21 pages · Water 7 arc

One Piece Chapter 370: Not Alone

What happens in chapter 370

Sogeking slips into Robin's car on the Puffing Tom and announces he has come to rescue her with the rest of the crew. Robin rejects the offer at once and insists she has already left the group. Sogeking explains that the others learned the truth from Iceburg and are now pursuing her on another sea train, but Robin still refuses to escape. Franky appears at the door and questions her odd behavior before leaving.

  1. p.0Chapter 370 titled "NOT ALONE" opens with Miss Goldenweek on a city street.
  2. p.9Sanji identifies a single weak point on Wanze's armor.
  3. p.19Three armored characters displayed in decorative banner.
370

Not Alone

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00
Title-page extra for One Piece chapter 370, "Not Alone." The cover story continues as "The Name of Miss Goldenweek's Strategy: 'Meet Baroque' Volume 9: 'There are Marines on Vacation Island!?'" The scene is bright and playful: the characters move through a seaside vacation street near an ice-cream stand while the caption warns that Marines have appeared on the island, turning the otherwise cheerful detour into another problem for Miss Goldenweek's group.
01
The Puffing Tom shudders through the storm, and someone reacts in alarm: "What happened!?" Inside the first car, Robin turns toward the strange visitor who has slipped in beside her. Sogeking introduces himself with theatrical dignity: "Nice to meet you. I am the Sogeki King, 'Sogeking' for short." A note explains that "Sogeki" means sniper. Then he drops the act just enough to state his purpose: "As for why I'm here... To make a long story short, I'm here to save you!!" Robin recognizes him at once and breathes, "Long-nose...!!" But her first answer is not relief. She warns, "I'm not alone, though." Sogeking explains the situation quickly: "There's a chef named Sanji and this hoodlum named Franky on the train. I snuck in here while they distracted the enemies."
02
Robin reveals that the rescue has grown far beyond the two men on this train: "Furthermore, the Straw Hats are also pursuing us on another sea train. And it's carrying quite a few people..." Sogeking peers back through the route he used and admits, "I prefer it through the windows on my way here... The four people in that car behind us look really strong." He does not want Sanji and Franky forced into that fight if they can avoid it, so he urges Robin to move now: "We should get out of here before Sanji-kun and the others have to confront them!! But don't worry about a thing!! Now, escape with me and my friends!!" He produces the strange escape tools and instructs her, "These are your 'octopults.' Please put these on your hands and feet. And then climb out through the window."
03
Robin refuses the rescue with a pain that has not softened. She demands, "Why are you doing this...!? Didn't I clearly tell you that I'd quit the group!!? Don't make me tell you twice. I'm not one of you anymore!!!" Sogeking answers that the crew already knows the real reason behind her choice: "They all know of your reasons!! It seems that Ice-ossan guy, from the shipyard, told them everything." Robin is shaken by the news and asks, "Wha... he's safe!?" But even Iceburg's survival does not let her accept the rescue: "Not even then, still can't go back." Sogeking, furious on behalf of the crew, says, "Before you made this stupid deal, you should've talked to them about it first!!!" and then insists, "Don't you get it!? You don't need to worry about protecting them!!!" Robin can only stare at him and ask, "What are you babbling about...?"
04
Sogeking tells Robin exactly what her crew will do now that they know the truth: "Now that they know why you quit the group... They'll find and chop up your enemies no matter where they hide!!!" He asks the question at the center of her despair: "Do you actually believe that they'd willingly sacrifice a friend in order to survive!!?" Robin explodes back at him, not because she doubts their courage, but because she fears what that courage will cost them. "You don't understand what you're saying!!! I never wanted for you guys to save me!! I won't let you have your way!!!" Her voice rises so loudly that someone outside the door notices. A knock comes, and a voice asks, "What're you yelling about, Nico Robin?" The rescue attempt suddenly has to hide itself again.
05
Franky confronts Robin from outside the room, sensing that something about her reactions does not match what he has been told. He asks bluntly, "Are you crying about your future now? You know it's too late for that, don't you...?" Robin answers, "I'm fine." Franky looks at her and thinks, "Something feels wrong here somehow..." Robin repeats, "I said, I'm fine. Just leave me alone." Her controlled words do not convince him. Franky studies her face, the closed posture, and the way the whole conversation feels off, then thinks, "Something's definitely weird about this woman." Still, with no proof and no time, he is left wondering, "Am I just imagining things...?"
06
Back in the fourth car, the kitchen fight turns even more ridiculous and more dangerous. Wanze rushes Sanji in his noodle armor, chanting, "Ramen Kenpo!!! Sasasa... take this!!" He attacks with "Tonkotsu Spank!!!" as a note explains that tonkotsu means pig bone. Sanji's kick slams into the ramen suit but sinks into the sticky strands instead of breaking through. Wanze mocks him: "All you did was become bigger." Sanji realizes the problem immediately: "What's with this 'power-up'?" The cook keeps taunting him from inside the suit: "And your punches are still weak as hell!!" The armor looks absurd, but in a cramped train kitchen it turns food itself into a trap.
07
Sanji tries to fight through the suit, but the noodles cling to him. "What the--!? It's stuck!?" Wanze laughs at the opening: "Sasasa sa-- idiot!!! You're surprised by my Ramen Kenpo, aren't you." With Sanji's leg trapped, Wanze spins and prepares revenge for the earlier humiliation. "Now, I'm going to pay you back for earlier!!" Sanji notices that the enemy's movement is sloppy and snaps, "Bastard! Why're you getting dizzy!!?" The absurdity of Wanze's technique makes the fight look foolish for a moment, but Sanji is still pinned by a suit that turns every direct touch against him.
08
Wanze presses the advantage while Sanji struggles against the sticky armor. "You'll pay for that!!!" he shouts, then slams forward with "Noodle Soul Press!!" Sanji is crushed and shoved through the kitchen space, thinking, "Damn it!! I can't fight like this..." Wanze celebrates as if the technique has become unbeatable: "How do you like my super, crazy, unstoppable Ramen Kenpo now?!!" He laughs, "That's for looking down on me!! Sasasasasa~~~!!!" The joke of the noodle suit has turned into a real tactical problem: Sanji cannot land clean kicks, and Wanze can keep attacking from inside the food he has weaponized.
09
Sanji finally tears himself free: "Finally, I'm free...!!" But the lesson is clear. If he strikes the ramen armor directly, he will be caught again. Wanze rushes in, and Sanji thinks through the problem: "If I get stuck when I attack his armor...!! I have to avoid touching the ramen." Wanze keeps attacking with manic confidence: "Sasa eat this!!!" He follows with "Ramen Gyoza Set" and "Clapping!!!" Sanji watches the moving shell and reaches the narrow answer: "There's only one place I can attack!!" The fight shifts from brute force to precision; he must find the exposed target inside the absurd armor without touching the trap around it.
10
Sanji attacks the one weak opening with "Escalope!!" as a note explains that an escalope is a thin piece of boneless meat. Wanze reacts with another burst from the armor, "Ramen Beam!!!" The exchange explodes through the tight kitchen, but Wanze's confidence remains intact. He boasts from inside the noodle shell, "I have no weak point. Sasasasaa!!" Sanji's strike still reaches him enough to draw a cry of "BWAH!!!" and the impact proves that the suit is not invincible. The problem is not whether Wanze can be hurt; it is how to cut through the food armor without letting it drag Sanji into another sticky bind.
11
Wanze believes he has solved Sanji's style. "I've already figured out your fighting style!!!" he declares. "You only use your legs to attack!! So if I lock down your kicks, you're doomed--!!" He presses the logic further: "No matter what you do, you'll only get stuck in this suit!! It's useless!!" Then he launches another ramen technique: "Try to dodge this!! Ramen Kenpo" and attacks with "Fukumen Spank!!!" A note explains that fukumen is a mask. Sanji faces an enemy whose armor is built specifically to punish kicks, and Wanze is certain that a cook who refuses to use his hands has no answer left.
12
Sanji changes the rules of the kitchen fight. Instead of kicking the ramen armor apart, he moves with precise, cutting control and names the ingredient-like counter: "Fedelini: 1.4mm Pasta." Wanze is thrown off by the sudden shift and blurts, "Acrobatics? What!?" The ramen strands begin to come apart under Sanji's technique, reduced from a bulky battle suit into thin, controlled lines. The page turns the absurd food armor back into food: something a real chef can understand, measure, and cut. Wanze expected Sanji to be trapped by his own fighting policy, but Sanji has found a way to answer him within the rules of the kitchen itself.
13
Wanze panics as the ramen suit is ruined: "But you ruined my battle suit!!!" Sanji explains the line he normally refuses to cross. "A chef must fight without using his sacred hands and knives!! That is my policy for fighting..." Then he makes the exception clear: "But... since we're in a kitchen and you're using food as a weapon... it's another story." Wanze's crime is not merely attacking; it is treating food like a toy and a weapon. Sanji answers as a cook, not just as a fighter, and lashes out with "Sen-men Whip!!!" The ramen strands that once protected Wanze become material Sanji can handle and punish him with.
14
Sanji takes control of the kitchen. Wanze screams, "Don't touch my kitchen knives!! They're not toys for hoodlum amateurs!!!" But Sanji is neither a toy-grabber nor an amateur. He answers, "Allow me to show you... a first class cook's... special 'Houchou Sabaki'!!!" A note explains that houchou sabaki means a way of handling or caring for knives. The page then cuts from Sanji's culinary counterattack to the roof of the third car, where Franky and Nero continue their own fight above the speeding train. The rescue has split into two battles at once: Sanji reclaiming the kitchen from Wanze, and Franky trying to break past the CP9 newcomer.
15
On the roof of the third car, Nero shows off the speed of CP9's techniques. He vanishes with "Soru!!!" and darts around Franky faster than a normal fighter could track. Franky answers with blunt force, swinging "Strong Hammer!!!" Nero avoids the blow with "Kamie," letting his body slip away like paper while the strike misses him. The storm, the roof, and the rushing sea make the fight unstable, but Nero moves as if the train were his arena. Franky sees that this is not simply another brawler; Nero has enough of the Six Powers to dodge, leap, and strike in ways that make him hard to pin down.
FrankyNero
16
Nero keeps attacking from the roof, using another CP9 technique: "Rankyaku!!" A note ties the name to a slicing leg attack, and the kick sends a cutting force toward Franky. The exchange forces Franky to study how Nero moves. Sogeking, still nearby in the broader chaos of the train, reacts with shock as Nero leaps and shifts through the air and along the train's surface. The technique looks dangerous, but Franky's body does not respond like an ordinary human target. The battle begins to expose a mystery for Nero as much as for Franky: one fighter moves like a trained government assassin, while the other absorbs punishment in a way that should not be possible.
17
Nero uses "Soru!!!" again, trying to stay out of Franky's reach, but Franky counters with "Fresh Fire!!!" and breathes a blast of flame across the roof. Nero avoids disaster by leaping away with "Geppou!!" The note calls it moon walk, and the move lets him kick through the air itself. From the angle of the train it looks as if he has dropped toward the sea on purpose, and someone reacts in disbelief: "He jumped into the sea on purpose!?" Instead, Nero has used the air as footing. The fight on the roof becomes a contest between Franky's unexpected body and Nero's incomplete but frightening CP9 mobility.
FrankyNero
18
Nero returns from the air, and the fighters realize they are both seeing something strange. Franky watches the movement and says, "What kind of...!!" Nero cannot understand Franky's durability either: "How come Rankyaku didn't do anything to him!? There's something strange with this guy's body!!!" He attacks again and demands the answer in the middle of the clash: "...Monster are you!!!?" The Puffing Tom roars onward beneath them. The final panel tightens the countdown: "Only 20 minutes." The train is nearing "Arrival time to the government's front door, Enies Lobby." Every stalled fight now costs Robin's rescuers a piece of the little time they have left.
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One Piece Chapter 370: Not Alone

Chapter
370
Summarised
Pages
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Chapter 370 summary

Sogeking slips into Robin's car on the Puffing Tom and announces he has come to rescue her with the rest of the crew. Robin rejects the offer at once and insists she has already left the group. Sogeking explains that the others learned the truth from Iceburg and are now pursuing her on another sea train, but Robin still refuses to escape. Franky appears at the door and questions her odd behavior before leaving. In the kitchen car Sanji battles Wanze, who attacks inside a sticky ramen suit; Sanji eventually switches to knives and cuts the armor apart. On the roof Franky fights Nero, who repeatedly uses Soru, Kamie, Rankyaku, and Geppou to dodge and strike. Nero realizes Franky's body resists his attacks while Franky watches the agent's movements in surprise. The train speeds onward with only twenty minutes left until arrival at Enies Lobby.

44 key facts · 9 characters

Key facts in chapter 370

  • p0Chapter 370 titled "NOT ALONE" opens with Miss Goldenweek on a city street.
  • p1Sogeking appears inside a sea train car opposite Nico Robin.
  • p2Sogeking reveals Straw Hat pursuit and warns of strong enemies ahead.
  • p3Robin rejects the rescue attempt and reaffirms leaving the Straw Hats.
  • p4Robin is physically restrained during the conversation.
  • p4The masked man is confronting Robin directly about her past actions.
  • p4A knocking sound occurs near the end of the scene.
  • p5Robin remains calm and seated while bound.
  • p5The man in black hat becomes increasingly suspicious of Robin's behavior.
  • p5The scene takes place inside a moving train car.
  • p6The fight is labeled as occurring in the fourth car.
  • p6Wanze uses an inflatable body technique during the attack.
  • p6Sanji is struck and knocked back by Wanze's strike.
  • p7Sanji becomes physically stuck during the exchange.
  • p7Wanze's attacks cause disorientation effects on Sanji.
  • p7The fight continues with Wanze maintaining an inflated state.
  • p8Sanji's shirt is torn and bloodied during the fight.
  • p8Wanze lands on the Going Merry deck after using Noodle Soul Press.
  • p8Sanji is pinned on the ground beneath the attack.
  • p9Sanji avoids direct contact with ramen during his attack.
  • p9Wanze uses Ramen Gyoza Set as a spinning projectile technique.
  • p9Sanji identifies a single weak point on Wanze's armor.
  • p10Wanze fires Ramen Beam from his helmet.
  • p10Sanji uses Escalope kick to counter the beam attack.
  • p10Sanji is hit by multiple strikes after the initial counter.
  • p11Wanze attempts to lock down Sanji's legs inside the ramen suit.
  • p11Wanze uses Fukumen Spank as a spinning helmet attack.
  • p11Sanji remains restricted in movement while inside the armor.
  • p12Sanji uses knives to strike Wanze during kitchen battle.
  • p12Fedelini pasta is referenced as 1.4mm Italian pasta.
  • p13Sanji refuses to use hands or knives as weapons per his fighting policy.
  • p13Battle occurs inside a kitchen setting on the train.
  • p14Scene transitions from kitchen fight to roof of third train car.
  • p14Franky fights Nero on the roof of the third car.
  • p15Nero employs Soru and Kamie techniques on the train roof.
  • p15Franky counters with Strong Hammer attack.
  • p16Rankyaku technique produces visible air slicing effect.
  • p16Combat occurs near large arched building structure.
  • p17Getsu-pou technique allows mid-air rebound.
  • p17Combat takes place above large government-style building near sea.
  • p18Puffing Tom train heads toward Enies Lobby.
  • p18Rankyaku had no visible effect on palm-tree shirt fighter.
  • p19Page is title page for chapter 370.
  • p19Three armored characters displayed in decorative banner.
Symbols and visual details189 · show
  • p0One Piece logo with skull, crossed bones, rope, and silhouette dominates top of page.
  • p0Chapter title text "CHAPTER 370: 'NOT ALONE'" centered below logo.
  • p0Lively multi-story city street with arched windows and striped awnings in background.
  • p0Miss Goldenweek in wide striped hat, short jacket, shorts, and "GOLDEN" shirt waves with sparkles and smile while carrying large suitcases.
  • p0Marine woman in helmet and patterned outfit waves back with surprised open-mouth expression holding striped staff.
  • p0Spiky-haired man with wide eyes and open mouth peeks from behind building edge on right.
  • p0Ice cream stand labeled "CE CREAM" with cones and striped awning on left foreground.
  • p0Background figures include smiling person with ice cream and another with dark hair near stand.
  • p0Large bottom text box mentions "MISS GOLDENWEEK'S STRATEGY" and "THERE ARE MARINES ON VACATION ISLAND!".
  • p0Author credit "Eiichiro Oda" at very bottom.
  • p0Vertical building lines and open street composition emphasize lively vacation atmosphere.
  • p1Steam locomotive races through turbulent waves with large impact lines and SFX in top panel.
  • p1Hooded figure in black cloak and mask sits across from Nico Robin inside ornate train car with patterned seats.
  • p1Close-up shows hooded figure's mask with scope-like eye and open mouth explaining arrival.
  • p1Nico Robin shown with sweat drop and surprised expression in close-up panel.
  • p1Ornate curtains, circular windows, and detailed train interior emphasize enclosed moving setting.
  • p1Large SFX and motion lines convey high-speed sea train travel.
  • p2Sogeking stands on seat gesturing while speaking to seated Robin in train car.
  • p2Train corridor view shows Sogeking walking ahead with Robin following.
  • p2Close-up of octopus-like suction cup devices attached to hands and feet of a character.
  • p2Wide-eyed character with goggles and long nose reacts with question mark and sweat in small panel.
  • p2SFX "SHF..." appears near corridor door.
  • p2Background shows ornate train doors and patterned flooring.
  • p2Sogeking silhouette emphasizes cloak and mask while facing away.
  • p3Close-up of Nico Robin with tears, furrowed brows, open shouting mouth, and sweat drops showing anger.
  • p3Sogeking stands in train corridor facing Robin who gestures with outstretched arms.
  • p3Small panel shows Sogeking with sweat drops and surprised expression saying "WHA... HE'S SAFE".
  • p3Goggled long-nosed character appears in foreground with open mouth and question marks.
  • p3Train interior details include patterned walls, doors, and luggage cart visible behind characters.
  • p3Robin shown with tears and intense expression in multiple panels.
  • p3Sogeking silhouette with cloak and mask faces Robin during confrontation.
  • p4Masked man with wide hat leans forward intensely with wide circular eyes and serious mouth expression.
  • p4Masked man has prominent mustache and eye patch visible under hat brim.
  • p4Nico Robin hooded and bound in ornate layered restraints with circular patterns and tassels.
  • p4Robin shows anguished screaming face with wide open mouth and strained eyes.
  • p4Ornate train car interior background with detailed windows and structural lines.
  • p4Large black silhouette shape partially obscures Robin in middle panel.
  • p4Knock knock SFX placed near door area in lower panel.
  • p4Masked man displays shocked wide-eyed open-mouth expression in final close-up panel.
  • p4Robin remains seated and restrained throughout sequence.
  • p4Panel composition shows dramatic upward angle on masked man in top section.
  • p5Man in black hat and suit stands with back turned showing long hair and hat silhouette.
  • p5Man in black hat turns to reveal grinning face with visible teeth and narrowed eyes.
  • p5Robin sits bound on a cushioned ornate seat with hood up and neutral expression.
  • p5Man in black hat shows heavy sweating on face in close-up panels.
  • p5Man in black hat displays intense suspicious glare with wide eyes and clenched teeth.
  • p5Robin maintains seated posture with minimal movement and calm face.
  • p5CLOMP SFX appears near the man in black hat during movement.
  • p5Train interior details include windows, curtains, and mechanical elements in background.
  • p5Man in black hat has a visible pin or emblem on suit lapel.
  • p5Sweat drops emphasized on the man's face in suspicion panels.
  • p6Sign reads FOURTH CAR: SANJI VS WANZE in decorative frame.
  • p6Wanze wears ramen-themed helmet with visible noodles and toppings.
  • p6Wanze charges forward with open mouth yelling Ramen Kenpo.
  • p6Wanze inflates his body massively into a large rounded form.
  • p6Sanji stands facing Wanze with arms at sides before impact.
  • p6Wanze delivers Ton-kotsu Spank attack with motion lines and impact effects.
  • p6Sanji is sent flying backward from the blow with body angled sharply.
  • p6SQUISH SFX appears near Wanze during the attack.
  • p6Wanze has striped clothing and large round helmet details.
  • p6Sanji shows focused expression before being hit.
  • p7Sanji is slammed hard with body twisted and mouth open in pain.
  • p7Wanze's inflated form connects with impact lines and CHOI-YAA AA SFX.
  • p7Sanji shows strained expression with sweat while stuck in position.
  • p7Wanze laughs with wide open mouth and wild eyes in close-up.
  • p7Wanze has swirling dizzy effects around his head in lower panels.
  • p7Sanji is shown upside down or contorted in an awkward stuck posture.
  • p7Wanze continues to inflate and move aggressively toward Sanji.
  • p7Background shows train car ceiling and structural beams.
  • p7Sanji grunts UGH while attempting to maintain composure.
  • p7Wanze displays exaggerated laughing face with tongue visible.
  • p8Wanze in large round ramen armor stands triumphantly on deck with arms spread after landing.
  • p8Sanji lies bloodied on the ground with torn striped shirt, gritted teeth, and exhausted posture.
  • p8Massive armored figure looms overhead with shouting expression and impact lines.
  • p8Spiraling mass of noodles crashes downward with heavy impact SFX and cloud effects.
  • p8Sanji shows sweat drops and strained facial expression while struggling on floor.
  • p8Wanze's armored body features striped patterns and protruding noodle-like elements.
  • p8Background shows ship deck with scattered debris and distant vessel silhouette.
  • p8Panel composition places large armored figure in foreground dominating lower scene.
  • p8Sanji's gaze directed upward toward attacking figure with visible frustration.
  • p8Noodle technique creates swirling vortex motif around central armored body.
  • p9Wanze launches spinning gyoza slices outward with wide-eyed aggressive expression.
  • p9Sanji frees himself from restraint with focused posture and sweat drops.
  • p9Ramen gyoza slices fly in multiple directions with motion lines and hop SFX.
  • p9Sanji identifies attack target with determined gaze toward Wanze's armor.
  • p9Wanze shows shocked wide-eyed reaction as strikes land on his suit.
  • p9Sanji's striped shirt remains torn with visible blood on face.
  • p9Panel shows close-up of Sanji's hands working free from ramen entanglement.
  • p9Large impact SFX and clapping effects dominate lower panel composition.
  • p9Wanze's armor features swirling noodle patterns during gyoza launch.
  • p9Sanji maintains low crouched posture while preparing counterattack.
  • p10Wanze fires beam from helmet visor with narrowed eyes and open mouth.
  • p10Sanji leaps high in mid-air with spinning kick motion and extended leg.
  • p10Wanze is sent flying backward with impact lines and starburst effects.
  • p10Sanji is caught in flurry of strikes with multiple impact SFX around body.
  • p10Wanze taunts with repeated sasa sounds while maintaining armored stance.
  • p10Sanji grits teeth with determined expression claiming no weak points.
  • p10Heavy shockwave SFX surround Sanji during sustained barrage.
  • p10Wanze's helmet emits visible energy beam toward Sanji's position.
  • p10Sanji's body shows additional blood and strain marks from hits.
  • p10Panel layout emphasizes vertical leap followed by downward barrage.
  • p11Wanze gloats from above with pointing finger and wide grin.
  • p11Sanji is trapped inside ramen suit with restricted leg movement.
  • p11Wanze prepares spinning helmet strike with rotating armor elements.
  • p11Sanji shows strained expression with sweat while locked in suit.
  • p11Fukumen Spank technique creates massive swirling impact SFX.
  • p11Wanze's armor displays noodle patterns and mask-like helmet details.
  • p11Sanji's body is slammed with heavy motion lines and debris.
  • p11Wanze's face shows triumphant laughter with open mouth.
  • p11Panel composition highlights locked leg posture and helmet spin.
  • p11Sanji's torn shirt and bloodied face remain visible inside suit.
  • p12Sanji in black vest drives two knives forward with intense forward lean and gritted teeth amid swirling impact lines.
  • p12Massive pasta explosion erupts outward from central impact point with scattered strands and debris.
  • p12Wanze reels backward with wide open mouth and frantic scream posture.
  • p12Note label states FEDELINI IS A VERY FINE ITALIAN PASTA near top panel.
  • p12Masked figure in lower left panel shows wide eyes, open mouth, and sweat drops while shouting.
  • p12Sanji stands calmly in lower center panel holding knives with neutral expression and cigarette.
  • p12Shattered pasta pieces and rectangular debris scatter across floor around Sanji's feet.
  • p12SFX GHF appears near pasta strands in rightmost small panel.
  • p12Sanji's sleeves are rolled up with visible arm muscles during knife strike.
  • p12Large curved SFX lines dominate upper panel background indicating force.
  • p13Sanji clashes blades directly with Wanze producing metallic CLANK effect.
  • p13Wanze's massive body looms over Sanji with pasta strands swirling around them.
  • p13Sanji leaps forward with one leg extended and knife raised in dynamic pose.
  • p13SEN-MEN WHIP technique name appears in large letters during spinning strike.
  • p13Wanze is sent flying backward amid flying pasta and impact lines.
  • p13Kitchen background with circular windows visible behind fighters.
  • p13Sanji's black pants and vest contrast with Wanze's striped outfit.
  • p13Large curved motion lines emphasize the whip-like kick trajectory.
  • p13Wanze's mouth open in protest during clash.
  • p14Wanze pleads with hands raised and distressed expression in upper panels.
  • p14Sanji flips knife in air with crisp FLIP SFX and calm stance.
  • p14Sanji performs SPECIAL HOUCHOU SABAKI with focused gaze and knife held high.
  • p14Note explains HOUCHOU SABAKI as way of handling knives.
  • p14Sea train races forward on tracks in bottom wide panel with smoke and motion lines.
  • p14Label reads ROOF OF THE THIRD CAR: FRANKY VS NERO on sign.
  • p14Sanji's knife gleams with star-shaped highlights during technique.
  • p14Wanze's outfit shows damage and pasta remnants.
  • p14Train cars connected with visible wheels and steam.
  • p15Nero executes rapid SORU movement with blurred limbs and speed lines.
  • p15KAMIE technique shown with paper-like flowing motion and circular lines.
  • p15Franky delivers STRONG HAMMER punch with massive fist and impact effects.
  • p15Blood sprays from struck figure amid GHF and RIP SFX.
  • p15Nero wears black hat, goggles, and spiked collar with open mouth.
  • p15Franky's arm shows mechanical details and chain accessories.
  • p15Multiple small panels depict high-speed exchange with motion blur.
  • p15Note clarifies SORU means to shave and KAMIE is paper drawing.
  • p15Strong impact lines radiate from central hammer strike.
  • p15Train roof setting with vertical lines indicating speed.
  • p16Palm-tree shirt fighter launches spinning kick with motion lines and air slice effect labeled RANKYAKU.
  • p16Black-hatted fighter counters with high-speed aerial strike and lands with TAP sound effect.
  • p16Close-up shows palm-tree shirt fighter with fierce grin, wide eyes, and SYA-OW exclamation.
  • p16Chain-wearing fighter watches intently from background with focused gaze.
  • p16Black-hatted fighter with ornate collar reacts with shock expression.
  • p16Palm-tree shirt fighter sent flying backward amid explosive impact lines and debris.
  • p16Multiple speed lines and impact bursts emphasize rapid combat exchange.
  • p16Palm-tree shirt fighter has long hair and patterned shirt visible during kick.
  • p16Black-hatted fighter wears dark outfit with hat and wristbands.
  • p16Foreground emphasis on kicking leg and air distortion effects.
  • p17Black-hatted fighter vanishes with SORU speed burst and SHFF motion lines.
  • p17Black-hatted fighter reappears mid-air delivering flying kick labeled FRESH FIRE.
  • p17Palm-tree shirt fighter plummets toward grand arched building while twisting in surprise.
  • p17Palm-tree shirt fighter rebounds upward with GETSU-POU moon walk effect.
  • p17Black-hatted fighter stares in disbelief with exclamation mark reaction.
  • p17Close-up shows shocked wide eyes and AH exclamation on black-hatted fighter.
  • p17Narration box notes intentional sea jump by palm-tree shirt fighter.
  • p17Large building with arched windows visible below falling fighter.
  • p17Speed lines and cloud effects emphasize rapid vertical movement.
  • p17Palm-tree shirt fighter silhouette shown falling then rising.
  • p18Black-hatted fighter glares with furious expression and clenched teeth.
  • p18Palm-tree shirt fighter airborne with defiant pose and raised fist.
  • p18Chain-wearing fighter questions Rankyaku ineffectiveness with shocked face.
  • p18Puffing Tom train races across sea toward Enies Lobby in background.
  • p18Train sign displays arrival time to government's front door Enies Lobby.
  • p18Banner states ONLY 20 MINUTES remaining.
  • p18Palm-tree shirt fighter has palm-tree patterned shirt and long hair flowing.
  • p18Black-hatted fighter wears dark hat and patterned collar.
  • p18Speed lines and impact effects surround airborne palm-tree shirt fighter.
  • p18Distant train emits smoke while crossing water.
  • p19Large title ONE PIECE 370 centered at top of page.
  • p19Decorative banner shows three stylized armored helmeted characters side by side.
  • p19Left armored figure has horns and goggles on helmet.
  • p19Middle armored figure has long beak-like mask and backpack.
  • p19Right armored figure wears black hat and round helmet with collar.
  • p19Japanese text labels appear above each armored figure.
  • p19Credit BY [NULL] placed below banner.
  • p19Footer note explains information is like team name NULL to encourage zooming.
  • p19White background with black ink illustrations only.
  • p19Banner features black and white camouflage-style pattern behind figures.

Theories built on chapter 370

  1. 367Sogeking
  2. 368Sea Train Battle Game
  3. 369Ramen Kenpo
  4. 370Not Alone
  5. 371Kind Captain T-Bone
  6. 372Parage
  7. 373Necessary Evil

Cite this chapter

One Piece, ch. 370 — Not Alonehttps://loresquare.com/one-piece/source/chapter/370

Every page of One Piece chapter 370 has an address of its own. Add #page-11 to the link above and it opens on page 11 instead of at the top — so a comment that says “see chapter 370” can point at the panel it actually means. Or press Cite beside any page in the reader above and that link is copied ready to paste.