20 pages · Enies Lobby arc

One Piece Chapter 417: Ashura

What happens in chapter 417

Zoro and Kaku's fight reaches its decisive exchange in Enies Lobby. Kaku combines his giraffe form with sword attacks and Rokushiki techniques, changing the reach of his limbs and neck to pressure Zoro. Zoro responds with Ashura, a nine-sword technique presented through a three-headed, six-armed form. He cuts through Kaku's Rankyaku Amane-dachi with Ashura: Ichi-bugin.

  1. p.0Chapter 417 is titled ASURA.
  2. p.11Zoro lands a decisive strike that sends Kaku flying.
  3. p.17Fight occurs amid heavy structural destruction.
417

Ashura

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00
Chapter 417, "ASHURA", opens with a cover illustration. Usopp sits on a tall stool in a place marked "BEAR GARDEN," holding a long tool while a large bear-shaped topiary stands with its arms raised. A smaller white bear sits nearby with a leaf fan, and buildings, trees, insects, a bottle, and a little outdoor meal fill the strange garden setting.
01
Zoro and Kaku stand across from one another in the wrecked chamber, smoke drifting through the broken garden-like room. Kaku says, "... I HAVEN'T SHOWN YOU... THE HIDDEN STRENGTH OF A WILD 'GIRAFFE'..." Zoro, breathing hard, answers, "NO NEED TO BRAG. JUST SHOW IT TO ME." Kaku lowers his long neck toward the ground and begins to build up power with "GU GU GU..." Then he warns, "YOU DON'T EVEN HAVE TO ASK...!!"
02
Kaku tells Zoro, "OBSERVE CAREFULLY THE POWER OF A GIRAFFE..." and prepares "KIRIN HOUDAI"--noted as "giraffe battery," with a pun reading "giraffe man pierce tower." Zoro snaps, "THERE'S NO GIRAFFE LIKE THAT." Kaku compresses and then releases an "ultimate nose gun," shouting "KYOKU BIGAN!!!" His body and neck surge forward in an absurdly powerful attack called "KILIMANJARO!!!" Zoro is struck and flung aside, crying "BK!!" as he realizes, "IT GREW!?"
03
Kaku's expanded neck smashes Zoro into the rubble and leaves him pinned amid dust and broken stone. Zoro growls from the impact, but then grins and says, "SEE, TOLD YOU. YOUR LONG NECK WILL BE YOUR WEAK POINT!!" Kaku rejects that completely: "NO, IT WON'T!!" He lashes out from the long neck with "RANKYAKU," using the very part Zoro called a weakness to send a cutting strike back at him. The exchange shows that Kaku's bizarre body is not just comic; he is learning to weaponize every awkward shape.
04
Kaku spins into "NEJI HAKUJIN!!!"--noted as "screw white blade"--and the rotating attack tears toward Zoro like a drill of slashing force. Zoro is forced back, crying "UWAH!!!" as the room churns with the attack's spiral. Kaku lands in another awkward, upside-down stance, laughing with "GEE GEE GEE GEE," then tells Zoro, "YOU'RE THE ONE WHO'S OFF-GUARD." The giraffe-man has turned his strange body into unpredictable angles, and Zoro is momentarily the one being chased.
05
Zoro studies Kaku and asks, "WHAT KIND OF CREATURE IS HE...!?" Kaku drops again and says, "I WON'T LET YOU GET AWAY THIS TIME. KIRIN HOUDAI!!!" But when he compresses his neck too deeply, his arms and legs stretch instead. Zoro and Kaku both stare in disbelief. Kaku curses, "DAMN. I PUSHED MY NECK IN TOO DEEP AND EXTENDED MY ARMS AND LEGS INSTEAD. HOW THE HELL DOES YOUR BODY WORK!?" Zoro asks. Kaku explains, "IT'S KINDA LIKE A PASTA MACHINE THAT PUSHES OUT THE NOODLES AFTER YOU SQUEEZE IN THE FLOUR..." and immediately names the result "PASTA MACHINE!!!" Zoro snaps, "DON'T NAME YOUR ATTACK ON THE SPOT!!!"
06
Kaku insists that his long neck is useful, but so are his arms and legs, declaring, "I'M A PROFESSIONAL FIGHTER WHO CAN TURN UNEXPECTED SITUATIONS TO HIS ADVANTAGE!! LOOK!! LOOK AT THE FIGHTING TECHNIQUE THAT I CAN GENERATE WITH THIS REACH!!" Zoro can only say, "YOU REALLY COULDN'T THINK OF ANYTHING ELSE, HUH!!?" Kaku launches "KILIMANJARO!!!" again, while Zoro admits, "I CAN'T KEEP UP WITH YOU...!!" He shifts to "SANTOU-RYUU" and "TATSU"--dragon--as he prepares to meet the incoming reach with a tornado-like sword technique.
07
Zoro releases "MAKI!!!" with his three-sword tornado; a note says Tatsumaki means tornado. Kaku braces with "TEKKAI!!!" but feels the force immediately, thinking, "STRONG...!!!" The impact throws him upward, and Zoro notes, "HE... JUMPED TO THE UPPER LEVEL!!" Kaku counters with "GEP-POU" and slams back down as "PASTA MACHINE!!!" His strange compressed body turns the battlefield vertical, dropping from above with a heavy "TATATAN!!!" while Zoro watches for the next opening.
08
Kaku crashes down in his compressed form, but Zoro waits and meets him with a clean crossing of blades. Kaku reacts, "!!?" and Zoro says, "THANKS FOR WAITING." Kaku lands back on his feet, impressed by his own new reach. He explains, "IF I CAN CONTROL THE 'REACH' OF MY ARMS, LEGS AND NECK... I CAN SWING THE SWORDS ANY WAY I WANT...!!" Zoro, breathing hard, now faces not just a giraffe body but a four-sword fighter using every stretched limb like an extension of his blades.
09
Kaku declares, "I'M A YON-TOURYUU SWORDSMAN." A note identifies it as four sword style. "NOW I CAN MAXIMIZE THE GIRAFFE'S POWER. YOU WON'T STAND A CHANCE!!" he boasts, attacking with his stretched swords from several directions. He explains, "THE FACT THAT A GIRAFFE IS POWERFUL...!! AND THE FACT THAT YOU CAN RETRACT YOUR TROUBLESOME NECK...!! AND THE FACT THAT YOU USE 'YONTOURYUU'...!!" Zoro keeps dodging and guarding as the strange style pushes him through rubble, while Kaku's square body and elongated limbs make the battlefield feel closed from every side.
10
Zoro smiles grimly and says that "NOT ONE OF THEM IS A GOOD ENOUGH REASON TO DEFEAT ME!!!" Kaku shifts into "SANTOU-RYUU" with a leopard-labeled move, "HYOU!!!" then follows with "KIN!!!"--noted as koto, a Japanese music instrument--and "DAMA!!!" A note explains that hyoukin-dama means humorous person. Kaku launches himself like a ball toward Zoro, and Zoro realizes, "HE'S GOING TO LAUNCH HIMSELF TOWARDS ME!!!" The clash becomes a contest not of species trivia, but of whether Kaku's creativity can overpower Zoro's resolve.
11
Kaku spins into "KANIE!!!" and uses his compressed body to hurl himself in a violent arc. Zoro is caught by the impact and cries, "OWEE!!!" while Kaku's strike batters him through the air. Kaku thinks, "NO WAY!! I READ HIS ATTACK...!!" but Zoro, even after taking the blow, watches carefully and asks himself, "DID HE ANTICIPATE MY MOVE?" The room shakes with the force of their collision as Kaku keeps pressing and Zoro refuses to lose track of the pattern.
12
Kaku decides, "I GUESS I LOOKED DOWN ON YOU A LITTLE...!! BUT THIS IS IT!! I WON'T GIVE YOU ANY MORE OPENINGS...!!!" He releases "RANKYAKU SHURIKEN!!!" and sends spinning slashes flying across the chamber like thrown blades. Zoro cuts through the first assault, but Kaku follows with "KILIMANJARO!!!" and slams into him again. The blows crash against the ruined walls with "DOH!!!" and Zoro's stance is forced lower, yet he keeps his swords between himself and the oncoming giraffe-man.
13
Kaku's neck twists into another whip-like attack. He says, "DAMN IT...!! THIS NECK CAN ALSO TURN INTO A WHIP...!!" and names "HENCHIKIRIN!!!" A note explains it as "whip bamboo forest," a pun with absurd and fierce bamboo forest. Zoro coughs from the pressure while Kaku increases the speed: "I'LL INCREASE THE SPEED...!!" He follows with "MOUCHI-KIRIN!!!" and lashes the battlefield repeatedly, the long neck striking through smoke and shattered stone until Zoro is forced to guard under a storm of impacts.
14
Kaku keeps attacking without pause, calling the sequence "NEVER-ENDING FOUR CONTINUOUS SWORDS!!! JUST GIVE UP!" He slams down with "GEKIRIN!!!"--noted as wrath--and Zoro is driven back, thinking, "WHAT A FIERCE ATTACK." Kaku presses with more slashes and body blows, shouting "YOU!!!" as Zoro is knocked from one side of the room to the other. Zoro still endures, grunting "KU...!!" while Kaku's barrage fills the page with overlapping strikes and shock lines.
15
The two face each other across the wreckage. Kaku warns, "DON'T GET TOO CARRIED AWAY...!!" and, after seeing something impossible, thinks, "WHAT... WHAT WAS THAT JUST NOW...? FOR A MOMENT, HE LOOKED LIKE A DEMON GOD WITH 3 FACES AND 6 ARMS!!!" Zoro answers by standing firm, while Kaku says, "... THEN I'LL USE THE STRONGEST 'RANKYAKU,' 'AMANE-DACHI,' WHICH SLICED THIS TOWER IN HALF, TO CUT YOU IN HALF AND END THIS!!!" A massive wind gathers around them as Kaku prepares the tower-splitting attack.
16
Kaku declares, "GIVE UP... YOU HAVE NOWHERE TO RUN...!!" Zoro answers, "THIS IS DIFFERENT FROM THE EARLIER DEMON-STRATION." Kaku tells him, "IDIOT, YOU'RE THE ONE WHO SHOULD GIVE UP." Zoro spreads his blades and manifests the vision in full: "DEMON SPIRIT...!! 'KYUU-TOURYUU'"--a note names it nine swords style--and "ASHURA." Kaku stares, "!!?" as the illusion of extra faces and arms surrounds Zoro. He realizes, "IT'S THE DEMON GOD THAT I SAW EARLIER...!!! CAN HE REALLY CREATE AN ILLUSION LIKE THAT WITH HIS SPIRIT...!?" Zoro says, "QUITE AMAZING. BUT IT'S TOO LATE!!" Kaku tells him, "YOU SHOULD ONLY TALK CHEEKY LIKE THAT AFTER YOU AVOID THIS 'RANKYAKU'!!" and releases "AMANE-DACHI!!!"
17
Kaku fires the tower-cleaving Rankyaku, but Zoro steps through it as Ashura, the nine-sword image towering around him. Kaku realizes in horror, "HE TURNED... MY 'RANKYAKU' INTO MIST!!!" Zoro replies, "BRING ON THE HARDSHIP; IT'S PREFERRED IN A PATH OF CARNAGE." He finishes with "ASHURA" and "ICHI-BUGIN!!!" A side note says one mist silver also a silver coin used back in the Edo period. The huge panel shows Zoro's demonic three-faced, six-armed form cutting through Kaku's attack and closing the fight in a single decisive slash.
18
The SBS page includes two reader questions and Oda's answers. One reader asks how beautiful someone can get if hit by Sanji's "Parage Shot" from chapter 372, and Oda answers that it gives a complete makeover like Wanze's, but because Sanji would never kick a woman and only the face changes, a potato-like body with a beautiful face would still be unsettling. Another reader asks why One Piece volumes have been unusually thick lately; Oda explains that comic volumes are usually around 184 pages and commonly fit nine chapters, but he sometimes asks to include ten or eleven chapters because he wants to serve readers and cares about the story, also noting that after moving from eleven-chapter volumes to nine-chapter ones, readers complained about thinner volumes.
19
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About this chapter

One Piece Chapter 417: Ashura

Chapter
417
Summarised
Pages
20
Previous

Chapter 417 summary

Zoro and Kaku's fight reaches its decisive exchange in Enies Lobby. Kaku combines his giraffe form with sword attacks and Rokushiki techniques, changing the reach of his limbs and neck to pressure Zoro. Zoro responds with Ashura, a nine-sword technique presented through a three-headed, six-armed form. He cuts through Kaku's Rankyaku Amane-dachi with Ashura: Ichi-bugin. Chapter 417 contains this clash and the Ashura reveal; it is a useful reference for the climax of Zoro versus Kaku.

In this chapter

38 key facts · 5 characters

Key facts in chapter 417

  • p0Chapter 417 is titled ASURA.
  • p1Zoro confronts a giraffe-like creature inside a ruined indoor garden.
  • p2Giraffe creature uses extended neck attacks labeled KIRIN HOUDAI, GIRAFFE BATTERY, KILIMANJARO, and KYOKU BIGAN.
  • p3Zoro identifies the giraffe creature's long neck as a potential weak point and counters with RANKYAKU.
  • p4Zoro lands Neji Hakujin attack on Kaku.
  • p4Kaku's body cracks apart after receiving the slash.
  • p5Kaku uses unexpected body stretching during fight.
  • p5Zoro faces Kaku's Pasta Machine technique.
  • p6Zoro prepares three-sword style attack.
  • p6Kaku uses Kilimanjaro spinning technique.
  • p7Zoro uses Geppo to reach upper level.
  • p7Kaku is sent through the floor by Zoro's attack.
  • p8Zoro uses three swords against giraffe-formed Kaku.
  • p8Kaku is struck by a powerful initial blow causing violent recoil.
  • p9Kaku claims to be a yon-touryuu swordsman.
  • p9Zoro recognizes the combined strengths of Kaku's style and giraffe form.
  • p10Kaku rejects being defeated solely due to his giraffe form.
  • p10Zoro initiates a spinning technique labeled with multiple onomatopoeic terms.
  • p11Kaku attempts a spinning defense or counter labeled kamie.
  • p11Zoro lands a decisive strike that sends Kaku flying.
  • p12Zoro performs Rankyaku Shuriken against the giraffe-formed opponent.
  • p12Bearded fighter lands a heavy blow on Zoro but receives an immediate counter.
  • p12Bearded fighter uses Kilimanjaro strike with visible impact effects.
  • p13Zoro chains Henchikirin followed by Mouchikirin techniques.
  • p13The environment features a whip bamboo forest setting.
  • p13Bearded fighter increases speed in response to the continuous slashes.
  • p14Zoro executes Gekirin as part of four continuous swords.
  • p14Bearded fighter withstands the barrage but shows visible strain.
  • p14Zoro is launched backward yet retains his swords.
  • p15Zoro reveals a demon god form with three faces and six arms.
  • p15Amane-Dachi is identified as the technique that cut the tower in half.
  • p15Bearded fighter recognizes a momentary resemblance in Zoro's appearance.
  • p16Zoro activates Asura form with nine swords against masked fighter.
  • p16Fight features sword techniques including Amane-dachi and Rankyaku.
  • p16Opponent is masked long-nosed fighter using specialized attacks.
  • p17Zoro lands Ichi-bugin strike sending opponent flying.
  • p17Asura form overpowers opponent's Rankyaku technique.
  • p17Fight occurs amid heavy structural destruction.
Symbols and visual details164 · show
  • p0Title page displays bold 'Chapter 417: "ASURA"' lettering at top center.
  • p0Massive dark bear-like creature with wide wings rears aggressively in town square.
  • p0"BEAR GARDEN" sign stands near tall clock tower in background.
  • p0Clock tower with detailed spire visible behind trees and buildings.
  • p0Small light bear sits holding fan and chopsticks over steaming grilled fish.
  • p0Helmeted rifleman in black outfit marked with large "B" perches on wooden ladder.
  • p0Rifleman aims long rifle directly at giant bear's face with visible smoke and debris.
  • p0Scattered bottles and debris litter the ground around the scene.
  • p0Multi-story building with arched windows appears on the right side.
  • p0Central composition places giant winged bear between rifleman and small bear.
  • p0Page number 149 at bottom left corner.
  • p1Roronoa Zoro stands with swords drawn facing massive giraffe-like creature indoors.
  • p1Giraffe creature rears back with impact lines and debris flying.
  • p1Circular "狼" symbol visible on left wall.
  • p1Ruined indoor garden setting with rocks, trees, and bamboo ceiling.
  • p1Zoro shown in close-up with intense posture and multiple swords.
  • p1Giraffe creature emits "GU GU GU..." sound effects while stretching neck.
  • p1Large black motion blocks emphasize impact and movement.
  • p1Zoro's back tattoo and torn clothing visible in rear view.
  • p1Giraffe creature's spotted neck and long snout detailed in profile.
  • p2Giraffe creature unleashes "KIRIN HOUDAI" and "GIRAFFE BATTERY" attacks.
  • p2Long neck extends dramatically during "KILIMANJARO" technique.
  • p2Zoro struck hard with swords flying and "BRK!!" reaction.
  • p2Close-up of Zoro's shocked face with intense eyes and sweat drops.
  • p2Giraffe creature's neck coils and stretches across multiple panels.
  • p2Explosive impact lines and dust clouds surround attacks.
  • p2Technique names labeled with asterisks and footnotes at panel edges.
  • p2Zoro's body twisted mid-air from impact force.
  • p2Giraffe creature emits "KITEEN KITEEN" sound effects during assault.
  • p3Giraffe creature's massive neck slams down with huge "ドカン!!!" and "ドン!!!" impacts.
  • p3Zoro and debris sent flying from explosive force.
  • p3Zoro counters by targeting the long neck as a weak point.
  • p3Zoro activates "RANKYAKU" technique with flying kick motion.
  • p3Giraffe creature's neck coils defensively amid swirling dust.
  • p3Close-up of Zoro's determined face during counterattack.
  • p3Large black motion blocks emphasize speed and impact.
  • p3Zoro's swords strike the giraffe creature causing "GAK!" reaction.
  • p3Background shows damaged garden structures and motion lines.
  • p4Large spiraling vortex slash erupts from Zoro's sword in upper panel.
  • p4Zoro shown mid-air with intense posture during technique release.
  • p4Kaku's giraffe body struck and sent flying backward with impact lines.
  • p4Kaku crashes through wooden structures causing debris explosion.
  • p4Kaku's body visibly cracks and shatters like pottery in lower panels.
  • p4Zoro lands on ground with glaring expression and swords drawn.
  • p4Kaku staggers with multiple broken body segments and debris around.
  • p4SFX lines emphasize twisting motion and heavy impacts throughout page.
  • p4Foreground focus on Kaku's cracking neck and limbs.
  • p4Background shows scattered rubble and destroyed beams from collision.
  • p5Close-up of Zoro's intense glaring eye and sweat drops.
  • p5Kaku charges forward with extended neck and limbs in dynamic pose.
  • p5Kaku's body stretches abnormally with motion lines and impact effects.
  • p5Zoro shown with swords in mouth and hands during clash.
  • p5Kaku's giraffe form extends arms and legs in pasta-like motion.
  • p5Background trees and structures visible during extended reach attack.
  • p5SFX and exclamation marks highlight surprise and stretching.
  • p5Zoro maintains defensive stance while observing body extension.
  • p5Kaku's head box and spotted pattern emphasized in motion.
  • p6Zoro's face shows focused analysis with sweat and narrowed eyes.
  • p6Kaku spins with extended limbs creating large circular blade attack.
  • p6Kaku's long neck and limbs highlighted during reach advantage display.
  • p6Zoro draws third sword into mouth preparing three-sword stance.
  • p6Kaku reacts with shocked wide eyes at Zoro's speed.
  • p6Large motion lines and impact SFX for spinning strike.
  • p6Zoro's three-sword setup shown in lower panel silhouette.
  • p6Kaku's crossed arms and determined expression during explanation.
  • p6Background trees and dust clouds from technique clash.
  • p7Kaku braces with Tekkai stance and crossed arms under pressure.
  • p7Zoro's three swords overwhelm Kaku with heavy impact effects.
  • p7Kaku's body pushed back with strong force lines and debris.
  • p7Zoro leaps upward to upper level with dynamic jump pose.
  • p7Kaku hurled through floor in explosion of wood and dust.
  • p7Zoro silhouette watches from above as dust settles.
  • p7Kaku attempts Pasta Machine counter while falling.
  • p7Close-up of Kaku's strained face and sword contact points.
  • p7Geppo used by Zoro shown with motion trails.
  • p7Final panel emphasizes Zoro's dark silhouette against debris cloud.
  • p8Giraffe-formed fighter recoils violently from overhead impact with body twisting and neck extended.
  • p8Multiple swords flash outward from central impact point with radiating motion lines and debris.
  • p8Swordsman in dark outfit stands with three blades drawn in ready stance facing opponent.
  • p8Large SFX ギギィィン!!! dominates upper panel indicating heavy blade collision.
  • p8Small panel shows swordsman silhouette with crossed blades and speech bubble.
  • p8Giraffe fighter grimaces with gritted teeth and sweat drops during clash.
  • p8Swordsman lunges forward with extended arm reach and two swords positioned low.
  • p8Giraffe fighter bends backward with mouth open in pain and motion blur on limbs.
  • p8Swirling cloud effects and speed lines fill background of mid-fight panels.
  • p8Swordsman posture shows balanced wide stance with blades angled for multi-direction swing.
  • p9Giraffe fighter lunges forward with neck extended and blades raised high.
  • p9Large SFX ギギィィン!!! appears again during rapid blade exchange.
  • p9Swordsman counters with multiple simultaneous strikes creating starburst impact effects.
  • p9Giraffe fighter silhouette shows full body extension emphasizing long neck and limbs.
  • p9Swordsman closes distance with crossed blades in follow-up attack.
  • p9Giraffe fighter is hurled backward with limbs splayed and large NU!!? SFX.
  • p9Background filled with horizontal speed lines and dust clouds during clash.
  • p9Swordsman maintains low centered stance while delivering rapid cuts.
  • p9Giraffe fighter expression shows shock with wide eyes and open mouth.
  • p10Close-up of giraffe fighter face twisted in rage with furrowed brows and bared teeth.
  • p10Technique labels KIN*** HYOU*** SAN-TOU-RYUU and DAMA*** appear in separate panels.
  • p10Swordsman launches into spinning aerial attack with blades extended outward.
  • p10Giraffe fighter reacts with wide eyes and exclamation about incoming launch attack.
  • p10Large spinning motion lines and impact bursts surround the leaping swordsman.
  • p10Small panels show partial views of swordsman back and giraffe fighter profile.
  • p10Background architecture and debris visible in lower action panels.
  • p10Giraffe fighter neck and head dominate upper frame with dramatic shading.
  • p11Giraffe fighter spins wildly with limbs blurred and KAMIE SFX visible.
  • p11Swordsman lands crushing blow causing giraffe fighter to reel with OWEE!!! reaction.
  • p11Large black impact SFX ドーン!!! erupts across central panel.
  • p11Swordsman shows surprised expression with sweat drop while thinking about anticipation.
  • p11Giraffe fighter is thrown backward with final GWAH!!! and body contorted.
  • p11Small panels show swordsman close-up face and swirling debris from impact.
  • p11Motion lines and dust clouds emphasize high-speed rotation and collision.
  • p11Giraffe fighter neck coils during spin with visible strain lines.
  • p12Zoro leaps mid-air with swords drawn releasing multiple spinning air blades toward the opponent.
  • p12Large giraffe-like neck and head of bearded fighter looms overhead with open mouth and sweat drops.
  • p12Impact stars and motion lines surround Zoro after receiving a crushing downward blow.
  • p12Bearded fighter shown in close-up with gritted teeth, intense glare, and sweat indicating exertion.
  • p12SFX lines and debris emphasize the force of the counter strike landing on the giraffe neck.
  • p12Zoro maintains three-sword stance while being slammed yet immediately counters.
  • p12Background shows damaged tower structures and scattered impact effects.
  • p12Bearded fighter's posture shifts from confident to strained after the air blade barrage.
  • p13Zoro spins rapidly creating a whirlwind of slashes inside a bamboo-like forest structure.
  • p13Giraffe neck coils and twists amid shattering debris and broken bamboo stalks.
  • p13Multiple impact SFX surround the giraffe body during continuous strikes.
  • p13Zoro shown in dynamic low stance delivering follow-up slashes.
  • p13Bearded fighter's face appears strained with gritted teeth and motion blur.
  • p13Whip-like bamboo forest motif emphasized with pun note visible in panel.
  • p13Opponent recoils with open mouth and sweat while being battered.
  • p13Zoro maintains aggressive forward momentum through the barrage.
  • p14Zoro delivers four continuous sword strikes with motion lines and impact bursts.
  • p14Giraffe neck arches backward from the force of multiple hits.
  • p14Bearded fighter shows wide eyes and open mouth indicating shock from the barrage.
  • p14Zoro is sent flying backward with swords still gripped.
  • p14Small panel shows close-up of gritted teeth and sweat on the opponent.
  • p14Background debris and tower fragments scatter from the fierce exchange.
  • p14Zoro maintains three-sword grip while airborne after the counter.
  • p14Opponent's body recoils with multiple slash marks visible on the neck.
  • p15Colossal three-faced six-armed demon god silhouette towers behind Zoro.
  • p15Zoro stands ready with swords drawn facing the massive giraffe opponent.
  • p15Bearded fighter's face shows shock and recognition in close-up panel.
  • p15Tower structure in background is visibly sliced in half with clean vertical cut.
  • p15Zoro charges forward with blades extended toward the opponent.
  • p15Demon god form features multiple arms holding swords and intense facial expressions.
  • p15Opponent warns against overconfidence while displaying widened eyes.
  • p15SFX and motion lines emphasize the charging momentum and looming presence.
  • p16Zoro manifests Asura form with three heads and six arms gripping nine swords in radial pattern.
  • p16Zoro's body shows chains, swords, and intense muscular posture during transformation.
  • p16Opponent displays shocked wide eyes and exclamation marks in close-up reaction panel.
  • p16Flying debris and impact lines surround clashing fighters in upper panels.
  • p16Dramatic shading and panel breaks emphasize Asura aura and multi-sword arrangement.
  • p16Masked long-nosed fighter launches Amane-dachi attack with motion lines.
  • p16Background shows shattered structures and speed SFX from sword swings.
  • p16Zoro's intense glare directed forward during full power release.
  • p16Opponent questions illusion creation with spirit in thought panel.
  • p16Lower panels depict Rankyaku technique activation with impact bursts.
  • p16Composition alternates wide action views with close facial reactions.
  • p17Zoro in Asura form drives nine blades forward in massive multi-sword strike.
  • p17Opponent hurled backward with twisting body amid speed lines and impact bursts.
  • p17Close-up shows opponent's shocked face with wide eyes and sweat.
  • p17Zoro's intense glare and open mouth during Ichi-bugin roar.
  • p17Shattered surroundings and large SFX emphasize devastating assault.
  • p17Opponent's scaled limbs and mask visible during mid-air recoil.
  • p17Zoro's thought panel shows stern expression on path of carnage.
  • p17Panel layout features central large action spread with side reaction insets.
  • p17Multiple swords positioned dynamically around Zoro's torso and arms.
  • p17Background destruction and motion effects highlight technique power.

Theories built on chapter 417

  1. 414Sanji vs Jyabura
  2. 415Heat Up
  3. 416Zoro vs Kaku
  4. 417Ashura
  5. 418Luffy vs Rob Lucci
  6. 419Legend of the Hero
  7. 420Buster Call

Cite this chapter

One Piece, ch. 417 — Ashurahttps://loresquare.com/one-piece/source/chapter/417

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