Released 24 Mar 2019 · 19 pages · Wano Country arc

One Piece Chapter 937: Gyukimaru of Bandit Bridge

What happens in chapter 937

In Wano, on the road between Kuri and Udon, O-Lin rides forward with Chopper, Kiku, Tama, and Momonosuke, laughing with huge innocent hunger as the group heads toward the prisoner mine. Tama excitedly praises oshiruko, comparing the shining mochi pearls to frog eyes and remembering the sweetness of the red beans filling her cheeks.

  1. p.3Chapter title is Gyukimaru of Bandit Bridge.
  2. p.10Kamazo throws the child to create an opening.
  3. p.16Zoro executes a one-sword Oni Giri attack.
937

Gyukimaru of Bandit Bridge

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00
A Weekly Shonen Jump cover presents One Piece in full Wano spectacle. Luffy stands at the front in a red kimono-like outfit with a sword at his side, while Kaido looms behind him and the Flower Capital drama is suggested by ornate faces, petals, and festival-like color. It is promotional cover art rather than story continuity, but it clearly frames the chapter inside the Wano arc's clash of pirates, samurai, and court intrigue.
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The color spread shows the Straw Hat crew gathered around maps and travel gear under the phrase "Planning new adventures." Luffy sprawls with his usual careless confidence, Nami studies the route work, Usopp and Chopper crowd into the busy desk scene, Sanji, Robin, Franky, Brook, and Zoro fill out the composition, and the whole crew feels paused between voyages as if the next island is being chosen from the paper beneath their hands. It is not part of the chapter's plot, but it is useful official art of the crew together.
03
In Wano, on the road between Kuri and Udon, O-Lin rides forward with Chopper, Kiku, Tama, and Momonosuke, laughing with huge innocent hunger as the group heads toward the prisoner mine. Tama excitedly praises oshiruko, comparing the shining mochi pearls to frog eyes and remembering the sweetness of the red beans filling her cheeks. O-Lin answers with equal delight, saying she cannot wait to eat it, but Chopper is shaken by the danger hidden inside that simple craving. He realizes that if O-Lin becomes Big Mom again after learning there is no oshiruko, their rescue plan could turn into a disaster and put Luffy in even worse danger.
04
At the Udon prisoner mine, Luffy keeps testing himself in Queen's brutal arena. More Pleasures lie beaten around him, yet Luffy is dissatisfied: what he just did is not the refined force Rayleigh once showed him. He remembers Rayleigh stopping a charging elephant without touching it, describing the idea as invisible armor. Watching Luffy chase that memory, the prisoners can only wonder what sort of technique Straw Hat is trying to grasp. Luffy understands that Rayleigh's Haki was far beyond the basics, and if he can reproduce that level now, it may become the weapon he needs.
05
Queen laughs over the arena, pleased that Luffy continues to survive. His men want a quick execution, but Queen rejects that as boring: to him, only time and numbers make a battle entertaining. He keeps demanding updates on how many bowls of oshiruko have been eaten, because the food is precious to him, almost like oxygen. Luffy, still focused on training through combat, simply calls for the next opponent. Queen boasts that he brought a huge amount of oshiruko and that nobody else is getting any because it is his favorite.
06
In Ringo, at Bandit Bridge, Zoro clashes verbally with the bandit warrior monk Gyukimaru. Zoro insists that he met Ryuma, though the situation involved another soul inside Ryuma's body. Gyukimaru refuses to accept it, reminding him that Ryuma lived and died hundreds of years ago. He describes Ryuma as an unmatched swordsman who settled his fights with a single flash of the blade, then turns the argument back to Shusui: a fool like Zoro, he says, cannot understand the value of that famed sword.
Roronoa ZoroGyukimaruShimotsuki Ryuma
07
Gyukimaru explains why Shusui is not merely a weapon. Long ago, Wano was known outside its borders as a golden country, coveted by pirates and nobles alike, and Ryuma's strength protected it from those who came to seize it. The legend even says he cut down a dragon in the sky above the capital. After Ryuma died, he and Shusui were enshrined together, making the sword a treasure of Wano itself. Zoro listens, thanks him for the history, and then bluntly says it does not change his goal: he wants Shusui back, because without all three of his swords something feels wrong.
Roronoa ZoroGyukimaruShimotsuki Ryuma
08
Gyukimaru pushes further, saying Shusui is a black blade that became what it is through Ryuma's battles. Zoro catches on that this may answer something that has been bothering him about black blades, but before he can press the question, cries for help tear through the snow. A woman and child are fleeing for their lives. Gyukimaru uses the distraction immediately, striking at Zoro's opening while accusing him of greed for Shusui. Zoro snaps back that he was clearly distracted, but the new danger has already entered the fight.
Roronoa ZoroGyukimaruShimotsuki RyumaKomurasakiO-Toko
09
The woman and the child rush through the snowy bridge road, begging for someone to save them. The little girl laughs even while crying out, calling for a samurai, and the woman pleads with the swordsman in front of her. Gyukimaru declares that distractions decide battles and keeps aiming at Zoro's openings. Zoro complains that the monk is attacking while he is plainly distracted, but then he sees the blood dripping from the woman's wound. Her fear is not an act. Zoro's face hardens as he understands that the two are truly being hunted.
10
The pursuer launches spinning scythes through the snow with a sharp whistling motion, forcing the woman and child to scream and stumble. Zoro cuts into the attack path and blocks the killing blow just in time, taking the pressure onto his own swords instead of letting it reach them. The attacker grins through his bandages and tells Zoro to wait, while the woman pants behind him, shaken but alive. The duel at Bandit Bridge has now become a three-sided fight: Zoro against Gyukimaru, Zoro against the killer, and the woman and child caught in the center.
11
Gyukimaru is furious that Zoro's attention has shifted and demands that he focus on their duel, but Zoro snaps that he will deal with him after surviving the immediate attack. The bandaged killer laughs with a repeated, broken cackle and recognizes Zoro as Zorojuro, the wanted criminal. His title appears: Kamazo the Killer, wanted man of the Flower Capital. Kamazo then questions why the woman protects the child, while Zoro judges that another strange opponent has entered the bridge. Gyukimaru still has not withdrawn, leaving Zoro surrounded by two hostile fighters.
12
Kamazo reveals that he has come for the laughing girl and means to take her life. The woman deduces that no one but Orochi would want O-Toko dead and realizes that Kamazo is acting as Orochi's assassin beneath the public image of a killer. Kamazo mocks her for speaking the shogun's name so openly, while O-Toko laughs in fear and confusion. The woman turns to Zoro and begs him to save them, promising any thanks she can give. Zoro answers in his own plain way: he will not let a woman and child be killed in front of him, and he would not refuse food and sake. She accepts the bargain immediately.
13
Zoro squares himself against Kamazo, noting that killing someone who fights with a scythe usually creates trouble later, but the assassin does not care. Kamazo has orders to kill anyone standing in his way. Zoro promises the woman and child that they do not need to worry, then meets Kamazo head-on in a burst of blades and scythe arcs. The snow and impact lines swallow the bridge as the two trade blows, with Zoro making it clear that if someone dies here, it will be Kamazo.
14
Kamazo tests Zoro's strength and admits to himself that this opponent is formidable. Zoro, meanwhile, keeps one eye on Gyukimaru, who still circles for an opportunity instead of standing aside. Zoro warns that if the monk is going to interfere, then he has chosen to become a serious enemy too. The fight explodes across the snow: Kamazo presses from the front, Gyukimaru waits for an opening, the woman and O-Toko watch in terror, and the bridge becomes a trap where Zoro cannot fully turn his back on anyone.
15
Gyukimaru finally takes the opening and swings in from behind, forcing Zoro to react. The woman and O-Toko gasp as Zoro is split between threats. That instant costs him: Kamazo drives one of his scythes into Zoro's shoulder from the front. Blood bursts across the snow. Zoro grimaces, trapped between the weapon buried in him and Gyukimaru's pressure behind him, but his expression does not break into panic. The wound is serious, yet it also gives him direct control over Kamazo's weapon.
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Blood drips from Zoro's mouth and wound, but he bites down and refuses to let the scythe go. Kamazo tries to pull it free and panics when it will not move. Zoro says he will have to make do with that single stolen blade, then grips it between his teeth and completes Santoryu. The woman realizes what he is about to attempt, but Zoro is already counting the rhythm of the strike. With a three-sword stance restored by the captured scythe, he unleashes Oni Giri. The blow cuts through Kamazo in a decisive flash, ending the chapter with the assassin smashed down into the snow under Zoro's righteous counterattack.
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End of chapter19 pages

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About this chapter

One Piece Chapter 937: Gyukimaru of Bandit Bridge

Chapter
937
Released
Summarised
Pages
19
Previous

32 key facts · 22 characters

Key facts in chapter 937

  • p3Chapter title is Gyukimaru of Bandit Bridge.
  • p3Scene occurs between Kuri and Udon in Wano.
  • p3Big Mom is actively searching for food.
  • p4Pleasures have been defeated in the area.
  • p4Luffy deflected an attack using advanced Haki.
  • p5Queen is eating while commenting on battle.
  • p5Luffy continues demanding more oshiruko.
  • p6Scene takes place at Ringo Bandit Bridge.
  • p6Gyukimaru is identified as Bandit Warrior Monk.
  • p7Wano Country was once known as the Golden Country around the world.
  • p7Ryuma is credited with cutting down a dragon above the capital.
  • p7Ryuma's Meitou Shusui became a treasured sword god after his death.
  • p8Shusui is confirmed as a black blade that grew through Ryuma's battles.
  • p8Zoro reacts with visible surprise to the black blade explanation.
  • p9Kamazo deliberately uses civilians as distractions during fight.
  • p9Zoro remains focused despite the hostage situation.
  • p10Kamazo throws the child to create an opening.
  • p10Kamazo seizes the woman as a direct hostage against Zoro.
  • p11Zoro identifies the attacker as the wanted criminal Kamazo the Killer.
  • p11Kamazo laughs while striking during the confrontation.
  • p11The scene occurs near a bridge area with snow-dusted ground.
  • p12Kamazo is revealed as an assassin working for Orochi.
  • p12The confrontation takes place in a snowy landscape with a bridge in the background.
  • p12Gyukimaru agrees to protect the woman and child.
  • p13Gyukimaru and Kamazo engage in a fierce sword duel on the bridge.
  • p13Both fighters use rapid blade exchanges with visible impact effects.
  • p14The duel between Gyukimaru and Kamazo grows more intense with rapid strikes.
  • p14Shockwaves and dust are generated by the sword clashes on the bridge.
  • p15Gyukimaru lands a direct strike that sends Kamazo flying.
  • p15The attack occurs on a bridge during an ongoing fight.
  • p16Zoro fights a bandaged hooded opponent on the bridge.
  • p16Zoro executes a one-sword Oni Giri attack.
Symbols and visual details136 · show
  • p3Map panel labels Wano Country between Kuri and Udon with marked regions Kibi, Flower, Ringo, Hakumai, Oni and note on Big Mom food search.
  • p3Tama rides large creature through rocky terrain with open laughing mouth and raised arms.
  • p3Big Mom sits on creature with wild hair, skull accessory, open mouth, and exaggerated laughing expression.
  • p3Chopper in bottom panel shows wide eyes, open mouth, sweat drops, and tears with worried posture.
  • p3Small food items and oshiruko bowls visible near characters.
  • p3Girl character holds cheeks with closed eyes and delighted expression.
  • p3Large creature has spotted pattern and open mouth.
  • p3Panel composition places map in upper right and group scene below title banner.
  • p3Big Mom reaches toward food with extended arm.
  • p3Tama's creature moves through splashing water and rocks.
  • p4Map panel shows Udon Prisoner's Mine with labeled regions Kibi, Flower, Ringo, Kuri, Hakumai, Oni.
  • p4Luffy stands with arm extended in defensive posture after impact.
  • p4Large armored man holds sword and observes Luffy.
  • p4Older long-haired man appears in lower right panel with open mouth and gesturing hand.
  • p4Luffy clutches face with wide eyes, sweat drops, and shocked expression.
  • p4Defeated armored figures lie on ground near impact site.
  • p4SFX lines radiate from Luffy's arm and impact area.
  • p4Background shows damaged structures and smoke.
  • p4Luffy's clothing has spotted pattern on lower garment.
  • p5Queen wears bib labeled QUEEN and eats with large chopsticks.
  • p5Queen has mechanical left arm and holds massive gourd.
  • p5Luffy in lower panel pumps fist with determined open-mouth expression.
  • p5Crowd of onlookers cheers with raised arms and open mouths.
  • p5Queen's body shows striped pattern and large build.
  • p5Luffy has visible facial injuries and sweat.
  • p5Background shows damaged structures and smoke from prior action.
  • p5Queen's gourd has cross symbol on side.
  • p5Panel shows close-up of Luffy's intense face and Queen's boastful pose.
  • p6Map labels Wano Country Ringo Bandit Bridge with regional markers.
  • p6Gyukimaru swings massive club with open roaring mouth and dynamic pose.
  • p6Opponent in kimono stands near cart with sword raised.
  • p6Gyukimaru wears hooded cloak, beads, and armor with angry expression.
  • p6Bridge structure visible in background with clouds and impact lines.
  • p6SFX shows heavy impact and motion lines around club swing.
  • p6Narration text describes unparalleled swordsman and single-flash matches.
  • p6Opponent shows shocked wide-eyed expression during clash.
  • p6Gyukimaru identified by label Bandit Warrior Monk Gyukimaru.
  • p6Lower panel shows close-up of Gyukimaru's face and weapon impact.
  • p7Bearded man with wide eyes, open mouth, and sweat drops reacts in shock to narration about gold.
  • p7Hooded samurai Gyukimaru clashes swords with dramatic impact lines and large 'CRACK' SFX.
  • p7Ryuma silhouette shown mid-air cutting a dragon above the capital in flashback panel.
  • p7Gyukimaru holds Meitou Shusui with visible hilt and scabbard details during clash.
  • p7Bearded man grins while holding three swords, one being Shusui, in lower panel.
  • p7Large close-up of Ryuma's fierce face with sharp teeth and intense eyes in legend panel.
  • p7Speech bubbles positioned around sword clash emphasize legendary strength narration.
  • p7Bearded man leans forward with determined expression while demanding Shusui return.
  • p7Background shows traditional Wano architecture and snowy elements faintly visible.
  • p7Panel composition splits flashback narration above and present demand below.
  • p8Zoro glares sharply with sweat drop and narrowed eyes at hooded attacker.
  • p8Hooded Kamazo swings scythe with motion lines and impact SFX during clash.
  • p8Woman and child flee across snowy bridge with panicked expressions and motion blur.
  • p8Zoro shows shock reaction with 'GREW?!' and '!!' reaction bubbles.
  • p8Kamazo's hooded silhouette contrasts against bridge and snowy background.
  • p8Zoro's three swords visible at his side during confrontation.
  • p8Large 'WIDE OPEN!' SFX emphasizes Kamazo's aggressive stance.
  • p8Woman and child positioned in lower left with fleeing posture and open mouths.
  • p8Kamazo's weapon creates cross-shaped impact effects near Zoro.
  • p9Woman and child cry out desperately with wide eyes and open mouths on bridge.
  • p9Kamazo laughs wildly with open mouth and exaggerated expression while holding woman.
  • p9Zoro narrows eyes with focused glare while observing the distraction.
  • p9Kamazo uses woman and child as human shield with grappling posture.
  • p9Large motion lines and 'BAM' SFX show struggle between Kamazo and woman.
  • p9Zoro's face close-up shows 'HM?' reaction with sweat and intense stare.
  • p9Kamazo's scythe positioned near woman's neck during grapple.
  • p9Woman reaches out toward Zoro while pleading for rescue.
  • p9Kamazo's wild laughter bubbles dominate right side of panel.
  • p10Woman gasps with wide eyes and sweat as child is thrown into air.
  • p10Kamazo spins weapon with 'FYU FYU' SFX sending child flying.
  • p10Child screams 'KYAAH!' while airborne over snowy landscape.
  • p10Kamazo grapples woman tightly with heavy impact lines and motion effects.
  • p10Zoro reacts with '!!' and 'HM?!' to the sudden hostage escalation.
  • p10Woman struggles in Kamazo's grip with visible resistance posture.
  • p10Kamazo's scythe creates sharp motion trails near grapple scene.
  • p10Close-up shows woman's tearful eyes and Kamazo's manic grin side by side.
  • p10Large impact SFX and speed lines emphasize sudden violent movement.
  • p11Wanted poster labeled FLOWER CAPITAL WANTED MAN KAMAZO THE KILLER displayed prominently in lower panel.
  • p11Cloaked swordsman with long wild hair and ornate robe holds two swords in aggressive stance.
  • p11Bandaged face with X scar visible on close-up panel showing wide grin and intense eyes.
  • p11Shouting character with shark-tooth expression and spiky hair in upper left panel.
  • p11Hooded attacker silhouette with motion lines and SFX indicating surprise impact.
  • p11Woman and child partially visible in background during confrontation.
  • p11Large impact SFX and motion lines around sword clash in small right panel.
  • p11Cloaked figure's robe features circular and wave patterns with swords sheathed at waist.
  • p11Close-up of bandaged man's face with sweat drops and fierce laughing expression.
  • p11Dialogue bubbles positioned around central swordsman emphasizing recognition and accusation.
  • p12Tall cloaked figure with spotted robe stands in snowy rocky landscape.
  • p12Hooded smaller figure in dark patterned clothing kneels or crouches nearby.
  • p12Bandaged man with wild hair and open mouth laughs loudly in close-up.
  • p12Dark-haired woman holding a child shows shocked expression with wide eyes.
  • p12Background shows sparse trees and distant bridge under cloudy sky.
  • p12Multiple speech bubbles floating above snowy terrain with large lettering.
  • p12Woman's face close-up reveals sweat drop and fearful gaze.
  • p12Child clings to woman with open mouth in terror.
  • p12Distant figures visible on the bridge in lower wide panel.
  • p12SFX dots and motion indicators around cloaked figures in upper panels.
  • p13Bandaged swordsman Gyukimaru clashes blades with Kamazo on a wooden bridge.
  • p13Massive impact lines and large SFX dominate the central fight panels.
  • p13Kamazo's wide grin and bandaged face visible during sword exchange.
  • p13Gyukimaru's long hair and patterned robe flow during aggressive strikes.
  • p13Close-up of Gyukimaru's determined face with sweat drops.
  • p13Kamazo's sword strikes create sparks and motion blur effects.
  • p13Bridge railings and swirling dust clouds shown in wide action panels.
  • p13Robes and bandages whip dynamically in the air during combat.
  • p13Multiple overlapping sword clash SFX fill the lower panels.
  • p13Fierce facial expressions on both fighters with gritted teeth and narrowed eyes.
  • p14Kamazo pushed back with swirling smoke and dust clouds around his body.
  • p14Gyukimaru smirks confidently during the intensified sword fight.
  • p14Woman and child watch the duel from the side with terrified expressions.
  • p14Large circular impact SFX and motion lines fill the wide bridge scene.
  • p14Background figures react with wide eyes to the ongoing clash.
  • p14Gyukimaru's strikes create shockwaves and flying debris across the panels.
  • p14Close-up of Kamazo thinking with sweat drops indicating strain.
  • p14Multiple small SFX panels showing rapid blade clashes like ギャキン and キン.
  • p14Woman's shocked face and child's open mouth visible in side panel.
  • p14Bridge structure and distant landscape visible amid dust clouds.
  • p14Kamazo's cloak and Gyukimaru's robe shown in dynamic motion.
  • p15Gyukimaru lunges forward with extended arm delivering a heavy strike.
  • p15Kamazo tumbles backward through the air with billowing robes and sword still gripped.
  • p15Woman covers mouth with both hands showing wide-eyed shock.
  • p15Child stares forward with fixed gaze at the impact scene.
  • p15Large SFX ズッ marks the point of massive collision.
  • p15Blood droplets and debris scatter outward from the strike zone.
  • p15Gyukimaru stands upright over the fallen opponent amid rising dust clouds.
  • p15Bridge surface shows motion lines indicating vibration from the blow.
  • p15Kamazo's body is arched backward with open mouth and visible pain.
  • p15Gyukimaru's stance remains balanced and dominant after the attack.
  • p16Zoro bites sword handle with visible CHOMP effect.
  • p16Zoro grips one sword while two others remain sheathed.
  • p16Bandaged hooded fighter recoils with blood spray and sweat droplets.
  • p16Large SFX ONI GIRI dominates the central impact panel.
  • p16Opponent's eyes widen in shock with mouth open.
  • p16Zoro's face shows intense glare and gritted teeth during slash.
  • p16Hooded fighter's posture bends backward from the force.
  • p16Multiple small impact lines and motion effects surround the clash.
  • p16Opponent sweats heavily with drip SFX near face.
  • p16Zoro's single drawn sword creates a wide slashing arc.

Theories built on chapter 937

  1. 934Hyogoro of the Flowers
  2. 935Queen
  3. 936The Great Sumo Inferno Tournament
  4. 937Gyukimaru of Bandit Bridge
  5. 938Her Secret
  6. 939An Old Hyourse Knows the Way
  7. 940The Spark of Rebellion

Cite this chapter

One Piece, ch. 937 — Gyukimaru of Bandit Bridgehttps://loresquare.com/one-piece/source/chapter/937

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