Released 26 May 2024 · 17 pages · Egghead arc

One Piece Chapter 1115: Continental Fragments

What happens in chapter 1115

In Wano's Flower Capital, a broadcast from Vegapunk reaches the citizens, who react with surprise and excitement in the streets. Prisoners at G-4 Naval Base, including those under Demalo Black, argue loudly about the message and mock their captain.

  1. p.2Foreign transmission about Joy Boy reaches Flower Capital Wano.
  2. p.8Dark-cloaked fighter is struck and sent flying.
  3. p.15The same firepower remains available for use in the present.
1115

Continental Fragments

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The title page displays the One Piece logo above the chapter heading "CHAPTER 1115: CONTINENTAL FRAGMENTS". Below, a detailed scene shows Yamato seated on the left, grinning widely with chin resting on hands. In the center, a woman in a patterned kimono uses chopsticks to serve food from bento boxes on a low table. To her right, a young girl with a big smile waves one hand while holding a rice ball. Shelves in the background hold stacked dishes and food. The bottom caption reads: "ONI CHILD YAMATO AND THE HOLY INARI SHRINE PILGRIMAGE - VOL. 5: 'GETTING A BENTO FROM HIYORI AND OTOKO!'" Oda Eiichiro's name appears at the very bottom.
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A wide view of Wano's Flower Capital appears with narration boxes explaining how a foreign transmission reached them and that the snail was found among Orochi's possessions. In a lively street scene, a man with dark hair questions Joy Boy while a woman in a kimono holds a skewer and replies "...JUST LIKE LUFFY." Nearby, a small girl and a round creature react with excitement. The panel shifts to a jail cell at G-4 Naval Base where prisoners react loudly: "YEAH, I'M CLEARLY...", "THAT'S OUR CAP'N! THE ONLY THING BIGGER THAN HIS CONFIDENCE IS HIS BELLY!", "DUH! THE MAN'S ALREADY DEAD.", "JOY BOYI! WHO CARESI! I BET YOU COULD EASILY BEAT HIM, RIGHT, CAPTAIN KIDI", and "IT'S JOY BOY, BOSS!!...A MILLION TIMES TOUGHER THAN THIS JOY TOY!" Demalo Black's name is visible on a sign.
Eustass KidDemalo BlackKiller
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An old man with a long mustache states "I ONLY HAVE ACCESS TO A HANDFUL OF PONEGLYPHS..." while warning "DO BEAR IN MIND..." as panicked Marines fire rifles and shout. A massive double-page spread depicts an ancient sea battle with multiple sailing ships exchanging cannon fire amid smoke and waves; narration reads "...AN UNBELIEVABLE HISTORY ABOUT A GREAT WAR IN THE DISTANT PAST!" and "BUT THEIR COMBINED NARRATIVE CLEARLY CHRONICLES..." Large sound effects fill the sky. In the foreground, a burly man with a scar growls "WAIT... ISN'T THAT USI!" while another figure insists "WELL, HE DID SAY HE WAS A PIRATE!" A final narration box explains: "DURING THAT PERIOD, JOYBOY FACED AN ENEMY... THE ORGANIZATION NOW KNOWN AS THE WORLD GOVERNMENT!"
unidentified elderunidentified scarred man
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Narration recounts the ancient era: "BACK THEN, THEY WERE MERELY THE ALLIED POWERS!! A TEMPORARY COALITION CONSISTING OF 20 SEPARATE KINGDOMS!!" Explosions and debris erupt as a massive figure is struck, with the cry "VEGAPUNK!!" and heavy SFX "バキッ" "ドォォォ". A stern, scarred man glares intensely. Further narration explains: "I MENTIONED EARLIER THAT JOY BOY WAS BORN INTO A FANTASTICAL CIVILIZATION... I AM AFRAID THE CAUSE OF THIS CONFLICT STILL ELUDES ME, SO I DO NOT PRESUME TO JUDGE THE MORALITY OF THE COMBATANTS. I CAN HOWEVER SAY THAT THIS WAR WAS A CLASH OF TWO OPPOSING IDEOLOGIES. IT CAN BE ASSUMED THAT AN ALLIANCE WAS THE ONLY FEASIBLE WAY TO OPPOSE THE FORMIDABLE FACTION TO WHICH JOY BOY BELONGED!" A small figure tumbles amid rubble while an elephant-like creature labeled "ZOU-NEW WORLD" reacts with "..." and sweat drops.
Vegapunkunidentified scarred man
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The group reacts in awe at ancient technology. "ARE FAR BEYOND OUR MODERN SCIENCE. THE WEAPONS THAT EXISTED DURING THIS CENTURY-LONG STRUGGLE... ONE SO ADVANCED THAT IT IS HARD TO BELIEVE IT EXISTED OVER 900 YEARS AGO." A girl exclaims "THAT'S AMAZING!!" while SFX "ガバッ" "ドォォ" "わっ" "どっ」 fill the air. Vegapunk continues: "SUCH TECHNOLOGY IS BAFFLING EVEN TO A GENIUS SUCH AS MYSELF." The rabbit-eared girl says "AWW ♥ BOSS, YOU'RE MAKING ME HUNGRY!" as a large-headed man protests "WHAT'S THAT PEANUT HEADED FOOL SAYINGI!" and laughs "FE FE FE FE FE!!" Others chime "HE'S SO BIG HEADED!" "PU PU PU PU!" The scene shifts to a damaged lab with "LABO-STRATUM" sign and the large-headed man concluding "AND THEREIN LIES OUR PROBLEM."
Vegapunkrabbit-eared girllarge-headed manwitch-hatted figures
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Inside the lab, a hooded figure startles: "EDISONI!" A small robot replies "IT'S ME." "HUHI" Stussy's voice calls "STUSSY... WEEZ... WEEZ..." A man in a cape declares "NOT WHEN THERE ARE MONSTERS ON THE ISLAND WHO CAN IGNORE IT." Edison responds "AH'M GONNA BE STRAIGHT WITH YA... THERE AIN'T NO POINT IN THE BARRIER NO MORE..." A blonde woman worries "BUT... I CAN'T! WHAT IF SOMETHING WERE TO HAPPEN TO THE STRAW HAT CREWI" and "LOWER THE BARRIER AND NIGHTAIL IT OUT OF THERE." Outside, Jinbe greets "THERE'S NOTHING TO APOLOGIZE FOR; WE WERE BUSY..." as Zoro is spotted: "IS THAT YOU, ZOROI! YOU'RE GONNA GET IT LATER!!" with SFX "ドドド" "ゴゴゴ". The crew shouts "MY APOLOGIES! WE'RE ALMOST THERE!" "HOW MUCH LONGER, JINBEI!" "WE'VE DONE ALL WE CAN FOR 'EM..."
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A massive ship launches amid chaos: "I'LL NEVER FORGIVE YOU IF WE GET BLASTED OUT OF THE WATER AFTER ALL THIS!" with SFX "ビュン" "ビュン" "1000". A woman with "SSG" on her outfit yells "NOW HURRY UP! THEY'RE MOVING THEIR SHIPS TO BLOCKADE THE NORTHEAST COAST!" A masked figure reacts "HUHI" while another insists "BUT... I DON'T KNOW WHAT TO DO WITH MYSELF." The blonde woman snaps "AS IF! NOW GET YOUR ASS OUTTA THERE!" and "...NEVER FORGIVE ME IF I LET THEM GET CAUGHT. THAT'S GOOD TO HEAR. I WAS WORRIED STELLA WOULD..." A close-up shows her determined face: "I HAVE NO PURPOSE... NOW THAT STELLA'S GONE... WHO AM I MEANT TO LIVE FORI" with SFX "ズズズ" "ピキ" "!!" and motion lines.
SSG womanmasked figureblonde woman
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A fierce clash erupts as a swordsman in dark attire swings a massive blade. "THIS GEEZER CAN CUT ANYTHING!!" someone yells while the strike carves through the air. "DON'T LET HIM USE HIS SWORD!!" another voice shouts urgently. In a close panel an elderly figure with a staff murmurs "BONNEY..." A dark, grinning face appears, declaring "SENSE THE LIVING VOICES..." The swordsman is hurled backward in a massive impact, crying "GYAAAH!!" as motion lines streak across the page. From the side a voice calls out "BONNEY, GET DOWN!!" amid the chaos of dust, debris, and flashing sword trails.
Jewelry Bonneyelderly swordsmandark-cloaked fighter
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High above the ruined structures a horned skull emblem spins through the air. A rider is flung from a massive beast as "AH!" escapes their lips. Below, a close-up of a mustached face states "THE VOID CENTURY ENDED..." while a small figure gasps "I CAN'T MAINTAIN DISTORTED FUTURE FOR VERY LONG... WEEZ WEEZ" and another mutters "HMI" A distant figure cries "VEGA-PUNKI!" as a giant hand reaches upward. "HOW MUCH DO YOU INTEND TO SAY..." another voice questions. The final panels show crumbling ruins and the narration box "...WITH JOY BOY'S DEFEAT..." amid falling debris and shockwaves.
Vegapunksmall flying figuregiant hand figure
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Shock ripples through onlookers as "WHAT THEI!" rings out. A massive cross-shaped impact erupts while a cloaked rider on a horned beast charges across the sky. "TOO! THERE ARE TOO MANY LIFE FORMS UP HERE!!" a voice exclaims. Below, stunned faces react with "!!I" and "UWAAAH!!" as the beast crashes through the air. Narration boxes read "AND THOSE SCARS NEVER HEALED....!!!" and "THE WAKE OF THAT ANCIENT CONFLICT SCARRED THE WORLD, BUT THE AFTERMATH HAD GRANDER CONSEQUENCES." The sprawling cityscape of Egghead shakes under the force.
cloaked riderhorned beastonlookers in hatsblonde womanbandaged man
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Narration boxes declare "CONTINENTAL FRAGMENTS OF THE LAND MASSES THAT ONCE WERE!!" "WE ARE NOW LIVING ATOP OF THE REMNANTS," "AND THE ANCIENT WORLD WAS SWALLOWED BY THE OCEAN!!" "THE SEAS ONE MUST TRAVERSE ARE SO VAST AND PERILOUS..." and "WE ALL KNOW TRAVEL BETWEEN ISLANDS CAN BE EXCRUCIATINGLY DIFFICULT." A massive dragon-like creature looms among the ruins as people tumble through the air. "YEAH, HA HA HA! EVERYONE KNOWS THE SEAS ARE DANGEROUS." "THAT IS COMMON KNOWLEDGE TO US NOW..." "ISN'T THAT A BIT OBVIOUSI!" voices chatter. A bespectacled man states "THE WORLD OF A MILLENNIA AGO SLEEPS, UNSEEN, AT THE BOTTOM OF THE OCEAN." The crowd erupts in panic: "SAY WHAAATI!" "A CATACLYSMIC ECOLOGICAL DISASTER OCCURRED DURING THE VOID CENTURY..." "BUT IT WASN'T LIKE THAT 1000 YEARS AGO!"
bespectacled mancrowd of civiliansdragon-like creature
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Nojiko smiles and says, "Fill me in later. I've gotta check on the Tangerine Orchard." Someone shouts "NOJIKO!!" as she walks away. In the chaotic square, a man yells "HEY, NOJIKO! WHERE DO YOU THINK YOU'RE GOING!" while another cries "THIS IS INSANE!" and "THE WHOLE WORLD IS AT STAKE!!" A large narration box states: "I KNOW IT IS HARD TO BELIEVE ON MY WORD ALONE... BUT THERE REALLY WERE MULTIPLE VAST CONTINENTS BACK THEN." Vegapunk's massive head dominates the next panel as he explains: "WITHIN A MERE CENTURY, THE AVERAGE SEA LEVEL ROSE BY A STAGGERING......200 METERS!!" and "THIS CHANGE IN THE WORLD HELPS EXPLAIN HOW A CENTURY OF HISTORY COULD BE CENSORED. A FEAT THAT SEEMS HIGHLY IMPOSSIBLE, BUT IT MAKES SENSE WHEN YOU CONSIDER THE UNDENIABLE CONCLUSION ALL THE DATA POINTS TO." The crowd erupts in shock: "T-TWO HUNDREDI!" "WHAAATI! YOU'RE KIDDING!" with wild expressions and motion lines filling the panel.
NojikoVegapunk
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Vegapunk continues: "THE SERAPHIM AND ALL THOSE IMPRISONED CIPHER POL AGENTS WERE SPOTTED FALLING OUT OF THE LAB BUILDING!" A Marine shouts "WE'VE GOT TO RESCUE THEM!" while another says "NO WONDER THE OLD WORLD DISAPPEARED!" and "HEY, STOP LISTENING TO THIS CRAZY! WE HAVE WORK TO DO!" A massive warship looms as text notes "A WARSHIP'S ONLY 60 METERS TALL!" Below, a wild-eyed man laughs "THE OLD FART'S LOST HIS MARBLES! WHAT A JOKE!" as the crowd panics with "DID YOU HEAR THATI! HIS TALL TALE KEEPS GETTING TALLER!" and sound effects like "ビュオオオオ!!" and "ズズズ" fill the air. In a desert scene, a woman asks "YOU'RE SAYING SOMETHING THAT TALL WOULD BE SUBMERGEDI! THAT'S CRAZY!! HOW MANY PEOPLE DIEDI!" while a small figure replies "THAT MOUNTAIN IS AROUND 200 METERS." A man with a 002 label stands with a rabbit-like figure as someone wonders "IS THAT REALLY POSSIBLEI" and "SAKURA KINGDOM (CHOPPER'S HOMETOWN)" is labeled. An old woman smiles: "EVEN NOW THE WORLD STILL FINDS A WAY TO KEEP THINGS INTERESTING."
Vegapunkunidentified Marineunidentified laughing manunidentified woman in desertunidentified man with 002unidentified rabbit-like figureunidentified old woman
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Vegapunk gestures dramatically: "HOWEVER, I CAN SAY FOR CERTAIN THAT IT WAS A MAN-MADE CALAMITY!!!" The crowd reacts with shock. He continues: "THAT BEGS THE QUESTION... HOW AND WHY DID SUCH A FLOOD OCCURI" and "NATURALLY, YOUR FIRST INCLINATION MIGHT BE TO ASSUME IT WAS SOME KIND OF NATURAL DISASTER..." A woman with long hair raises a finger and says "IT WAS A SEVERE WORLD ALTERING EVENT, AFTER ALL!!" while another panel notes "THERE WOULD BE RECORDS DENOTING EARLY WARNING SIGNS SEVERAL CENTURIES EARLIER..." Vegapunk adds: "IF THIS CATASTROPHE WAS BROUGHT ABOUT BY NATURAL MEANS," as a man yells "YOU CAN'T BE SERIOUS!!" and sound effects like "ギャアアア" appear. Vegapunk concludes: "BUT ALL MY RESEARCH INTO METEOROLOGY, GEOLOGY, ECOLOGY, AND ATMOSPHERIC SCIENCE CONFIRMED THAT THERE WAS NO SUCH NATURAL BUILD-UP." A ship sails over flooded ruins as he states: "MY SUSPICIONS WERE CONFIRMED A FEW DAYS AGO......WHEN I ANALYZED THE WORLD'S CURRENT SEA LEVELS." and "MEANING THE CAUSE LIES ELSEWHERE." He finishes: "IT IS IMPOSSIBLE FOR SUCH A DRASTIC CHANGE TO HAPPEN SPONTANEOUSLY WITHIN THE SPAN OF A MERE 100 YEARS...!!!"
Vegapunkunidentified long-haired womanunidentified shouting manunidentified crowd members
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Vegapunk's face appears in close-up: "...WAS CAUSED BY ANCIENT WEAPONS TECHNOLOGY, CAPABLE OF SINKING THE WORLD...!!!" Three stern figures are shown as text reads: "BUT THAT DISASTER 800 YEARS AGO..." "THIS WILL BE HARD TO ACCEPT..." A grand building is depicted with narration: "IN OTHER WORDS... THAT GREAT WAR WHICH RAVAGED THE WORLD DURING THE VOID CENTURY... AND THAT VERY SAME FIREPOWER EVIDENTLY STILL EXISTS, JUST WAITING TO BE USED AGAIN!" Large sound effects "ゴゴゴゴ..." and "ギャア" appear. The final panel shows a black background with wide eyes and the text: "...IS STILL ONGOING!!!" A caption states "THE GENIUS SHEDS LIGHT ON A FORGOTTEN HISTORY!" The page ends with the "ONE PIECE" logo, Luffy's face, and "...ah, its /END."
Vegapunkunidentified stern figures
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End of chapter17 pages

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About this chapter

One Piece Chapter 1115: Continental Fragments

Chapter
1115
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Summarised
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Chapter 1115 summary

In Wano's Flower Capital, a broadcast from Vegapunk reaches the citizens, who react with surprise and excitement in the streets. Prisoners at G-4 Naval Base, including those under Demalo Black, argue loudly about the message and mock their captain. Vegapunk explains that the transmission draws from Poneglyphs recounting an ancient war between Joy Boy's faction and an alliance of twenty kingdoms that later formed the World Government. He describes advanced weapons from that era and refuses to judge the conflict's morality. On Egghead, Edison informs the group that the lab barrier is failing. Stussy struggles to move while a hooded figure reacts in alarm. Outside, Jinbe and Roronoa Zoro coordinate with the crew as they prepare to escape, with the Straw Hats calling out that they are nearly finished.

Questions chapter 1115 answers

1

41 key facts · 40 characters

Key facts in chapter 1115

  • p0Title page for chapter 1115 shows Yamato, Hiyori, and Otoko together indoors.
  • p2Foreign transmission about Joy Boy reaches Flower Capital Wano.
  • p2Snail device was found among Orochi's possessions.
  • p2Prisoners at G-4 Naval Base react to the broadcast.
  • p3Elder mentions limited access to poneglyphs during ancient history discussion.
  • p3Ancient war involved multiple sailing ships in naval combat.
  • p3Scarred man reacts to possible Usopp reference in the narrative.
  • p4Ancient conflict involved 20 separate kingdoms forming a coalition.
  • p4Vegapunk is targeted during the depicted ancient battle.
  • p4Joy Boy belonged to one of the two opposing ideological factions.
  • p5Vegapunk discusses weapons from an ancient century-long conflict.
  • p5The technology is stated to be over 900 years old.
  • p5Group is gathered in front of ancient structures while reacting.
  • p6Edison appears as a small robot inside the lab.
  • p6Barrier around the island is discussed as ineffective.
  • p6Jinbe and Zoro are present outside the lab structure.
  • p7Ship is shown launching or flying above water.
  • p7SSG woman directs action regarding northeast coast blockade.
  • p7Blonde woman references Stella in her dialogue.
  • p8Elderly swordsman engages in combat with large blade.
  • p8Bonney is addressed directly during the fight.
  • p8Dark-cloaked fighter is struck and sent flying.
  • p9Vegapunk discusses the end of the Void Century.
  • p9A rider is thrown from a flying beast above Egghead ruins.
  • p9A giant hand reaches upward during the confrontation.
  • p10A cloaked rider on a horned beast flies through Egghead airspace.
  • p10A large cross-shaped explosion occurs above the island.
  • p10Onlookers react to the aerial battle.
  • p11Narration describes how the world consists of remnants of ancient continents.
  • p11A dragon-like creature appears among the ruins.
  • p11Civilians react to the revelation about ancient seas.
  • p12Nojiko leaves to check her tangerine orchard.
  • p12Vegapunk reveals a 200-meter sea level rise occurred in one century.
  • p12The crowd reacts with shock to Vegapunk's historical claims.
  • p13A warship is shown as only 60 meters tall next to the mountain.
  • p13Sakura Kingdom appears as Chopper's hometown with local crowd reactions.
  • p13Vegapunk's message reaches multiple distant locations simultaneously.
  • p14Vegapunk analyzed current sea levels a few days before the broadcast.
  • p14Research covered meteorology, geology, ecology, and atmospheric science.
  • p15Ancient weapons from the Void Century were capable of sinking the world.
  • p15The same firepower remains available for use in the present.
Symbols and visual details134 · show
  • p0One Piece logo centered at top with skull, crossbones, rope border, and Japanese text above.
  • p0Chapter heading 'CHAPTER 1115: CONTINENTAL FRAGMENTS' directly below logo.
  • p0Yamato seated left with wide grin, chin resting on hands, horns visible, striped sleeves, dark skirt.
  • p0Hiyori in center wearing patterned kimono with rose in hair, using chopsticks to serve food from bento boxes.
  • p0Otoko on right with big smile, waving one hand while holding rice ball, fluffy tail visible.
  • p0Low wooden table holding multiple open bento boxes filled with food items.
  • p0Background shelves stacked with plates, bowls, and covered dishes.
  • p0Bottom caption reads 'ONI CHILD YAMATO AND THE HOLY INARI SHRINE PILGRIMAGE - VOL. 5: GETTING A BENTO FROM HIYORI AND OTOKO!'
  • p0Oda Eiichiro signature centered at very bottom.
  • p0Interior room setting with window, wooden beams, and food storage shelves.
  • p2Wide aerial view of Flower Capital Wano with pagoda and buildings under clouds.
  • p2Narration boxes explain foreign transmission reached Wano via snail found in Orochi's possessions.
  • p2Street scene with Demalo Black questioning Joy Boy while holding skewer.
  • p2Woman in kimono replies about Joy Boy being like Luffy.
  • p2Small girl and round creature react with excitement and sparkles.
  • p2Jail cell at G-4 Naval Base showing prisoners behind bars reacting loudly.
  • p2Demalo Black visible in cell with large head and goggles.
  • p2Killer and other prisoners shown reacting to transmission.
  • p2SFX and speech bubbles fill the lively street and prison panels.
  • p2Background includes Wano architecture and news snail.
  • p3Elder with long mustache and glasses holding hand near face while speaking.
  • p3Marines in background firing rifles with panicked expressions and open mouths.
  • p3Large double-page spread of ancient sea battle with multiple sailing ships exchanging cannon fire.
  • p3Smoke, waves, and debris fill the chaotic naval combat scene.
  • p3Scarred burly man in foreground growls with intense glare and sword at side.
  • p3Narration boxes describe unbelievable history of great war in distant past.
  • p3Large SFX fill the sky above battling fleets.
  • p3Ships shown with masts, sails, and crew figures amid explosions.
  • p3Panel composition emphasizes scale of ancient conflict with wide view.
  • p4Narration boxes explain ancient allied powers as temporary coalition of 20 kingdoms.
  • p4Massive figure struck by explosion with debris and impact lines.
  • p4Vegapunk silhouette visible amid destruction with cry directed at him.
  • p4Heavy SFX 'バキッ' and 'ドォォォ' emphasize impact and chaos.
  • p4Stern scarred man glares intensely in close-up panel with shaded face.
  • p4Further narration discusses Joy Boy's fantastical civilization and clash of ideologies.
  • p4Ancient elephant-like creature shown in background with ZOU-NEW WORLD label.
  • p4Explosions and flying debris dominate battle panels.
  • p4Panel layout mixes close-ups of scarred man with wide destruction scenes.
  • p5Rabbit-eared girl stands with wide eyes and open mouth in shock at center of group.
  • p5Multiple figures wear pointed witch hats and dark cloaks with belts and buckles.
  • p5Large-headed man with checkered scarf laughs with wide open mouth and sweat drops.
  • p5Vegapunk appears with spiky hair, round nose, and goggles in lower close-up panel.
  • p5Background shows tall ancient stone structures and trees in upper right panel.
  • p5SFX lines and impact marks surround characters during reactions.
  • p5Small character with spiky hair visible behind large-headed man.
  • p5Vegapunk close-up shows furrowed brows and hands near face in serious expression.
  • p5Speech bubbles overlap group reaction panels indicating collective awe.
  • p5Lower panel shows circular lab structure labeled 'LABO-STRATUM' with motion lines.
  • p6Hooded figure with horns shows startled expression with open mouth.
  • p6Small round robot figure stands in damaged doorway.
  • p6Blonde woman with wavy hair sweats and speaks with worried eyes.
  • p6Caped man with dark hair stands on stairs with motion lines.
  • p6Jinbe appears in lower panel with open mouth and outstretched arms.
  • p6Zoro visible in lower right with swords and intense expression.
  • p6SFX 'HUFF HUFF' near small robot and 'ドドド' impact lines at bottom.
  • p6Background shows lab interior with screens, pipes, and broken panels.
  • p6Blonde woman panel emphasizes sweat drops and clenched posture.
  • p7Large ship sails through air above ocean with multiple figures aboard.
  • p7Blonde woman with 'SSG' on outfit shouts with hand near ear.
  • p7Masked figure reacts with 'HUH?' and sweat drops.
  • p7Close-up of blonde woman shows determined expression and sweat.
  • p7Background shows multiple ships and flying debris with motion lines.
  • p7SFX 'ビュン' and '1000' indicate rapid movement and numbering.
  • p7Lower panels show close-ups of masked figure and blonde woman's face.
  • p7Blonde woman panel includes small heart-shaped sweat drops.
  • p8Elderly swordsman swings large curved blade with motion lines.
  • p8Dark-cloaked fighter is hurled backward with impact effects.
  • p8Elderly man with staff appears in small panel saying 'BONNEY...'.
  • p8Dark grinning silhouette with white eyes says 'SENSE THE LIVING VOICES...'.
  • p8Large impact panel shows swordsman flying with 'GYAAAH!!'.
  • p8Foreground shows long-haired figure and dark-cloaked fighter in motion.
  • p8SFX 'ギャバァッ!!' and 'ドギャン' dominate lower action panel.
  • p8Warning voice calls 'BONNEY, GET DOWN!!' from side.
  • p8Multiple motion lines and debris fill the clash scene.
  • p9Horned animal skull emblem spins through air above ruined structures.
  • p9Rider flung backward from massive beast with limbs extended.
  • p9Close-up of mustached face with wide eyes and serious expression.
  • p9Small flying figure gasps while holding a weapon.
  • p9Giant hand reaches upward from below toward the sky.
  • p9Distant cloaked figure shouts toward the central action.
  • p9Crumbling stone ruins and debris fill lower panels.
  • p9SFX lines emphasize rapid motion and impact around falling rider.
  • p9Vegapunk's face dominates central panel with focused gaze.
  • p9Small figure shows exhaustion with sweat drops and open mouth.
  • p10Massive cross-shaped impact erupts in the sky.
  • p10Cloaked rider on horned beast charges across the air.
  • p10Onlookers in hats and coats react with shock and raised arms.
  • p10Blonde woman and bandaged man show stunned expressions.
  • p10Cityscape of Egghead shakes with motion lines and debris.
  • p10Beast silhouette crashes forward with dynamic speed lines.
  • p10Narration boxes overlay the chaotic aerial scene.
  • p10Crowd of civilians tumble and react below the impact.
  • p11Massive dragon-like creature looms among ancient ruins.
  • p11People tumble through the air with panicked expressions.
  • p11Bespectacled man stands with serious gaze in lower panel.
  • p11Crowd of civilians shows varied reactions including open mouths.
  • p11Narration boxes occupy upper panels with historical text.
  • p11Stone architecture and floating debris fill the background.
  • p11Large creature's eye and scales are prominently detailed.
  • p11Multiple falling figures emphasize scale of the disaster.
  • p12Nojiko smiles while walking away from the crowd.
  • p12Vegapunk's massive head dominates the central panel with intense expression.
  • p12Crowd in the square shows panic and raised arms.
  • p12Man in hat shouts after Nojiko.
  • p12Narration box explains sea level rise of 200 meters.
  • p12Vegapunk gestures with hands near his face.
  • p12Civilians react with shock and open mouths in lower panels.
  • p12Tangerine orchard mentioned in dialogue context.
  • p13Massive warship looms over smaller vessels with size-comparison text noting 60 meters height.
  • p13Wild-eyed laughing man with open mouth and exaggerated posture mocks the broadcast.
  • p13Vegapunk broadcast screen shows Seraphim and agents falling from lab building.
  • p13Marine with gritted teeth and determined expression shouts rescue orders.
  • p13Crowd in chaotic panic with raised arms, sweat drops, and overlapping speech bubbles.
  • p13Desert background with cacti, mountain silhouette, and seated old woman in hat.
  • p13Rabbit-eared figure stands beside man labeled 002 in kingdom street scene.
  • p13SFX bursts and explosion lines surround warship and falling figures.
  • p13Lower panels shift to desert and kingdom locations receiving the broadcast.
  • p13Composition mixes large central laughing face with smaller reaction panels.
  • p14Vegapunk stands with arms raised dramatically in front of broadcast equipment.
  • p14Long-haired woman raises finger while speaking with serious focused expression.
  • p14Hooded crowd members watch the broadcast with varied shock reactions.
  • p14Vegapunk close-up shows intense face, sweat, and gesturing hands.
  • p14Background includes grand architectural structures and sea-level diagrams.
  • p14Explosion SFX and reaction bubbles surround audience members.
  • p14Text boxes detail research fields including meteorology and geology.
  • p14Panel composition alternates between Vegapunk gestures and crowd close-ups.
  • p15Close-up of Vegapunk's face with wide eye and spiky hair silhouette.
  • p15Three stern figures shown in sequence with serious expressions.
  • p15Grand multi-story building depicted against dramatic sky.
  • p15Black background panel with wide eyes and bold text emphasis.
  • p15Large SFX 'ゴゴゴゴ...' and 'ギャア' dominate upper panels.
  • p15Final panel shows black space with floating objects and eyes.
  • p15One Piece logo and end text appear at bottom of last page.
  • p15Composition builds from close faces to wide building shot then dark reveal.

Theories built on chapter 1115

  1. 1112Hard Aspect
  2. 1113Stalemate
  3. 1114The Wings of Icarus
  4. 1115Continental Fragments
  5. 1116Conflict
  6. 1117Mo-
  7. 1118Being Free

Cite this chapter

One Piece, ch. 1115 — Continental Fragmentshttps://loresquare.com/one-piece/source/chapter/1115

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