Released 21 Apr 2019 · 20 pages · Wano Country arc

One Piece Chapter 940: The Spark of Rebellion

What happens in chapter 940

In the middle of a crisis, Law walks away from the others and makes his reason plain: "Don't forget that you doubted my friends today." He refuses to let people he does not trust watch his back on the line between life and death. Usopp panics that Traffy got angry and stormed out, but Nami understands Shinobu's fear because Wano's people have waited twenty years for this day.

  1. p.0The central figure is Bartolomeo.
  2. p.10Haki is referred to as ryuo in Wano and described as flowing.
  3. p.17Chapter 940 ends on the Udon wastelands panel.
940

The Spark of Rebellion

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00
The cover request shows Bartolomeo making very high-quality candy art of the Straw Hat crew at a summer festival stall, then refusing to sell it to anyone. He looms proudly behind a display of tiny Straw Hat figures made as sweets, treating them like sacred treasures rather than merchandise. It is not part of the chapter plot, but it is useful official cover art and reinforces Bartolomeo's extreme devotion to Luffy's crew.
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No description for this page.
02
In the middle of a crisis, Law walks away from the others and makes his reason plain: "Don't forget that you doubted my friends today." He refuses to let people he does not trust watch his back on the line between life and death. Usopp panics that Traffy got angry and stormed out, but Nami understands Shinobu's fear because Wano's people have waited twenty years for this day. Outside, the group admits that if Bepo and the others leaked the plan, they could not blame them; torture might break anyone. When someone suggests that he might last only three seconds under torture, the answer comes back brutally: "That's it?!"
03
A harsh voice echoes through Ebisu Town: "Get out of my sight! I won't help lowlifes like you lot!" The townspeople identify the newcomer as the man kicked out of the capital the day before, originally from the capital, and also as the "crazy spirit lady." Yet when the anger turns to laughter, the story behind it becomes clear. The man they call Bingo was an arsonist who paid off officials; night after night the underling Bungo set fires to buildings, and only those fiercely loyal to the shogun, who could pull money from their rear end, were allowed to live in the Flower Capital. The victims were poor, but the perpetrators had been conducting ugly business.
TonoyasuBingoBungoNamiUsoppShinobu
04
The explanation continues: Bingo ran a lumber store that sold wooden beams used in house repair, so his friends could profit from the fires. Bongo the monk and Bingo the mortician then exploited grieving families and fire victims, charging outrageous prices. On the surface, Bingo, Bongo, and Bungo seemed besotted with Komurasaki's beauty like everyone else, but their hearts were rotten. They bribed officials and were never caught. Shinobu realizes the courtesan must have known exactly what they were doing. Tonoyasu laughs that perhaps someone really is watching from above, since Komurasaki bankrupted the criminals herself.
TonoyasuBingoBongoBungoKomurasakiShinobuNami
05
Tonoyasu, still smiling, explains that even though he helped the three men, they remain on their high horse because he loves helping people even when they are bad to the bone. He had seen them before during Komurasaki's procession and knew they were going wild. Then he turns to the rebellion itself. Thanks to the little coded card, the allies learned the day of the final battle, but so did the enemy, and the plan has fallen apart. Yet Tonoyasu says the allies might believe this too: the reverse crescent moon on the ankle is not even something he knew about, exactly the kind of secret mark allies would use.
TonoyasuNamiShinobuUsoppKanjuroBepoPenguinShachi
06
The rebels prepare to move again. Tonoyasu tells them things will get busy now and promises to fight alongside them, warning that many of them may not make it through the week before the final battle without dropping dead. Then he casually announces, "And now I'm off!" and runs out to see the town girl, calling out to the handsome man and beautiful lady on his way. The others remain baffled. Even after hearing the old man's explanation, they still do not know exactly how he is connected to them, only that Tonoyasu is an unusually cheerful man.
07
The group admits they do not know who Tonoyasu really is. Shinobu says she does not know either, though he may have been important in the past because asking would be rude. Nami wonders whether he might be a childhood friend, teacher, or older student from Kin'emon's lessons. Others complain that they let him talk on and on despite knowing nothing about him. Outside, a shout rises: "Gramps, gramps, how's your nausea?" and the name follows after the confusion: "Oh, Tonoyasu." The mystery remains, but the people of Ebisu know him intimately.
TonoyasuNamiShinobuUsoppKanjuroBepoPenguinShachi
08
Tonoyasu moves through Ebisu Town like a beloved neighbor. He tells one bedridden person that lying in bed surely sucks, worse than working, and leaves millet and water while urging them to eat. He checks on a seaweed granny's medicine, jokes with a silver-tongued heartstealer, and offers extra grains of millet to someone who says just seeing his face helps them feel better. Children and townspeople call out to him everywhere: "Oh! Yasu!" "Mr. Retiree! How's the knee?" "O-Saki! How's the baby?" "Hogya!" "Yasu! Let's play!" Tonoyasu gives what little he has and keeps smiling.
09
The others realize Tonoyasu has extra cash only because his daughter Toko works in the capital and sends back whatever she makes to him. He sells his own labor for almost nothing, but he spends his days spreading Toko's money among people who cannot work, whether or not he gets to eat. When someone calls him a man, he laughs, "But I'm not a man!" and keeps grinning. His face and body do not look the part of a saint, but he has been loved by everyone in Ebisu for as long as anyone can remember. To them, he is their Buddha.
10
At Udon's prisoner mine, the crowd cheers as Hyogoro keeps moving with surprising spirit. They call for Madilloman to crush him and shout that Old Man Hyo has spunk. Hyogoro explains the thing the outsiders call Haki is called Ryou in Wano, and the word means that it flows. He demonstrates by letting the Haki flow through him, shaping the force rather than merely hardening his fist. Luffy watches closely, recognizing the idea he has been chasing: the power must move through the body and gather where it is needed.
11
Luffy tries to copy the flow at once, but the attempt goes wrong. Hyogoro tells him not to force it and to let the Haki in the parts of his body where it is not needed flow into his fist. Luffy yells, "Damn it! No!" again and again as his attacks knock enemies around without achieving the technique he wants. The guards complain that he is beating too many of them, and Madilloman is struck along with the others. Luffy is not satisfied by simple hits; he is trying to learn control, not just win the exchange.
12
The execution game drags on late into the night. Luffy lies hungry in the ring, hoping to be fed soon or else he will become a mummy by morning, while Queen complains that if the fight continues tomorrow he will be ruined by hunger too. Prisoners are told to go to bed, but Luffy is more interested in Hyogoro. The old man asks why he wants to fight Kaido when he already lost once in Kuri. Luffy's answer is blunt: he is the man who will become Pirate King, so he has to beat all the Yonko.
13
Hyogoro asks whether Luffy knows who the Yonko are. Luffy says not really, and Hyogoro explains they are the four great pirates known as the Emperors of the Sea, with Kaido as one of them. When Luffy compares Pirate King to Roger, Hyogoro says Roger landed in Wano a long time ago, and Kin'emon once mentioned it. Luffy is startled that Hyogoro knows Kin'emon's name. Before the old man can explain, Raizo appears, and Luffy blurts out in shock, "Wha? Whaaa?! Raizo?!" Hyogoro is equally shocked by the ninja's sudden arrival.
14
Raizo asks to explain everything to Hyogoro, and Hyogoro admits he would never have believed that Luffy had been Hyogoro himself. Raizo says Lady Toki's magical powers brought them from twenty years ago, but Caribou immediately refuses to believe it. Luffy snaps that Caribou should not say such things, while Caribou protests that he is now Luffy's subordinate and can help if Luffy takes him on his ship. Luffy's only question is practical: "Oh, so you can't get home?" The prison has become the meeting point of impossible survivors and opportunists.
RaizoHyogoroMonkey D. LuffyCaribouKozuki Toki
15
Luffy agrees to use Caribou if he really has changed, which terrifies Caribou because the Seastone cuffs are only a trap and he would be shot as soon as he escapes. Raizo and Hyogoro then share the greater revelation. The Red Scabbards are alive, Oden's son Momonosuke is alive, and the fires of rebellion still blaze. Hyogoro had accepted dying in the dark, but now he learns the old cause survived. Luffy points out that this old man was once the grand boss of all the yakuza in Wano, making him an ideal ally. Raizo asks Hyogoro to join them, saying there is still something only he can do.
16
Hyogoro explains why Udon matters. While allies are currently searching in the Flower Capital, Luffy coming to Udon may have been fate. The mine has four other places the same size as their current location, and there are tens of thousands of prisoners here. Not all were arrested for theft or assault; many are imprisoned for rebellion against Orochi, and the anger of the whole country festers inside the camp. The yakuza bosses who once upheld Wano from the shadows are here too. Hyogoro says he will speak to them, and they will gladly fight for the Kozuki name.
17
Raizo brings up one last issue: the cell. Luffy already knows. Raizo has spoken with Kawamatsu and intends to release him first. Luffy immediately understands the larger plan: after they destroy this place, everyone in Udon can become their allies. Raizo warns him not to speak so loudly and not to expect it to be easy. Far away in the Udon wastelands, O-Lin and her group have already reached Udon. Big Mom, still thinking as O-Lin, is sleepy and hungry and asks how much longer until the oshiruko. Kiku worries whether reaching Udon is a good thing, while the old crocodile carrying them is visibly tired.
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End of chapter20 pages

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About this chapter

One Piece Chapter 940: The Spark of Rebellion

Chapter
940
Released
Summarised
Pages
20
Previous

49 key facts · 38 characters

Key facts in chapter 940

  • p0This is the title page for chapter 940.
  • p0The central figure is Bartolomeo.
  • p0Straw Hat crew candy figures are displayed in a festival stall setting.
  • p2Law refuses to trust someone who doubted his allies.
  • p2The group discusses events after twenty years of waiting.
  • p2Law stormed out after Shinobu's comments.
  • p3The wild-haired man is identified as a newcomer recently expelled from the capital.
  • p3Townspeople react with laughter to the confrontation.
  • p3The newcomer is accused of bribing officials.
  • p4Bongo, Bongo, and Bungo profited from fires while bribing officials.
  • p4Komurasaki is linked to a rumor about the three men's corruption.
  • p4Townspeople discuss how the men appeared good on the surface.
  • p5Tonoyasu helped the three men despite their bad reputation.
  • p5The three men stayed in the house where Yasu lives.
  • p5The group learned the day of the final battle from a little card.
  • p6Spotted-hood woman is heading out into town.
  • p6The group plans to inform Kin'emon and others.
  • p7Townspeople of Ebisu Town interact casually with Tonoyasu on the street.
  • p8Tonoyasu distributes food to elderly residents of Ebisu Town.
  • p8Tonoyasu interacts cheerfully with multiple townspeople despite limited time left.
  • p9Townspeople discuss Tonoyasu selling his daughter Toko to the capital.
  • p9Tonoyasu spreads received money to people who cannot work.
  • p9Toko sends earnings back to Tonoyasu despite her own trouble.
  • p9Ebisu Town residents view Tonoyasu as a beloved local figure.
  • p10Luffy fights at Udon Prisoner's Mine against large opponent.
  • p10Haki is referred to as ryuo in Wano and described as flowing.
  • p10Luffy lands strong haki-enhanced strikes in the prison yard.
  • p11Luffy receives advice on flowing haki into his attacks.
  • p11Fight at the mine involves multiple prisoners and Beasts Pirates guards.
  • p11Luffy refuses to stop fighting despite warnings.
  • p12Prisoners at Udon remain hungry and confined in cells.
  • p12Luffy questions a cloaked figure about fighting Kaido.
  • p12Cloaked figure references Luffy's prior loss in Kuri.
  • p13Luffy states his goal to become Pirate King.
  • p13Yonko are introduced as the four emperors of the sea with Kaido named as one.
  • p13Bald man connects prior mention of Kin'emon to the current conversation.
  • p14Hyogoro confirms recognition of the time-displaced group.
  • p14Prisoners reference Lady Toki's powers as explanation for the time travel.
  • p14Caribou shifts from antagonist to pleading for acceptance by Luffy.
  • p15Luffy accepts Caribou into the group after his plea.
  • p15Hyogoro learns Momonosuke and the Red Sheaths are alive.
  • p15Hyogoro's past identity as yakuza boss of Wano is referenced.
  • p16Udon mine has four other sites of equal size.
  • p16Majority of Udon prisoners were arrested for rebellion against Orochi.
  • p16Yakuza bosses are among the prisoners in Udon.
  • p17Scene takes place inside a prison cell before shifting to Udon wastelands.
  • p17Luffy is present with the large-headed prisoner and other allies during planning.
  • p17The sled group arrives at Udon wastelands pulled by a crocoshark.
  • p17Chapter 940 ends on the Udon wastelands panel.
Symbols and visual details158 · show
  • p0One Piece logo with skull, crossbones, and rope border at top center.
  • p0Wild-haired man with spiky hair, fierce grin, and both middle fingers raised dominates center.
  • p0Circular candy art display of Straw Hat crew figures including Luffy, Zoro, Nami, Usopp, Sanji, Chopper, Robin, Franky, and Brook at summer festival stall.
  • p0Two lanterns labeled 'あめ細工' flank the central figure.
  • p0Large Japanese characters frame the wild-haired man on left and right.
  • p0Bottom caption reads 'FRONTISPIECE REQUEST: BARTOLOMEO MAKING VERY HIGH-QUALITY CANDY ART OF THE STRAW HAT CREW AT A SUMMER FESTIVAL STALL BUT THEN REFUSING TO SELL IT TO ANYONE' with credit to Eiichiro Oda.
  • p0Wild-haired man silhouette appears inside the One Piece logo.
  • p2Trafalgar Law stands with sword over shoulder, serious expression, and clenched fist.
  • p2Curly-haired woman with hand near face in lower panel.
  • p2Headband-wearing man with wide-open mouth and sweat drops shouting.
  • p2Thatched-roof buildings and town street visible in background.
  • p2Speech bubbles with emphasis lines and SFX surround Law and the headband man.
  • p2Small cloud SFX near the headband man's head.
  • p2Woman with striped clothing sits on ground in bottom panel.
  • p3Wild-haired man with wide grin and sweat drops in center panel.
  • p3Long-nosed man with headband shouting angrily.
  • p3Townspeople in background reacting with laughter and surprise.
  • p3Speech bubbles with large laughter SFX 'WAHAHA HAHA' and 'KYAHA HAHA'.
  • p3Wild-haired man rants with open mouth and intense expression in bottom panels.
  • p3Background shows damaged buildings and scattered townspeople.
  • p3Long-nosed man points while yelling at townspeople.
  • p4Horned elderly man with gritted teeth and sweat drops in close-up.
  • p4Horned middle-aged man with angry expression and sweat drops.
  • p4Komurasaki shown in flashback panels with hearts and swooning townspeople.
  • p4Pigtail young woman with surprised expression in lower panel.
  • p4Laughing elderly man with wide grin in final panel.
  • p4Background shows town street and damaged structures.
  • p4Multiple speech bubbles with emphasis lines and SFX.
  • p5Long-nosed man with headgear shouts with wide eyes, open mouth, and sweat drops in close-up panel.
  • p5Spotted-hood woman leans forward while speaking to small pigtail girl seated on floor.
  • p5Small girl with pigtails looks up with neutral expression toward spotted-hood woman.
  • p5Seated kimono figures in background listen with backs turned toward speaker.
  • p5Town procession silhouette visible through window showing multiple figures carrying objects.
  • p5Large black SFX exclamation marks placed near spotted-hood woman and small girl.
  • p5Speech bubbles positioned above and around central indoor group forming layered composition.
  • p5Long-nosed man panel shows dramatic head tilt and shouting posture with motion lines.
  • p5Spotted hood features distinct circular pattern on fabric covering head and shoulders.
  • p5Wooden interior architecture with lattice windows and hanging lanterns in background.
  • p5Small girl wears dark spotted outfit matching spotted-hood woman's pattern motif.
  • p6Spotted-hood woman grins widely with open mouth and raised hand while speaking outdoors.
  • p6Wild-haired man laughs with hearts floating around his head in reaction panel.
  • p6Woman with bun smiles with hands clasped near chin showing excitement.
  • p6Small pigtail girl sits with wide eyes and slight smile among seated group.
  • p6Seated kimono figures react with sweat drops and surprised expressions indoors.
  • p6Outdoor street scene shows wooden buildings and motion lines behind spotted-hood woman.
  • p6Large SFX effects accompany spotted-hood woman's exit declaration.
  • p6Indoor group arranged in semi-circle facing each other during discussion.
  • p6Spotted-hood woman points upward with one hand while laughing.
  • p6Woman with bun has hair in neat bun and wears patterned kimono.
  • p7White-haired man clutches head with both hands and yells with wide eyes and sweat.
  • p7Small pigtail girl sweats heavily with furrowed brows and open mouth.
  • p7Woman with bun explains with calm expression and sweat drop on cheek.
  • p7Wild-haired man shouts angrily with teeth bared and motion lines.
  • p7Street scene shows townspeople and children running with motion lines.
  • p7Large SFX exclamation and question marks emphasize confusion and shock.
  • p7White-haired man's long hair flows dramatically during outburst.
  • p7Background shows wooden buildings and distant figures in town street.
  • p7Woman with bun maintains composed seated posture while speaking.
  • p7Multiple close-up reaction panels stacked vertically showing escalating confusion.
  • p8Tonoyasu in spotted outfit grins widely in large close-up with teeth showing.
  • p8Elderly woman stirs pot while speaking to Tonoyasu.
  • p8Elderly man sits on floor holding bowl and laughs with open mouth.
  • p8Children run toward Tonoyasu in street with arms raised.
  • p8Tonoyasu holds bag of millet while offering it to elderly residents.
  • p8Multiple speech bubbles surround Tonoyasu's face in top panel.
  • p8Town street background shows wooden stalls and scattered debris.
  • p8Elderly woman has spotted scarf and hunched posture over pot.
  • p8SFX lines emphasize laughter and energetic movement around Tonoyasu.
  • p8Group of children and adults gather around Tonoyasu in lower panels.
  • p9Townspeople of Ebisu Town gather in street with varied expressions including wide smiles and sweat drops.
  • p9Tonoyasu shown with exaggerated laughing face and headband in close-up panel.
  • p9Young girl Toko depicted with pigtails and neutral expression beside Tonoyasu.
  • p9Flashback panels show long-haired man Yasu with small girl Toko in rural setting.
  • p9Townspeople shown in group with speech bubbles overlapping background buildings.
  • p9Close-up of woman with bun and man with goggles reacting with surprise.
  • p9SFX and motion lines emphasize emotional reactions in lower panels.
  • p9Toko labeled in small text near flashback scene.
  • p9Central panel shows Yasu seated with child under tree with motion lines.
  • p9Final panel features large laughing face of Tonoyasu next to small girl with pigtails.
  • p10Wide establishing shot of Udon Prisoner's Mine with multiple structures and fighting figures.
  • p10Luffy in prisoner uniform delivering haki-infused punch with strong SFX.
  • p10Large opponent with wild hair recoiling from impact with open mouth.
  • p10Translator note box about kanji reading flowing cherry blossoms.
  • p10Luffy close-up with focused expression and haki aura lines around fist.
  • p10Prison mine background with chains, towers, and distant combatants.
  • p10Speech bubbles placed around central fight action with motion lines.
  • p10Luffy thinking panel shows sweat and intense gaze during haki flow realization.
  • p11Multiple action panels showing Luffy clashing with guards and prisoners.
  • p11Luffy with wide eyes and open mouth shouting while being struck.
  • p11Beasts Pirates guards wielding weapons amid chaotic impacts and SFX.
  • p11Haki flow advice panel with small figures and motion emphasis.
  • p11Luffy roaring with full body motion lines across several panels.
  • p11Guard in helmet shown warning about excessive fighting.
  • p11Explosions and weapon clashes fill background of mine interior.
  • p11Silhouettes of fighters in mid-air during impacts.
  • p12Overhead view of chained arena with two small fighting figures inside.
  • p12Hungry prisoners visible in cells with slumped postures.
  • p12Swordsman guard with helmet standing watch over yard.
  • p12Luffy with arms crossed facing cloaked figure in lower panels.
  • p12Large growl SFX emanating from central arena.
  • p12Prison yard shows scattered debris and distant structures.
  • p12Cloaked figure shown in profile with Luffy questioning nearby.
  • p12Final panel close-up of Luffy with intense expression and sweat.
  • p13Luffy stands with arms crossed, serious narrowed eyes, and firm posture facing forward.
  • p13Bald man in patterned headband and striped clothing seen from behind with head tilted upward.
  • p13Stone prison walls and distant tents form the background setting.
  • p13Large speech bubbles dominate upper panels with Luffy centered in composition.
  • p13Bald man slurps with visible onomatopoeia bubble near his mouth.
  • p13Cloaked figure in lower panel shows wide-eyed shock and open mouth.
  • p13Caribou appears with exaggerated wild hair and intense facial expression.
  • p13Large bold SFX letters occupy lower foreground with impact lines.
  • p13Raizo silhouette visible in mid-ground reacting with surprise.
  • p13Multiple overlapping speech bubbles create dense dialogue layout.
  • p13Luffy's cloud-shaped hair and dark outfit contrast against light stone background.
  • p14Hyogoro's massive close-up face fills the panel with intense glaring eyes.
  • p14Hyogoro wears round glasses reflecting small shocked faces inside lenses.
  • p14Prisoners in background show varied shocked and disbelieving expressions.
  • p14Caribou laughs with open mouth and distinctive pose in mid-ground.
  • p14Stone architecture and watchtower visible in the prison yard setting.
  • p14Luffy appears in small panel with wide eyes and sweat drop.
  • p14Caribou kneels dramatically with tears and outstretched arms in lower panel.
  • p14Large heart-shaped SFX floats above Caribou indicating emotional shift.
  • p14Multiple speech bubbles overlap across the prison yard scene.
  • p14Raizo remains bound in the background with visible chains.
  • p15Hyogoro sits bound on the ground with head lowered in early panels.
  • p15Luffy stands with hands on hips observing the scene.
  • p15Hyogoro's face fills a large panel with tears, sweat, and wide emotional eyes.
  • p15Caribou kneels in front of Luffy with dramatic grateful posture.
  • p15Luffy points at Caribou while making a decision.
  • p15Background shows other bound prisoners watching the exchange.
  • p15Hyogoro's headband and facial scars are prominently detailed.
  • p15Large bold SFX appear at bottom of panels during emotional beats.
  • p15Luffy's serious expression shifts to acceptance in final panels.
  • p15Hyogoro's speech bubbles radiate outward with emphasis lines.
  • p16Large-headed prisoner with flame-like topknot points at a labeled map.
  • p16Map shows current location marker and multiple mine sites.
  • p16Luffy reacts with wide eyes and sweat drops in close-up.
  • p16Prisoner has wild hair and intense expression while speaking.
  • p16Background silhouettes of raised fists and mine structures.
  • p16Luffy's shocked face occupies a full panel with motion lines.
  • p16Beasts Pirates guard visible in profile with stern look.
  • p16Large SFX and impact effects accompany key statements.
  • p16Prisoner gestures toward the map with one hand raised.
  • p16Final panel shows multiple characters with sweat drops and realization.
  • p17Dark silhouetted prisoner with glowing eyes inside cell, SFX ゴォォ near mouth.
  • p17Prison cell interior with visible bars, arched window, and stone walls.
  • p17Large-headed prisoner clenching fist, angry expression, addressing Raizo.
  • p17Luffy centered with wide excited eyes, open shouting mouth, sweat drops, and gesturing hands.
  • p17Action lines and overlapping speech bubbles around Luffy panel emphasizing excitement.
  • p17Hushing characters shown with strained faces and small speech bubbles beside Luffy.
  • p17Snowy wasteland landscape with distant dark structures and heavy snowfall.
  • p17Sled vehicle pulled by tired crocoshark creature moving through deep snow.
  • p17Hooded traveler seated on sled with visible fatigue posture.
  • p17Vertical signboard clearly labeled UDON, WASTELANDS on right side.
  • p17Small smiling Luffy face inset at bottom center of page.
  • p17Thunderclouds motif in bottom right corner with next week teaser text.
  • p17Multiple SFX placements including ベェェ and ゴォォ indicating exhaustion and motion.
  • p17Group traveling in harsh snowy terrain with visible tiredness indicators.

Theories built on chapter 940

  1. 937Gyukimaru of Bandit Bridge
  2. 938Her Secret
  3. 939An Old Hyourse Knows the Way
  4. 940The Spark of Rebellion
  5. 941The Talk of Ebisu Town
  6. 942Yasuie Shimotsuki, Daimyo of Hakumai
  7. 943Smile

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One Piece, ch. 940 — The Spark of Rebellionhttps://loresquare.com/one-piece/source/chapter/940

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