686

One Piece Chapter 686: The Yuki-Onna of the Biscuit Room

Read on Viz

What happens in chapter 686

In the Biscuit Room Monet lunges at the Straw Hats and the children while Zoro intercepts her with a clash of blades and talons. Mocha flees with the giant candy as the other children chase her and beg for it. Mocha remembers Caesar's false tears about his lost son and the kind treatment he and Monet once promised the children.

Full chapter 686 summary

00
The title page reads "CHAPTER 686 - THE YUKI-ONNA OF THE BISCUIT ROOM." The cover story continues with "CARIBOU'S KEHIHIHIHI IN THE NEW WORLD - VOLUME 11 - RESCUE BIG-BROSUKE!" The illustration shows Caribou's side story rather than the main Punk Hazard events: a large figure is caught amid smoke and wreckage while Caribou-related chaos continues outside the central chapter plot. This page is useful because it confirms the chapter title and cover-story installment, but it is separate from the Biscuit Room battle and the laboratory escape.
Caribou
01
The chapter opens in the laboratory, B-Block, third floor, "The Biscuit Room." Broken structures and drifting snow fill the room as Monet attacks the Straw Hats and the children. She lunges with her harpy-like body, and Zoro intercepts her in a violent clash of blades and talons. The impact explodes across the panel while Robin is thrown back. Nami cries, "ROBIN!! ARE YOU ALRIGHT!?" Robin, bleeding but composed, answers, "Nnn... It's just a scratch...!!" The situation remains urgent because the children are still moving after Mocha and the candy. Someone calls, "Let's hurry and stop those children...!!" The page establishes the immediate battlefield: Zoro is holding Monet back, Robin is injured but mobile, and the rest must reach the children before the candy makes the experiment worse.
MonetRoronoa ZoroNamiNico RobinCaesar Clown's ChildrenMocha
02
Mocha runs through the Biscuit Room with the giant candy while the other children chase her through the snow and debris. Chopper calls out in panic, "NAMI!! PLEASE HURRY!!" because "THE CHILDREN ARE LEAVING THE ROOM!!" Nami realizes what this means and says, "I promised that I would stop them... but I haven't been able to." Chopper adds the immediate consequence: "AND NOW MOCHYA'S IN TROUBLE!!" Mocha, panting hard with "HAA" after "HAA," keeps moving while the children close in behind her. They shout, "STOP!!" "WAIT, MOCHYA!!" and one child demands, "HAND OVER THAT CANDY!!" The page centers Mocha's burden: she is still only a child herself, but she is carrying the dangerous candy away from the others while adults and allies struggle to catch up.
MochaTony Tony ChopperNamiCaesar Clown's Children
03
Mocha knows she cannot keep running forever. She gasps, "I can't do that...!! Haa haa," while thinking back to why the candy matters. She says, "I asked Chopper-chan just what kind of candy this is...!!" Chopper's warning echoes over the chase: "We mustn't eat it!!" and Mocha begs the others, "Please! Go back to the way you were!!" But the children are still under the drug's craving and yell, "Hand it over, Mochya!!" The memory becomes clearer: Chopper tells her, "If we pass it on to a grownup, that grownup would die..." and another child cries, "Wahhh... wahhh... Mochya... this is just how it is. We're sick." Then a gentle promise from the past cuts through the fear: "Wouldn't it be a lot worse if your mom or dad died? We'll get treatment and be all cured within a year." Mocha is running not only from the children, but from the false hope that kept them obedient.
MochaTony Tony ChopperCaesar Clown's Children
04
Mocha remembers how Caesar manipulated the children with kindness. Caesar once declared, "It's my honor to have you as my first generation of patients," then confessed through tears, "The truth is... I once... I lost my own son to this sickness. But never again!! I don't ever want to see another child suffer like that...!!" He sobbed, "Nor do I want to see any sad parents who've lost their own children...!!" The children reacted with sympathy, "Ohh," and he pretended embarrassment: "Ahh, I'm sorry. This is embarrassing... I'm getting all teary-eyed..." When they asked, "Mr. Master, are you alright?" he continued smiling while Monet introduced "children with the same sickness who've come from other islands." The children introduced themselves too: "I'm Uzu!! Nice to meetchya," "My name is Doran," and "The name's Konbu!" Back in the present, those same children scream, "CANDY!!" and "GIVE US THE CANDY!!!" while Mocha shouts, "STOP RIGHT THERE, MOCHYA!!" The page reveals the cruelty behind their loyalty: the children's trust was built on Caesar's deliberate lies.
MochaCaesar ClownMonetUzuDoranKonbuCaesar Clown's Children
05
The memory continues with Monet welcoming the children into the routine of the facility. She says, "Some new friends have come to join us today," and tells them, "Now everyone play nice. And if you need anything, just let me know." The children answer, "Okay, Ms. Monet." Mocha now understands the entire kindness was false. She thinks, "Even the kindly Ms. Monet was in on it...!!" and then, with the betrayal fully clear, "It was all a lie." The old promise of treatment is exposed as part of Caesar's experiment when Monet says, "You've been working so hard with your treatment, so here's a treat. Yes, it's candy from Master." In the present, Mocha keeps running and cries, "Let's all run away from here!!!" and "Please go back to normal!!" The children chase her through the hall, still hungry for candy, but Mocha's goal has shifted from obedience to rescue. She wants to save the same friends who are now trying to take the drug from her.
MochaMonetCaesar Clown's ChildrenCaesar Clown
06
Nami, Robin, and Chopper pursue the fleeing children through the Biscuit Room. Nami orders, "AFTER THEM, QUICKLY!!" and Robin adds, "AS FAST AS YOU CAN!!" Chopper rides along with them, worried and frantic, while the room remains full of snow and chaos. Behind them, Zoro faces Monet. He breathes heavily, "Nnn hhhhhh hhh," and then Monet suddenly dives away from him toward the others. Zoro realizes the danger and snaps, "YOU BITCH!! WHAT DO YOU THINK YOU'RE DOING!!" Nami sees Monet coming and yells, "EH!? WHAT WHAT WHAT!? HOLD UP!! WHY'RE YOU COMING THIS WAY!?" Chopper panics, "GYAH!! WAIT, NAMI!! YOU CAN'T USE ME AS A SHIELD!! YOU CAN'T!" Monet's movement makes the battlefield unstable: Zoro can block her, but if she slips past him, the weaker allies and the children become the targets.
07
Monet closes in on Nami and Chopper, but Zoro cuts back into the fight. The clash erupts with blades, wings, and talons colliding, while Nami screams, "KYAH HHHHH HAH." Monet examines Zoro's behavior and says, "What a pity." Zoro answers angrily, "How dare you aim for the weaker ones!!" Monet spins through the snow with "SPIN SPIN," testing him more than simply attacking. The page is important because Monet starts to notice a pattern: Zoro keeps stopping her, but his attacks do not cut her down with the force he should be able to use. His anger is real, yet he is still fighting in a guarded way. That hesitation gives Monet room to think she can exploit his reluctance and keep pursuing Nami, Chopper, and the children.
08
Nami decides to strike back. She warns, "WATCH OUT NOW," and uses "HEAT EGG!!" The heat bursts against Monet's snow body, making Monet cry, "GYAH HHHHH HH!!" Nami is surprised and relieved: "Well of course--using heat really works!!" Then she remembers Monet's bounty identity: "'CAT BURGLAR' 16 million berries..." Monet sinks into the snow and vanishes. Nami orders, "SO STOP FOLLOWING US, OK!!" but almost immediately realizes the danger is not over. She shouts, "UHH!! NOT AGAIN!! SHE DOVE INTO THE SNOW...!!" Chopper, watching Monet disappear into the white floor, asks, "DO YOU EVEN WANNA FIGHT!? HUH, YUKI-ONNA!!" The page shows that Nami can hurt Monet with heat, but Monet's Snow-Snow Fruit lets her avoid a clean defeat by merging into the room's snow.
09
Monet seals off the escape route. Nami sees the doorway covered and cries, "EHH!?" then shouts, "THE EXIT...!!" Monet announces the technique: "SNOW FENCE!!" The snow piles into a barrier and someone realizes, "SHE GOT US...!!" Monet follows by unleashing "10,000 YEAR SNOW," filling the room with a freezing storm. Robin calls, "NAMI!?" and Nami shouts, "WAH!!" as the cold slaps across her and Chopper. Chopper suffers under the snow and gasps, "UOOH HH!!" while Nami cries, "AH!! THE SNOW!!" The cold hits hard enough that someone says, "SO COLD!! I CAN'T MOVE!!" Monet's strategy becomes clear: she is not merely attacking one person. She is changing the room itself into a prison, stopping the evacuation and using the cold to immobilize the weaker crew members.
10
Monet emerges in a monstrous snow form, jaws wide and body swollen by the storm. Nami and Chopper are caught near her as she roars, and someone screams, "GIIYAHHH HH!!!" Zoro sees Monet move again and says, "NOT AGAIN. NOW SHE'S OVER THERE!!!" Monet declares, "I WON'T LET YOU FOLLOW THOSE CHILDREN...!!" Her resolve is focused on protecting Caesar's experiment, not the children themselves. Nami sees the next strike coming and cries, "LOOK OUT, CHOPPER!!" Monet attacks with a huge bite and another freezing surge, making Chopper yell, "FUO OHHH HH!!" The scene keeps the danger concrete: every moment Monet delays them gives the drugged children more time to catch Mocha and gives Shinokuni more time to advance through B-Block.
MonetNamiTony Tony ChopperRoronoa ZoroMochaCaesar Clown's Children
11
Robin intervenes with her ability and calls, "'Quatro Mano'." Multiple arms appear around Monet and clamp down with a sharp "SPANK!!" The blow catches Monet and breaks the pressure around Nami and Chopper, scattering snow and debris across the room. Chopper and Nami are thrown down but alive. Chopper lands with an "OWW," while Nami admits, "Wh... whoa... that was scary!!" Monet, however, is not meaningfully stopped. She twists and gathers herself again, her mouth and wings still formed from snow. Robin's move buys a moment, but the page shows the limitation of their position: without Haki or the right elemental counter at the exact moment, even a clean hit only disrupts Monet's Logia body rather than ending the fight.
12
Monet states her duty plainly. Watching the children move away, she says, "...This just won't do... Those children are Master's precious experiments..." Then she adds, "My duty is... to protect Caesar and his experiments..." Chopper is furious and demands, "Who was it who planted in Mochya the idea to rebel?" He rejects Monet's claim and shouts, "What are you talking about!? The children asked of their own free will to be saved." Zoro cuts through the hesitation and orders, "OUT OF THE WAY, YOU GUYS!!" Then he turns to the others and says, "Well, follow them!!" The visual action matches the words: Zoro strikes into Monet's snow barrier and opens the path while the others run after Mocha and the children. The argument is also a moral split. Monet sees the children as Caesar's property; Chopper insists their wish to be saved is real.
13
Nami, Robin, and Chopper rush on. Nami shouts, "LET'S HURRY!!" Robin answers, "OK!!" and someone calls, "JUST HANG IN THERE, MOCHYA!!" As they leave, Monet speaks with bitter contempt. She says, "What a coarse bunch, day after day. I've treated those children with nothing but kindness and given them a life in which they want for nothing." Then she accuses the Straw Hats: "But of course pirates would try to steal such 'precious treasures' from the parents that care for them!!" Zoro tests her logic with a calm question: "ALL RIGHT. SO THERE'S REALLY NO PROBLEM, THEN?" Monet answers with another snow technique, "TABIRA SNOW," and says, "DON'T GET IN THE WAY OF MY DUTY!!" The page shows how deep Monet's loyalty to Caesar runs. She dresses exploitation up as care and sees rescue as theft.
14
Zoro finally presses Monet more seriously. Monet attacks with "SKIN KATANA!!" but Zoro blocks and watches her closely. He starts, "This whole time, you've..." Monet, seeing that he still has not cut her down, asks, "Why've you only been blocking my attacks and not striking back with your blades...!?" Zoro says nothing at first. Monet licks her lips and concludes, "To be completely honest, I didn't really think I could win against you... But now... I unexpectedly wonder if that might not be the case?" Meanwhile, the others have moved on through the cold Biscuit Room. Zoro tells them, "MARINES!! Let's head in that door!!" and adds, "So everyone's out to steal the children... I can't forgive any of you." The page sets up the standoff: Monet believes Zoro's reluctance gives her a chance, while Zoro's silence suggests he has been holding back by choice rather than weakness.
Roronoa ZoroMonetNamiNico RobinTony Tony ChopperG-5 MarinesCaesar Clown's Children
15
The G-5 Marines finally reach the Biscuit Room area in a roaring charge. Sanji and the Marines burst forward shouting, "CHARGE!!" while Zoro stands in the lead. Sanji yells, "WHY ARE YOU IN THE LEAD!!" and the Marines are immediately relieved that the children are not there, shouting, "BIG BRO!! THE KIDS AREN'T HERE BUT THAT'S 'PIRATE HUNTER ZORO'!!" Another Marine warns, "That guy is a real brazen bastard," but others answer, "ALL RIGHT, YOU GUYS!!" The Marines begin heckling Zoro: "PULL OUT YOUR LOWER LIPS AND MOCK HIM!!" with a chorus of "YEEE EEE!!" Zoro, unimpressed, says, "Although it would be nice if they all slipped, cracked their heads, and died..." Sanji learns the direction from Monet, who says, "If it's Nami and Robin you want, they went that way. You're in my way, so get out of here." Sanji answers, "Oh ho ho we got some good information from this shitty moron. Okay, let's go, you bastards!"
16
Sanji's group starts to move on, but the Marines cannot stop reacting to Monet. Sanji snaps, "STOP SPACING OUT, YOU NOISY IDIOTS!! HURRY UP AND MOVE ON AHEAD!!" The Marines protest, "UOHHH YOU'RE RIGHT! SHE'S CUTE," and one says, "IS WHAT I WOULD BE THINKING, BUT THERE'S A BEAUTIFUL LADY BACK THERE!!" Another notices the truth too late: "BUT WAIT, LOOK! SHE'S NOT HUMAN!!" and another cries, "SHE'S A 'HARPY'!!" Even that does not end the distraction. They shout, "BUT SHE'S STILL A CUTIE IN SPITE OF THAT," "WHAT BEWITCHING APPEAL!!" "DEFINITELY SEXY," and "WHAT THE HELL! ARE YOU REALLY THAT WEAK TO SUCH COMPLIMENTS!!" Monet, meanwhile, hears their crude admiration while something shifts in the snow. She asks, "Wha...!! What is she..." Then her anger returns: "ANYONE WHO WOULD TRY TO TAKE AWAY MY CHILDREN... I WON'T FORGIVE!!" G-5's arrival adds noise, but Monet's target remains the same: stopping anyone who threatens Caesar's control over the children.
SanjiMonetG-5 Marines
17
Monet launches herself into a terrifying attack. The snow swells around her into a huge predatory shape, and the Marines panic. One cries, "MY... MY SHOULDER!! WHAT'S GOING ON!!?" as ice and snow crack around him with "CRACK." Monet's monstrous form snaps forward, making someone scream, "GYAH HHHH HH!!!" while she laughs, "HEE EEEE EE!!" The Marines realize what they are facing. Someone shouts, "THIS... THIS THING!!" and another says, "SHE'S A LOGIA!!" In the lower panels, Monet bites and tears through the confusion while G-5 keep reacting with "MUNCH!" "MUNCH!" "SHINK," and "KYAH HHHHH HAH!!" Zoro watches the attack and understands that ordinary panic will not work here. Monet is not only a harpy with claws; she is a Logia whose snow body can become a weaponized monster.
18
Tashigi arrives at the Biscuit Room with Marines behind her, sword drawn and coat flaring in the snow. The Marines cheer, "UOHH HHHH HH!!" and call, "CAPTAIN-CHAN!!" while another voice recognizes her as "A SWORDSWOMAN WHO CAN USE HAKI...!!" Her arrival changes the balance because she can actually strike a Logia. A Marine reports, "WE'VE STOPPED THE GAS FROM COMING INTO THIS ROOM, AT LEAST FOR THE MOMENT." Tashigi judges the situation and says, "BUT THERE'S NO GUARANTEE THAT IT WON'T SEEP IN FROM SOMEWHERE ELSE." She orders, "THERE'S NO TIME, EVERYONE. PLEASE CHASE AFTER THE CHILDREN WITH EVERYTHING YOU'VE GOT!" A Marine hesitates, "B... BUT WHAT ABOUT YOU, CAPTAIN-CHAN!?" Tashigi answers, "I WILL REMAIN!" Then she looks at Zoro and says, "IT SEEMS... THAT I AM NEEDED HERE!" Zoro reacts, "HUH!?" The chapter ends with Tashigi stepping into the Monet fight while the rescue effort continues after Mocha and the children.
TashigiRoronoa ZoroMonetG-5 MarinesMochaCaesar Clown's Children
19
No description for this page.
End of chapter20 pages

Discussion

Loading discussion…

About this chapter

One Piece Chapter 686: The Yuki-Onna of the Biscuit Room

Chapter
686
Summarised
Pages
20
Previous

Chapter 686 summary

In the Biscuit Room Monet lunges at the Straw Hats and the children while Zoro intercepts her with a clash of blades and talons. Mocha flees with the giant candy as the other children chase her and beg for it. Mocha remembers Caesar's false tears about his lost son and the kind treatment he and Monet once promised the children. Nami Robin and Chopper race after the children while Monet dives into the snow creates a snow fence and unleashes a freezing storm that pins them down. Robin strikes Monet with multiple arms to break the pressure and Zoro orders the others to follow the children. Monet insists the children are Caesar's experiments and her duty is to protect them. Sanji and the G-5 Marines burst into the room and charge ahead after learning the direction Nami and Robin took. Monet declares she will not forgive anyone who tries to take her children away as the Marines continue to gawk at her.

Questions chapter 686 answers

1

50 key facts · 15 characters

Key facts in chapter 686

  • p0Chapter 686 title page features Caribou volume story subtitle.
  • p0Splash illustration shows weapon impact sending a round spotted character flying.
  • p1Scene takes place in Laboratory 3 B-Block 3rd floor Biscuit Room.
  • p1Monet attacks with chained weapons while Robin is downed and Tashigi checks on her.
  • p2Children are attempting to leave the Biscuit Room.
  • p2Mocha holds striped candy while being approached by desperate children.
  • p3Mocha refuses to give the children the striped candy.
  • p3Children claim they are sick and need the candy despite Mocha's pleas.
  • p4Monet claims to have lost her son to the same sickness affecting the children.
  • p4The setting is the colorful Biscuit Room filled with candy-themed decorations.
  • p4Children from multiple islands share the same sickness and are gathered together.
  • p5Monet is addressed as Ms. Monet by the children.
  • p5The children attempt to escape the Biscuit Room after realizing the deception.
  • p5A large sound effect fills the corridor during the children's flight.
  • p6Nami and Law enter the Biscuit Room in pursuit of the children.
  • p6Monet transforms and attacks from above, striking Law first.
  • p6The Biscuit Room sign is visible above the entrance.
  • p7Monet fights Law using spinning bladed weapons in her transformed state.
  • p7Law defends against Monet while protecting Nami from direct attack.
  • p7The fight takes place inside the Biscuit Room with heavy impact effects.
  • p8Nami's bounty is shown as 16 million berries on a wanted poster.
  • p8Monet uses a heat-based projectile attack called Heat Egg.
  • p8Monet can submerge into snow to reposition during combat.
  • p9Monet creates SNOW FENCE to block and trap opponents.
  • p9Nami is buried under 10,000 year snow and immobilized by cold.
  • p10Monet transforms into a large snow beast to attack.
  • p10Chopper enters a powered-up form to counter the snow monster.
  • p11Monet uses Quatro Mano technique with multiple arms.
  • p11The SPANK attack sends both Nami and Chopper through ice debris.
  • p12Monet declares her duty involves protecting Caesar's experiments.
  • p12Kin'emon executes a powerful sword slash in the snowy corridor.
  • p12Snow is actively swirling during the confrontation.
  • p13Monet carries Mochya through a collapsing corridor.
  • p13Monet transforms part of her body into a large feathered wing.
  • p13Tabira Snow technique is used by Monet.
  • p14Kin'emon uses Skin Katana technique against Monet.
  • p14Monet questions Kin'emon's defensive fighting style.
  • p14Marines are mentioned as a reason to move forward.
  • p15G-5 marines charge through the snowy lab corridor.
  • p15Zoro is present in the corridor during the marine advance.
  • p15A Den Den Mushi conversation reveals information about Nami and Robin's location.
  • p16Monet is revealed as a harpy with wings and tail.
  • p16Snow is falling inside the room.
  • p16G-5 Marines are present and reacting to Monet.
  • p17Monet uses snow powers to attack and reform her body.
  • p17Marines identify Monet as a logia user.
  • p17Tashigi enters the fight with sword drawn.
  • p18Tashigi can use Haki.
  • p18Gas has been stopped from entering the current room.
  • p18Tashigi decides to remain behind alone.
Symbols and visual details171 · show
  • p0One Piece logo with skull, crossbones, rope border and Japanese title at top of splash page.
  • p0Chapter title text 'CHAPTER 686 - THE YUKI-ONNA OF THE BISCUIT ROOM' centered below logo.
  • p0Massive smoke and debris explosion filling central panel with impact lines and flying fragments.
  • p0Large spiked chained weapon smashing downward into round target figure.
  • p0Round character with spotted lower body, wide grin, and sweat drops sent flying backward.
  • p0Broken wooden debris and stone wall fragments scattered around impact zone.
  • p0Bottom text block 'CARIBOU'S KEHIIHIIHI IN THE NEW WORLD - VOLUME 11 - RESCUE BIG-BROSUKE!'
  • p0Author credit '尾田栄一郎' in large Japanese characters at bottom center.
  • p1Diagram label 'LABORATORY 3, B-BLOCK, 3RD FLOOR, "THE BISCUIT ROOM"' with points A-G marked.
  • p1Large winged figure with long flowing hair and striped sleeves swinging chained maces.
  • p1Huge impact SFX 'ギュッ!!!' and 'ギュイイイ!!!' near weapon strikes.
  • p1Robin lying prone on floor with dark hair and coat visible.
  • p1Blonde woman in cap kneeling beside Robin with hand extended.
  • p1Small background figure running away amid dust clouds.
  • p1Multiple motion lines and debris indicating rapid weapon swings.
  • p1Winged attacker shown from behind with spread wings dominating upper panel.
  • p2Nami running forward holding staff with back view in upper panel.
  • p2Boy with dark hair sweating and crying in close-up panel.
  • p2Girl with goggles and pigtails shouting with wide eyes and open mouth.
  • p2Young girl Mocha in striped shirt reaching out desperately with candy in hand.
  • p2Group of frantic children with wild expressions surging toward Mocha.
  • p2SFX 'ハア' and motion lines showing running and chaos.
  • p2Background archway and scattered debris in room interior.
  • p2Multiple speech bubbles overlapping action panels.
  • p3Mocha clutching striped candy with sweat drops and gasping expression.
  • p3Swarm of children surrounding Mocha with reaching hands and angry faces.
  • p3Close-up of crying child with tears and open mouth demanding candy.
  • p3Mocha pleading with tearful face and outstretched hand.
  • p3Small panel showing child stating they are sick with shadowed face.
  • p3Child asking if it would be worse if mom or dad died.
  • p3Mocha responding with wide eyes about getting treatment.
  • p3Background elements include barrels and grid pattern in lower panels.
  • p4Monet stands with long flowing hair and feathered tail in colorful Biscuit Room with rainbow and candy motifs in background.
  • p4Monet recalls personal loss with tears while addressing children in foreground.
  • p4Small curly-haired child Uzuyu smiles brightly with beaming expression.
  • p4Group of children with varied hairstyles and sickness marks gather around Monet.
  • p4Speech bubbles positioned above Monet and children showing emotional storytelling.
  • p4Background shows arched windows, clouds, and hanging candy decorations.
  • p4Close-up panels highlight children's surprised and teary faces.
  • p4Monet gestures gently with open posture toward gathered children.
  • p4Panel composition alternates between wide room view and tight emotional close-ups.
  • p4Candy and treat motifs repeated in background architecture and objects.
  • p5Monet smiles warmly while standing among children in striped outfit and feathered tail.
  • p5Dark-haired child shows horrified wide-eyed realization with sweat drops.
  • p5Children panic and flee down industrial corridor with motion lines and dust clouds.
  • p5Large unreadable Japanese SFX echoes through the hallway during escape.
  • p5Monet holds out candy with clawed hand in close-up panel.
  • p5Background shows arched ceilings, pipes, and directional arrows in corridor.
  • p5Children display fearful expressions and running postures toward exit.
  • p5Monet leans forward with friendly yet ominous smile while offering treat.
  • p5Panel shows child's internal thought bubble revealing betrayal realization.
  • p5Group of children run together in chaotic formation down narrow passage.
  • p6Nami and Law sprint through Biscuit Room with dynamic motion lines and determined expressions.
  • p6Sign labeled 'THE BISCUIT ROOM' hangs above arched doorway.
  • p6Law is struck from behind with massive impact SFX 'ぱっ!!' sending him flying.
  • p6Monet appears airborne in transformed harpy-like state with wings and claws.
  • p6Nami and Law collide mid-air with Law used as unintended shield.
  • p6Monet glares angrily while extending clawed hand toward targets.
  • p6Background shows colorful candy-themed architecture and floating particles.
  • p6Nami shouts while running forward with ponytail flowing.
  • p6Law grunts in pain with hunched posture after impact.
  • p6Monet in mid-flight with striped sleeves and feathered lower body visible.
  • p7Monet in full Yuki-Onna harpy form clashes blades with Law amid heavy impact effects.
  • p7Law blocks Monet's spinning weapons with crossed swords and gritted teeth.
  • p7Nami watches the fight with alarmed expression and sweat drops.
  • p7Large motion lines and debris fly during weapon clash.
  • p7Monet spins dual weapons with 'SPIN SPIN' SFX effect.
  • p7Law's face shows intense focus and anger in close-up.
  • p7Monet retorts coldly with slight smile during combat exchange.
  • p7Background contains swirling clouds, feathers, and impact stars.
  • p7Nami positioned in foreground observing with wide eyes.
  • p7Multiple overlapping blades and shield-like blocks create chaotic composition.
  • p8Nami with ponytail and striped armband holds staff while dodging fiery sphere attack with wide eyes and open mouth.
  • p8Monet in harpy form with striped legs and wings unleashes spherical heat projectile from above.
  • p8Nami's wanted poster labeled CAT BURGLAR with 16 MILLION BERRIES visible in panel.
  • p8Monet smirks with narrowed eyes while partially submerged in snow.
  • p8Nami runs with sweat drops and determined expression in snowy corridor.
  • p8Large impact SFX and motion lines surround heat sphere and Nami's evasion.
  • p8Monet dives into snow leaving only upper body visible with flowing hair.
  • p8Nami points staff forward while shouting at Monet in arched tunnel background.
  • p8Snow particles and curved motion lines emphasize Monet's dive into floor.
  • p9Massive snow walls erupt from floor and ceiling trapping Nami and Chopper.
  • p9Nami looks back with wide eyes and open mouth as snow fence activates.
  • p9Chopper silhouette visible running ahead toward distant exit.
  • p9Nami struck from behind and buried under large snow mass with SLAP SFX.
  • p9Nami lies partially submerged in snow with legs visible and body covered.
  • p9Monet laughs with open mouth while controlling snow around Nami.
  • p9Nami struggles with arms raised and sweat drops showing freezing reaction.
  • p9Chopper's legs and Nami's body entangled in swirling snow effects.
  • p9Snow particles and impact lines fill the enclosed icy chamber.
  • p10Chopper in heavy point form swings fist at large snow monster form of Monet.
  • p10Monet as massive snow beast with open jaws and flowing hair looms over fighters.
  • p10Nami points toward Monet's new position with alarmed expression.
  • p10Chopper is slammed backward with large impact SFX and motion lines.
  • p10Nami warns Chopper while sweat drops appear on her face.
  • p10Monet declares she will not allow pursuit of the children.
  • p10Snow and debris fly around the impact zone in the icy room.
  • p10Chopper's small form clings to Nami during the beast's attack.
  • p11Monet activates Quatro Mano with multiple arms visible in close-up panels.
  • p11Monet delivers powerful SPANK strike sending Nami and Chopper flying.
  • p11Nami and Chopper tumble through shattered ice and debris with motion lines.
  • p11Monet looms with sinister grin and flowing hair after the strike.
  • p11Nami cries out while rolling from the impact.
  • p11Chopper expresses relief that the attack was scary but survived.
  • p11Broken ice chunks and dust clouds fill the background of the strike panel.
  • p11Monet's multiple hands shown in sequence during the Quatro Mano technique.
  • p12Monet stands with faint smile and flowing hair amid dense swirling snow particles.
  • p12Large impact panel shows Kin'emon mid-slash with sword extended and heavy motion lines.
  • p12Snow drifts and debris fill the collapsing corridor background.
  • p12Shocked animal-like face with wide eyes and open mouth in upper panel.
  • p12Silhouetted figures thrown back by force in lower corridor view.
  • p12Monet positioned centrally with calm posture while snow swirls around her face.
  • p12Dynamic diagonal composition in slash panel emphasizing speed and power.
  • p12Small character with question mark bubble in bottom left corner.
  • p12Heavy black SFX blocks overlay the massive strike effect.
  • p12Kin'emon's lower body visible in crouched fighting stance after slash.
  • p13Monet carries struggling Mochya while running through exploding corridor with another woman ahead.
  • p13Close-up of Monet's face with serene yet chilling smile and sweat drops.
  • p13Large feathered wing-like structure emerges from Monet's arm during attack.
  • p13Tabira Snow label visible on left panel edge.
  • p13Blonde scarred man reacts with wide eyes and open mouth in lower right.
  • p13Heavy motion lines and impact SFX surround Monet's wing strike.
  • p13Corridor walls and vents shown cracking under force.
  • p13Mochya shown small and distressed while being carried.
  • p13Monet's hair flows dynamically during run and attack sequence.
  • p14Kin'emon's blade transforms into a massive feathered wing mid-clash.
  • p14Monet licks her lips with narrowed eyes during confrontation.
  • p14Kin'emon blocks attacks with sword while standing firm in snow.
  • p14Blonde man and scarred man react with surprise at marines mention.
  • p14Group of characters rush toward an arched doorway in lower panels.
  • p14Monet shown with intense close-up expression and speech bubbles.
  • p14Snow and impact lines fill the clash panel.
  • p14Kin'emon's face visible with focused determined gaze.
  • p14Background shows lab corridor with multiple doors and vents.
  • p15Two beast-like men with open roaring mouths lead a charge through snowy corridor.
  • p15Large group of G-5 marines visible in background through archway.
  • p15Blonde man speaks into Den Den Mushi while gesturing.
  • p15Zoro stands in background with swords visible.
  • p15Multiple characters tumble and react in chaotic lower panel.
  • p15Heavy motion lines and SFX emphasize forward charge momentum.
  • p15Den Den Mushi shown with speech bubbles indicating conversation.
  • p15Corridor architecture with snow accumulation and distant figures.
  • p15Beast-like men's exaggerated angry facial expressions dominate upper panels.
  • p16Monet appears as winged harpy with tail and clawed feet emerging from snow.
  • p16G-5 Marines show wide eyes, open mouths, sweat drops, and chaotic expressions.
  • p16Floating hearts surround Marines indicating conflicted attraction to Monet.
  • p16Monet displays menacing grin with sharp teeth and predatory posture.
  • p16Snow falls indoors with visible flakes and cold air effects.
  • p16Marine in foreground yells with intense shaded face and open mouth.
  • p16G-5 logo visible on Marine clothing during attack scene.
  • p16Monet looms over fallen Marines with wings spread and tail visible.
  • p16SFX lines and impact marks emphasize sudden harpy emergence.
  • p16Background shows arched doorway and snow-covered floor.
  • p17Monet attacks with massive snow blast and claw strikes.
  • p17Marine clutches wounded shoulder with pain lines and open mouth.
  • p17Large X impact effects and explosion-like snow clouds dominate panel.
  • p17Monet reforms body around attacks showing logia properties.
  • p17Marines fire weapons at Monet with visible muzzle flashes.
  • p17Tashigi silhouette appears with sword raised amid chaos.
  • p17SFX include GYAH, SNAP CRACK, KYAH, and ZUO sounds.
  • p17Snow swirls violently around Monet and Marines.
  • p17Marine realizes Monet is a logia during the assault.
  • p18Tashigi stands with sword drawn and Haki aura lines flaring.
  • p18Falling debris and broken structures surround Tashigi.
  • p18G-5 Marines cheer with open mouths and raised arms toward Tashigi.
  • p18Tashigi shows determined expression with furrowed brows and open mouth.
  • p18Close-up of Tashigi face emphasizes resolve and sweat drops.
  • p18Gas containment device visible on wall with pipes and valves.
  • p18Marine reacts with shock at Tashigi decision to stay behind.
  • p18Background shows arched exit with snow and distant figures.
  • p18Narration box highlights swords-woman who can use Haki.

Theories built on chapter 686

  1. 683A Woman Like Ice
  2. 684Stop It, Vegapunk
  3. 685Mine Name Is Momonosuke, That It Is!
  4. 686The Yuki-Onna of the Biscuit Room
  5. 687Beast
  6. 688Mochya
  7. 689An Island That Seems Not to Exist

Cite this chapter

One Piece, ch. 686 — The Yuki-Onna of the Biscuit Roomhttps://loresquare.com/one-piece/source/chapter/686

Every page of One Piece chapter 686 has an address of its own. Add ?page=10 to the link above and it opens on page 10 instead of at the top — so a comment that says “see chapter 686” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.