castle becomes empty and forbidden, creating a dangerous opening for anyone who does not know the custom.
Kuja attendantsKuja womenBoa Hancock
13
Outside the castle, banners marked with the Kuja skull emblem are raised, and a note identifies them as "BATH TIME" banners. The announcement is absolute: "FROM NOW ON, ENTERING THE CASTLE IS FORBID-DEN!!!" Children ask why every time Lady Hebihime bathes it becomes such a big deal, wondering whether she simply does not want to be seen naked that much. An older child says it is about "THE SECRET... OF THE THREE GORGON SISTERS" and begins the legend. She explains that the "GORGON" was a monster who lived long ago in the Central Sea, a fearsome being that would turn you to stone if you looked her in the eyes. In the illustration, the Gorgon is shown as a many-eyed, monstrous figure with serpentine hair and staring eyes. The children listen wide-eyed, linking Hancock's bath privacy to myth, curse, and forbidden sight.
14
The child continues the legend: Lady Hebihime and her sisters somehow managed to defeat the Gorgon monster, but with her last breath, the Gorgon placed a terrible curse on them. The monster's huge eyes were engraved on Lady Hebihime and her sisters' backs. The explanation becomes the reason for the bath ritual: when the sisters take off their clothes and reveal the eyes, all those close by are turned to stone by the curse. That is why the Gorgon Sisters never take off their clothes when anyone is around, and why they prevent anyone from coming close while they bathe by putting up the barriers. A younger child reacts, "...!! SO THAT'S WHY..." The older child says the curse is also the pride of the Kuja and their warrior nation, proof that the sisters fought bravely. The listeners accept it completely, saying they understand and that Lady Hebihime is amazing, while the castle stands silent behind its bath-time barricade.
15
In the Island of Women jungle, the Kuja warriors continue searching for Luffy. One asks, "WHERE DID HE GO?" and another reports, "HE CLIMBED UP THE MOUNTAIN!!" Marguerite worries, "HE COULDN'T HAVE GONE BACK INTO THE VILLAGE, COULD HE? HE WAS LOOKING FOR A BOAT!!" High on the wall, Luffy balances and thinks through his next move: "WHAT DO I DO NOW...? IF I JUST STAY HERE, THEY'LL FIND ME AGAIN." Remembering Marguerite's words, he says, "SHE SAID THEY HAD A PIRATE SHIP. IF I COULD BORROW IT, THAT WOULD BE GREAT..." But he immediately realizes the flaw: "... NO, NAMI'S NOT HERE. IF I SET SAIL ON MY OWN, I'D JUST BE ADRIFT." His new plan becomes social rather than nautical: "IT WOULD BE BEST IF I CAN HITCH A RIDE WITH THEM. I'LL JUST ASK THEM IF THEY'LL TAKE ME TO THE SHABONDY ARCHIPELAGO!!"
Monkey D. LuffyMargueriteKuja warriors
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Luffy tries to reason out where to ask for help. He says, "THEN TO DO THAT, I'LL NEED TO MEET WITH SOMEONE IMPORTANT. IMPORTANT PEOPLE LIVE IN TALL BUILDINGS... SO... I FEEL LIKE I'M GETTING A FEVER FROM THINKING TOO HARD." He spots the castle and decides, "ALL RIGHT, I'LL JUST ENTER A TALL BUILDING!! HERE WE GO!!" He launches himself from the wall toward the highest structure, stretching through the air and shouting "AAHHHH~!" In the jungle below, the warriors are still rushing back. Someone yells, "HURRY BACK TO THE VILLAGE!!!" and another says, "LADY HEBIHIME HAS PROBABLY ALREADY RETURNED!!" Their fear is precise: "IT'S GOING TO BE A HUGE MESS IF THAT MAN IS DISCOVERED!!!" The page crosscuts Luffy's innocent logic with the Kuja's panic, making it clear he is headed directly toward the worst possible place at the worst possible time.
Monkey D. LuffyMargueriteKuja warriors
17
Luffy hits the castle roof hard and tries to brace himself, but the structure breaks beneath him. He shouts, "DOWAA!! IT BROKE!!" as he crashes through with a massive "GASHAAAN!!" From outside, the villagers look up in horror: "WHAT!!? THE ROOF OF THE CASTLE TOWER COLLAPSED!!" Another realizes, "ISN'T THAT WHERE LADY HEBIHIME IS TAKING HER BATH!?" Inside, Luffy plunges into hot bath water with a huge splash, yelling, "BUHOOO, IT'S WATER!!" Then he screams, "HOT HOT HOT!!!" and corrects himself, "NO, IT'S HOT WATER!!" As a Devil Fruit user, he panics as if drowning: "I'M DYING!! I'M DROWNING!! HELP..." The page fulfills the bath-time setup brutally: the forbidden castle has been emptied for Hancock's privacy, and Luffy has accidentally smashed straight into the most forbidden room on the island.
18
Luffy flails in the bath until he realizes, "AH! NO, I CAN STAND!" Panting "ZEEH ZEEH," he looks around the steam-filled room and asks, "HUH!? THIS IS A BATH HOUSE?" Boa Hancock, wet and bare-backed in the bath, turns in shock and disbelief: "...? A MAN...!?" Luffy and Hancock lock eyes. As she starts to move, he glimpses the mark on her back and says, "HM? THAT THING ON YOUR BACK... I'VE SEEN IT SOMEWHERE..." The reaction is immediate and terrifying. Hancock's face tightens with rage and alarm; the huge close-up shows sweat, wide eyes, and a clenched expression as she says, "YOU SAW IT!!" The page shatters the public Gorgon myth into a private crisis. Luffy has not merely entered the forbidden bath; he has seen the hidden mark that Hancock and her sisters go to extreme lengths to conceal.
19
An SBS question corner appears with a small illustration of two characters holding swords. A reader asks Oda why One Piece volume releases have seemed closer to three-month intervals instead of the old pattern of two months, two months, three months, joking about burning adult books if Oda does not answer. Oda replies that three-month intervals have become common lately because of occasional Jump breaks and other work, so there usually is not enough material for a full book every two months. He says readers should think of the schedule as mostly three months, sometimes two months, and adds that because Jump Comics books have grown more expensive, the old eleven-chapter volume pattern is harder to maintain, so there will now be up to ten chapters of SBS. Another reader says they found Rakuyou/Rakyuuba in volume 52, page 39, rejoicing after being freed, and notes that unlike his earlier unconscious appearance, his tongue is not cut. Oda says it is great he did not die, but warns that biting through your tongue really can kill you.
OdaRakuyou
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About this chapter

One Piece Chapter 517: Bath Time

Chapter
517
Summarised
Pages
21
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Chapter 517 summary

The Kuja Pirates return through the gates of Amazon Lily to a massive welcome from the island's women and children. Boa Hancock, Boa Sandersonia, and Boa Marigold disembark while the crowd cheers, and Hancock questions whether anything has changed on the island. Attendants report that the warriors are away subduing a dangerous monkey in the jungle. Elder Nyon enters Hancock's room and urges her to answer the government's summons and board the nearby ship, warning that her Shichibukai status protects the country. Hancock refuses, mocks the old woman, and throws her out the window after a heated argument. Bath time is declared, the castle is emptied, and children outside discuss the Gorgon curse said to turn onlookers to stone when the sisters bathe. In the jungle, Luffy evades the searching Kuja warriors and decides to seek help from important people in the tallest building. He stretches and launches himself toward the castle.

Guides updated by this chapter

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50 key facts · 20 characters

Key facts in chapter 517

  • p0Chapter 517 is titled BATH TIME.
  • p0Bottom caption states CP9 INDEPENDENT ACTION REPORT VOL. 24: CP9 LEAVES SAINT POPLA.
  • p1Kuja ship returns through main gate of Amazon Lily.
  • p1Large crowd gathers to celebrate the pirates arrival.
  • p2Hancock returns with her two sisters to Amazon Lily.
  • p2Crowd reacts strongly to the Gorgon sisters arrival.
  • p3Kuja pirates recently attacked a government ship.
  • p3Amazon Lily Kuja Castle is shown as destination.
  • p4Village children crafted and delivered a clay statue of Hancock to the castle.
  • p4The statue shattered upon reaching Hancock's room.
  • p4Hancock finds the statue ruins the room decor and orders its removal.
  • p5A dangerous monkey was reported in the jungle.
  • p5Kuja warriors left the port to subdue the monkey.
  • p5Hancock receives reports while a large snake coils nearby.
  • p6Elder Nyon enters Hancock's room unannounced.
  • p6A government ship is anchored near the island.
  • p6Attendants react with shock to Elder Nyon's presence.
  • p7The government ship is an escort sent to retrieve Hancock for assembly.
  • p7Cooperation with the government upholds a treaty protecting Hancock.
  • p7Hancock shows visible fear reaction with heart symbols during the discussion.
  • p8Hancock is current Kuja empress and Shichibukai.
  • p8Gloriosa is former empress living on village outskirts.
  • p8Amazon Lily relies on Hancock's title for safety from outsiders.
  • p9Hancock physically ejects Gloriosa during argument.
  • p9Gloriosa is addressed as former-former-former empress.
  • p10Previous empress showed mercy allowing Gloriosa's return.
  • p10Gloriosa was empress before abandoning Amazon Lily.
  • p11Gloriosa lands dramatically outside the palace.
  • p11Kuja warriors witness Gloriosa's ejection and react in panic.
  • p12Amazon Lily castle is being fully evacuated during Lady Hebihime's bath.
  • p12Bells signal the start of bath time across the island.
  • p12Residents are ordered to leave the castle grounds at once.
  • p13Castle entrance is sealed and guarded during bath time.
  • p13Legend claims the Gorgon monster engraved eyes on the sisters' backs.
  • p13Young residents speculate about why the bath is kept private.
  • p14The Gorgon curse is said to turn anyone seeing the back eyes to stone.
  • p14Barriers are placed to keep people away during bath time.
  • p14The sisters defeated the Gorgon monster at the cost of the curse.
  • p15Luffy has climbed to a high vantage point on the island.
  • p15A sign marks the jungle area of Amazon Lily.
  • p15Luffy is considering how to obtain a ship without causing further trouble.
  • p16Luffy is standing on a tall building rooftop in Kuja territory.
  • p16Luffy jumps from the building toward lower structures.
  • p16Kuja warriors react with alarm to Luffy's descent.
  • p17Luffy crashes through the roof of the castle tower.
  • p17The collapse occurs directly above the bathhouse.
  • p17Luffy lands inside the bath where multiple women are present.
  • p18Hancock is bathing when Luffy enters the bathhouse.
  • p18Hancock observes something on Luffy's back.
  • p18Hancock reacts with fury upon recognizing Luffy as male.
Symbols and visual details165 · show
  • p0Large ornate sailing ship with multiple masts and billowing sails gliding on wavy ocean.
  • p0Cloudy sky background with several flying birds.
  • p0Bold centered chapter title text at top of page.
  • p0Subtitle quote text directly below chapter number.
  • p0Bottom caption panel referencing CP9 independent action report vol. 24.
  • p0Ship features detailed railings, windows, and small flags on masts.
  • p0Single panel composition focused on ship as central motif.
  • p0Ocean waves drawn with heavy line shading at bottom.
  • p1Massive stone gate carved with large sun-like symbol opening for ship.
  • p1Kuja ship with dragon figurehead sailing through gate into bay.
  • p1Rocky cliffs with multiple traditional buildings on both sides.
  • p1Crowd of Kuja warriors raising arms in celebration.
  • p1Large SFX text for gate opening and ground rumbling.
  • p1Multiple cheering figures in foreground and midground.
  • p1Ship mast visible through gate opening.
  • p1Palm trees and architecture visible on cliffs.
  • p2Boa Hancock walking forward in long flowing cape and ornate black outfit.
  • p2Boa Sandersonia and Boa Marigold flanking Hancock on both sides.
  • p2Crowd of Kuja warriors showing awe with open mouths and raised hands.
  • p2Small panels showing close-ups of Hancock face and expressions.
  • p2Background figures include various Kuja with different hairstyles and accessories.
  • p2Large SFX burst effect above Hancock head.
  • p2Kuja woman gesturing toward carriage in lower panel.
  • p2Traditional building visible in background of lower panels.
  • p3Kuja pirates sorting and displaying stolen cargo boxes and barrels.
  • p3Hancock handing over folded newspaper to another character.
  • p3Elder Nyon with staff and distinctive hairstyle speaking to group.
  • p3Large sign labeling Amazon Lily Kuja Castle.
  • p3Castle structure shown with multiple tiers and traditional architecture.
  • p3Background figures carrying items and celebrating.
  • p3Small SFX effects near castle entrance.
  • p3Enishida visible near Elder Nyon in lower panel.
  • p4Shattered clay statue fragments scattered across ornate floor with impact lines and debris.
  • p4Hancock stands upright with long dark hair and flowing cape, neutral expression facing broken statue.
  • p4Attendants in patterned dresses react with open mouths and raised arms near statue remains.
  • p4Large SFX lines and exclamation marks emphasize statue destruction and falling pieces.
  • p4Clay statue originally depicted Hancock with painted details before shattering.
  • p4Foreground attendant points toward mess while background shows decorative room elements.
  • p4Hancock's earrings and snake motifs on clothing visible in close panel.
  • p4Attendants carry broken pieces away with motion lines indicating haste.
  • p4Hancock's posture remains composed while others show panic around debris.
  • p4Room decor includes patterned walls and hanging ornaments behind characters.
  • p5Hancock stands with back partially turned, sweat drops visible on face.
  • p5Elderly attendant with skull-like headdress reports news from side angle.
  • p5Large snake coils around table and person in separate room panel.
  • p5Blonde attendant shows surprised expression with sweat drops and open mouth.
  • p5SFX lines and motion indicators around characters during conversation.
  • p5Hancock's long hair and cape flow as she faces away from speaker.
  • p5Snake patterned with dark spots wraps around seated figure.
  • p5Attendant gestures with raised hand while reporting monkey sighting.
  • p5Room features ornate curtains and wall patterns in background.
  • p5Hancock's posture remains still while receiving reports.
  • p6Elder Nyon enters grand hall from high position near pillar and snake.
  • p6Hancock stands in center of large patterned hall facing intruder.
  • p6Attendants react with shock, open mouths, and raised hands in background.
  • p6Large snake coils on pillar above entrance point.
  • p6Hancock's long hair and cape visible from back view in first panel.
  • p6Elder Nyon shown with wrinkled face and intense glare in close-up.
  • p6Attendants display varied panic expressions in small reaction panel.
  • p6Ornate hall features chandeliers, curtains, and circular floor patterns.
  • p6Elder Nyon points and shouts in lower panel with motion lines.
  • p6Hancock's side profile shows stern expression during confrontation.
  • p7Elder Nyon's wrinkled face and intense eyes fill large close-up panel.
  • p7Hancock's face twists with fear, sweat drops, and heart symbols appearing.
  • p7Hancock covers mouth with hand while hearts float around her head.
  • p7Small silhouette of government ship visible through window in background.
  • p7Elder Nyon shown from behind addressing Hancock in hall.
  • p7SFX lines and heart shapes emphasize Hancock's emotional reaction.
  • p7Elder Nyon's hair and headdress details prominent in upper panels.
  • p7Hancock's earrings and dark hair frame her fearful expression.
  • p7Attendants visible in lower left reacting to the exchange.
  • p7Window reveals distant ship silhouette against sky.
  • p8Hancock lounges on massive coiled serpent throne inside ornate palace hall with curtains and chandeliers.
  • p8Gloriosa stands holding crystal ball while addressing seated Hancock.
  • p8Close-up of Hancock holding crystal ball with neutral expression and long dark hair.
  • p8Extreme close-up of Gloriosa's wrinkled face with wide eyes, sweat drops, and open shouting mouth.
  • p8Palace exterior with multi-tiered East Asian style roof and rocky cliffs in background.
  • p8Gloriosa's snake companion coiled near her shoulder.
  • p8Hancock's serpent throne fills lower panel with patterned scales.
  • p8Speech bubbles positioned around upper palace view and interior scene.
  • p9Hancock smashes crystal ball with impact lines and SFX.
  • p9Gloriosa shoved backward with motion lines and surprised face.
  • p9Close-up of Hancock's cold glare and large hoop earrings.
  • p9Hancock stands in dramatic pose with arms raised and flowing dress.
  • p9Gloriosa's angry wrinkled face with gritted teeth and sweat.
  • p9Multiple speech bubbles overlapping action panels.
  • p9Hancock's figure viewed from low angle emphasizing superiority.
  • p9Shattered crystal ball fragments with circular SFX.
  • p10Gloriosa's face pressed close to Hancock with sweat and intense expression.
  • p10Wide palace hall view with distant background figures and checkered floor.
  • p10Hancock standing with arms crossed and stern gaze.
  • p10Gloriosa recoiling with motion lines and exclamation marks.
  • p10Close-up of Gloriosa's wide-eyed pleading face with tears.
  • p10Hancock's silhouette viewed from behind in final panel.
  • p10Multiple overlapping speech bubbles in confrontation panels.
  • p11Hancock on balcony hurling Gloriosa downward with impact SFX.
  • p11Gloriosa falling through air with flailing limbs and spiral motion lines.
  • p11Hancock smiling from above with speech bubble.
  • p11Gloriosa landing in heap with dust clouds and crash SFX.
  • p11Kuja warriors reacting with panic and sweat drops in foreground.
  • p11Gloriosa declaring she is still a Kuja warrior despite age.
  • p11Hancock's face in close-up with slight smile and dark hair strands.
  • p11Background warriors covering mouths and shouting.
  • p12Large multi-tiered castle built into rocky cliffs with multiple towers and balconies.
  • p12Bells mounted on castle towers ringing with prominent SFX ガンガン and KANKAN-KANKAN.
  • p12Kuja warriors in patterned outfits running in panic with snakes coiled around them.
  • p12Woman with curly hair sitting at table clutching food while protesting evacuation.
  • p12Residents carrying trays and items while fleeing the castle grounds.
  • p12Castle gates and structures shown emptying rapidly under urgency.
  • p12Multiple speech bubbles layered over chaotic crowd scenes indicating mass movement.
  • p12Woman with pigtails looking back while running down stairs.
  • p12Foreground warrior with snake companion gesturing frantically.
  • p12Castle architecture emphasized with vertical composition and high angle views.
  • p13Large banner reading BATH TIME hanging over sealed castle gates.
  • p13Kuja warriors guarding closed gates with coiled snakes and weapons.
  • p13Young girls with varied hairstyles gossiping in smaller panels.
  • p13Close-up of girl with wide eyes and surprised expression.
  • p13Illustration of Gorgon monster with multiple eyes and wild hair.
  • p13Silhouetted figures of three sisters facing the monster.
  • p13Castle walls and towers shown from outside with X-marked sealed entrance.
  • p13Snakes and skull-like motifs floating around guards.
  • p13Young girl with pigtails listening intently to the story.
  • p14Close-up faces of Gorgon sisters with terrified wide eyes and sweat drops.
  • p14Silhouetted young Hancock facing the monster in background.
  • p14Panel showing petrified people with horrified expressions.
  • p14Barrier lines drawn around the bath area with guards outside.
  • p14Hancock bathing in swirling water with steam and relaxed posture.
  • p14Elder Nyon watching from balcony with concerned expression.
  • p14Speech bubbles overlapping dramatic close-ups of eyes and faces.
  • p14Warrior nation symbols and architecture visible in background panels.
  • p14Girl with pigtails reacting with raised hand and exclamation.
  • p15Blonde Kuja warrior with snake companion searching mountain path.
  • p15Luffy standing on tall stone pillar overlooking the sea.
  • p15Sign labeled Island of Women, Jungle placed on cliffside.
  • p15Luffy in mid-air pose with arms and legs spread after jumping.
  • p15Multiple thought bubbles showing Luffy's internal monologue.
  • p15Kuja warriors with weapons scanning the jungle area.
  • p15Stone bridge and layered cliffs leading to the sea view.
  • p15Luffy's small figure contrasted against vast landscape and sky.
  • p15Birds flying in the background sky above the sea.
  • p16Luffy in straw hat with sweat drops on face, eyes closed, finger pointing to temple in thinking pose.
  • p16Multiple thought bubbles above Luffy showing internal reasoning about tall buildings.
  • p16Luffy leaping mid-air from rooftop with determined open-mouth grin and outstretched limbs.
  • p16Large vertical building facade with chains, scaffolding, and architectural details below Luffy.
  • p16Small distant silhouette of Luffy against sky and clouds during descent.
  • p16Kuja warriors below with wide eyes, open mouths, and panicked running postures.
  • p16Kuja warriors holding weapons and shields while looking upward in alarm.
  • p16SFX lines and impact marks around collapsing scaffolding and chains.
  • p16Multiple Kuja figures in foreground and background showing motion lines and sweat.
  • p17Luffy smashing through roof with arms and legs spread, mouth open in shock.
  • p17Multiple impact SFX and debris lines around breaking roof tiles and beams.
  • p17Distant view of multi-tiered castle tower with surrounding buildings and cliffs.
  • p17Kuja warriors staring upward at collapsing roof with shocked expressions.
  • p17One Kuja warrior with long hair and weapon pointing toward the tower.
  • p17Luffy submerged in bath water with flailing limbs and distressed face.
  • p17Several Kuja women in bath with splashing water, steam clouds, and panicked gestures.
  • p17Close-up of Luffy's face underwater with bubbles and open mouth.
  • p18Luffy surfacing from bath water with wide eyes and open mouth.
  • p18Hancock viewed from behind with long dark hair, bare shoulders, and snake-shaped earrings.
  • p18Hancock turning head with sweat drops and focused gaze toward Luffy.
  • p18Luffy in background with arms outstretched and surprised expression.
  • p18Close-up of Hancock's face showing intense narrowed eyes, clenched teeth, and sweat.
  • p18Hancock's face with motion lines and star-shaped impact symbol near head.
  • p18Bathhouse interior with steam, tiled walls, and window details.
  • p18Luffy's face showing realization with sweat and wide eyes.

Theories built on chapter 517

  1. 514Mushrooms-Growing-From-Your-Body-Shroom
  2. 515Adventure on the Island of Women
  3. 516The Pirate Empress Boa Hancock
  4. 517Bath Time
  5. 518Coliseum
  6. 519The Disposition of a King
  7. 520The Gorgon's Eye

Cite this chapter

One Piece, ch. 517 — Bath Timehttps://loresquare.com/one-piece/source/chapter/517

Every page of One Piece chapter 517 has an address of its own. Add #page-11 to the link above and it opens on page 11 instead of at the top — so a comment that says “see chapter 517” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.