Released 18 Aug 2019 · 19 pages · Wano Country arc

One Piece Chapter 952: Hiyori and Kawamatsu

What happens in chapter 952

The next day in Ringo, Zoro keeps Gyukimaru pinned on the bridge and demands the return of Shusui while the monk warns him not to throw his life away over one sword. Hiyori cries out in recognition of the blade. Kawamatsu arrives, draws his sword, and halts the fight, then turns in surprise when Hiyori calls his name. On Onigashima, Kaido and Big Mom continue their rampage until Queen leaves to check on Udon.

  1. p.0Chapter 952 cover page features Kawamatsu on a boat marked 25.
  2. p.11Blueprints to Kaido's mansion on Onigashima are revealed and unrolled.
  3. p.17Luffy appears in a small reaction panel at page bottom.
952

Hiyori and Kawamatsu

Read on Viz
00
The cover story reads, "Short-term focused cover-page serials, part 24, vol. 3: 'My wife's wish is my wish.'" Bege's castle-ship sails with a large "25" marked on its balloon as he follows Chiffon's wish to search for Lola. It is cover-story material, not part of the chapter's main plot.
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No description for this page.
02
The next day, snow falls over Ringo's Bandit Bridge. Zoro still has the enormous monk pinned beneath him, but the quarrel has not ended. Gyukimaru asks, "What even are you?!" and Zoro snaps back, "Friend?! Enemy?!" The monk is exhausted and wheezing, yet Zoro refuses to let the matter drop. He demands, "What do you intend on doing with all the weapons you've stolen from passers-by?! Give me back my blade!" Gyukimaru tells him, "Don't throw away your life over a single sword."
Roronoa ZoroGyukimaru
03
Zoro rejects Gyukimaru's warning: "I refuse! Never! Not that sword!" Gyukimaru calls Shusui a stolen treasure of Wano and says, "The day that sword left this land is the day misfortune arrived!" He claims that loss incited the anger of the Sword God, defeat came to every village, and eventually the whole country was overrun. As their fight continues on the bridge, Hiyori realizes what sword they are arguing over and cries, "Shu-Sui?!" Then a new figure cuts in and orders, "Stop your quarrel!"
04
Kawamatsu enters the snowy battlefield with his blade drawn and laughs, "Kappappappa! Why, indeed." He finds the scene absurd: "Are a samurai and a monk fighting out here in the wilderness?! Neither of you wishes to kill the other! How droll." Zoro recognizes what Kawamatsu is and says, "A fishman?" Hiyori knows him at once and calls out, "Kawamatsu! Is that you?!" Kawamatsu turns toward her, stunned that she knows his name.
05
On Onigashima, Kaido and Big Mom continue their monstrous clash while their subordinates beg, "Lord Kaido! Please, stop!" Their roars shake the island, and the men panic: "When will their fight end?!" "They'll be at it through the night! This island won't last!" Queen decides that if the fight is going to continue, he should evacuate to the mainland. Another report matters more: there has still been no word from Udon. Queen says he will check on things, but others accuse him of simply trying to get away from Big Mom. Queen insists, "What do you mean?! I'll be back, I promise!"
06
Queen contacts Udon and Babanuki appears on the line: "Chief Jailer Babanuki here, reporting from Udon." Queen answers, "Yo. Queen here." Babanuki claims everything is ordinary. He reports that Straw Hat Luffy, Captain Kid, and the other troublemakers have been locked away in cells, and says, "I just wanted to report that nothing was out of the ordinary." Queen notes that Babanuki brought the snails back online and asks about help, but Babanuki says, "I brought quite a few men with me. If you're short hands, we can spare some. I'll head over." He is rejected. Queen thinks the man is still trying to make a casual exit from Onigashima, not realizing that Babanuki is lying under enemy control.
07
At Udon Prisoner's Mine, the call ends and the truth is revealed. Babanuki stands obediently beside O-Tama, Speed, and Chopper. O-Tama asks, "How was that, master?" and Speed praises him: "Mm. Well done. Good boy." Chopper is impressed and says the millet dango is fearsome magic, able to control enemies. It apparently works on animals and anyone with animal-type magic powers. Kinemon sees the advantage clearly: "Now we've got a few thousand samurai that are supposed to be locked up on our side! On the day of the final battle, we'll scare the crap out of our enemies!" Caribou demands credit, saying, "It's all thanks to you, Caribou!" and, "Indeed. Y'all owe me a favor now, see?"
BabanukiO-TamaSpeedTony Tony ChopperKinemonCaribou
08
Chopper is glad Luffy is recovering, and the men shout, "Lord Chopperaemon! This debt! We intend to repay it, even if it costs us our lives!" Chopper says they do not need to be in his debt because the virus was actually easy to deal with, though it sounded intense. Luffy is already back in action and asks for cheers: "Lemme hear it, boys!" The prisoners roar for "Luffy-taroo!" and "Boss Hyogoro!" The yakuzas of each village arrive as well, and one of the old bosses admits, "I never expected us to meet again. Not in this life." Hyogoro has earned enormous trust simply by bringing Lord Momonosuke back.
09
The regional yakuza bosses are introduced: from Kibi, Snake-Eye Yatappe; from Ringo, Moon-Flower O-Cho; from Hakumai, Broken-Hat Tsunagoro; and from Udon, Blood-Letter Omasa. They are glad the others are safe but ask not to be showered with praise, joking that it makes them feel like they should wash after a bath. Hyogoro gives them their mission: "Now, we must away! We will gather up the remaining rebels that are in hiding throughout the country!"
HyogoroSnake-Eye YatappeMoon-Flower O-ChoBroken-Hat TsunagoroBlood-Letter Omasa
10
Luffy laughs at the old bosses, saying they are all characters, and tells Hyogoro, "Looks like you're pretty important too, gramps!" The bosses immediately threaten him for disrespect, shouting, "You're going to pay for that, kid!" and suggesting they should rip out his nails, cut off a finger, or tear off an ear. Hyogoro stops them because the boy saved his life. As Luffy leaves, Hyogoro warns, "Be careful in the future." Luffy answers, "Like I care, ya bastards!" Now that Udon is settled, he says he may finally have a report for Kinemon.
Monkey D. LuffyHyogoroSnake-Eye YatappeMoon-Flower O-ChoBroken-Hat TsunagoroBlood-Letter OmasaKinemon
11
At Kuri's abandoned port, Port Itachi, Franky reacts to the ships and learns the thief was Kinemon himself. He says, "What the-?! I see! So the Kuri man that went to steal the blueprints some time ago was actually you!" Kinemon has found what they need: "The blueprints to Kaido's mansion on Onigashima! We've been looking for these for so long! We can use these to plan our strategy on enemy soil!" Nearby, Inuarashi growls, and Ashura snaps, "Quit butting in, Inu!" Kinemon praises Ashura, but Ashura warns that flattery still does not work on him.
12
Kinemon asks Raizo whether Luffy was rescued, and the report astonishes him. He hears, "3500 men?! And you saved Luffytaro?! And you found and released Kawamatsu?!" The prisoner's mine has become their base of operations, but Raizo explains there is still more to address. The number of men who will fight alongside them has shot up, yet there is another problem: all of them produce only weapons for export, while many weapon factories stand around Wano. There are still more men who wish to fight alongside them, but the rebellion cannot outfit them properly yet.
13
The missing weapons are exactly what the samurai want to use: swords and spears. Possession of weapons has been forbidden across Wano by Orochi, and if they cannot outfit the men who want to fight for the rebellion, the chance will not last long. Kinemon recognizes the problem as serious. He orders Raizo to gather as much detail as possible about the situation, while Kinemon himself will depart for Braided Hat Village and make that his base of operations. He also says he has some developments to share later, but first he must check the final troop count.
14
Back at Ringo's Bandit Bridge, Hiyori calls, "Kawamatsu!" and says she never would have thought she would meet him here. Kawamatsu answers that the fact she is alive and well fills him with happiness. Hiyori apologizes for running back then, saying, "I'm so sorry... Back then, I was so scared!" Zoro remembers what she told him: after her parents died, she was raised by a kappa. Kawamatsu admits he could not bear to see her waste away year after year and could not bear the thought of Hiyori dying to save him. She remembers that he always gave her any food he found.
15
Hiyori apologizes again: "I got so scared... I'm sorry for running!" Kawamatsu only laughs that she has gotten quite fat in the years since, and she calls that a kind reason. Before their reunion can settle, a cannon booms from the snow. Kawamatsu notices movement, but the shot crashes into him and knocks him down while Hiyori and Zoro look on in alarm.
16
Gyukimaru sees armed men approaching and asks, "Who comes?!" The newcomers shout, "Wahahaha! We're here for revenge, Gyukimaru!!" and accuse him: "You've stolen away so many of our weapons! We're takin' 'em all back today! These guns can take out a wild beast." Zoro asks whether these men are Gyukimaru's friends, but that does not matter to them. One points a gun and orders, "Lady Hiyori, get down. Doesn't matter! Shoot 'em all!"
17
The attackers fire, but Kawamatsu rises through the smoke and slashes them away, forcing them to cry out. Gyukimaru flees again, and Zoro shouts after him, "Oi! Wait! Why are you running again?!" As the chaos settles, Kawamatsu stares after Gyukimaru and wonders, "How do they know each other?!" Then his face fills with relief. He says, "Haa-haa- Lord Kawamatsu! I'm so glad! I'm so glad! I'm so glad you're okay!" The chapter closes on Kawamatsu's emotional reaction to the familiar figure before him.
18
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About this chapter

One Piece Chapter 952: Hiyori and Kawamatsu

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952
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Chapter 952 summary

The next day in Ringo, Zoro keeps Gyukimaru pinned on the bridge and demands the return of Shusui while the monk warns him not to throw his life away over one sword. Hiyori cries out in recognition of the blade. Kawamatsu arrives, draws his sword, and halts the fight, then turns in surprise when Hiyori calls his name. On Onigashima, Kaido and Big Mom continue their rampage until Queen leaves to check on Udon. At the prison, Babanuki reports to Queen under O-Tama's control while the alliance gains thousands of new fighters and the regional yakuza bosses receive orders to gather more rebels. Luffy recovers and prepares to report to Kinemon. Back at the bridge, Kawamatsu reunites with Hiyori until armed men attack, after which he stares after the fleeing Gyukimaru in relief.

38 key facts · 28 characters

Key facts in chapter 952

  • p0Chapter 952 cover page features Kawamatsu on a boat marked 25.
  • p2Fight occurs at Ringo Bandit Bridge the day after previous events.
  • p3Shusui is referenced as a stolen national treasure of Wano.
  • p4Kawamatsu is recognized by Kozuki Hiyori during wilderness clash.
  • p5Scene occurs at Onigashima during an intense ongoing fight involving Kaido.
  • p5Queen is surrounded by Beast Pirates subordinates reacting to the battle's duration.
  • p6Queen receives a report from Udon prison via Den Den Mushi.
  • p6Queen is currently near Onigashima with several transponder snails active.
  • p7Scene takes place at Udon Prisoner's Mine after the Den Den Mushi call ends.
  • p7A striped figure uses a millet dango to control others including Caribou.
  • p8Luffy is surrounded by cheering yakuza bosses and allies at Udon.
  • p8Hyogoro reunites with yakuza bosses who express intent to repay a debt.
  • p9Four regional yakuza bosses are formally introduced with titles and locations.
  • p9Luffy is kneeling in checkered outfit receiving praise from the bosses.
  • p9The group plans to gather remaining rebels throughout the country.
  • p10Luffy recognizes and calls out to Hyogoro as GRAMPS.
  • p10Yakuza bosses initially threaten Luffy for touching Hyogoro.
  • p10Hyogoro intervenes to protect Luffy and halts the attack.
  • p11The location is identified as Kuri abandoned port Itachi.
  • p11Blueprints to Kaido's mansion on Onigashima are revealed and unrolled.
  • p11The blueprints were stolen earlier by a Kuri man during a mission.
  • p12Raizo inquires about Luffy's rescue via Den Den Mushi.
  • p12The number of allied fighters has increased significantly.
  • p12Kawamatsu was rescued and the mine is now the base of operations.
  • p123500 men are now available to fight alongside the alliance.
  • p13Kin'emon chooses Braided Hat Village as his base of operations.
  • p13Weapon possession is forbidden across Wano by Orochi.
  • p13Raizo is ordered to collect information about the local situation.
  • p14Scene takes place at Ringo Bandit Bridge during snowfall.
  • p14Hiyori and Kawamatsu reunite emotionally in the snow.
  • p15A cyborg attacker suddenly fires on Kawamatsu and Hiyori.
  • p15Kawamatsu is sent flying by the explosion.
  • p16Armed bandits attack the group at the bridge seeking revenge and stolen weapons.
  • p16Gyukimaru is targeted by the gunmen.
  • p17Chapter 952 ends on this page.
  • p17Large creature-like figure appears in direct conflict with other characters.
  • p17Kawamatsu is addressed directly by name in dialogue.
  • p17Luffy appears in a small reaction panel at page bottom.
Symbols and visual details146 · show
  • p0One Piece logo with skull, crossed bones, and rope border at top center.
  • p0Chapter title text 'CHAPTER 952: HIYORI AND KAWAMATSU' below logo.
  • p0Kawamatsu as fish-mouthed samurai with topknot standing on wooden boat marked '25' while raising sword.
  • p0Large balloon labeled '25' floating above the boat in stormy sky.
  • p0Boat riding massive stylized waves with splash effects under cloudy background.
  • p0Bottom text block 'SHORT-TERM FOCUSED COVER PAGE SERIALS, PART-24 VOL.3: MY WIFE'S WISH IS MY WISH!!'.
  • p0Author credit 'EIICHIRO ODA' at very bottom.
  • p0Central composition emphasizes upward sword pose against wave motion and balloon.
  • p2Location label 'RINGO, BANDIT BRIDGE' in top left panel.
  • p2Time label 'THE NEXT DAY' in top right panel.
  • p2Large impact SFX 'ギョイン!!' centered over arched bridge in snowy landscape.
  • p2Bandit with wild hair, tattoos, and open shouting mouth in close-up panel.
  • p2Kawamatsu with topknot clashing swords while riding large fish-like creature.
  • p2Multiple swords and weapons scattered in foreground during clash.
  • p2Exhaustion indicators 'WHEEZE WHEEZE' and 'HAA-HAA-' near fighters.
  • p2Snowy bridge and landscape with impact particles filling background.
  • p3Spinning sword clash SFX 'ズキーン' and attack SFX 'HORYA!' during blade lock.
  • p3Large background narration text blocks explaining sword god anger and national defeat.
  • p3Massive impact SFX 'ババババーン!!' over arched bridge.
  • p3Kawamatsu shouting 'STOP YOUR QUARREL!' while leaping.
  • p3Bandit reacting with 'GOD?!' in shock.
  • p3Woman with dark hair and flower reacting with surprise and recognition.
  • p3Snowy landscape with bridge and swirling particles during fight escalation.
  • p3Close-up of bandit's face showing sweat and tension.
  • p4Straw-hatted samurai with rope belt swinging sword in dynamic mid-air pose.
  • p4Large SFX 'KAPPAPPAPPA!' and motion lines around laughing samurai.
  • p4Multiple shocked reaction panels showing wide eyes and sweat drops.
  • p4Woman with dark hair and flower crying out in recognition.
  • p4Fishman features visible on Kawamatsu in reaction panel.
  • p4Wilderness setting with trees and ground during unexpected interruption.
  • p4Close-ups of bandit, curly-haired man, and monk showing surprise.
  • p4Sword swing SFX and impact lines emphasizing dramatic entry.
  • p5Onigashima island label in ornate frame at top right with massive waves crashing around horned silhouette of Kaido in distance.
  • p5Queen shown in extreme close-up with wide open roaring mouth, sharp teeth, intense eyes, and dark striped cloak.
  • p5Beast Pirates subordinates in lower panels with panicked postures, sweat drops, pointing fingers, and open mouths.
  • p5Queen in striped outfit and cigar standing among subordinates with angry expression and defensive hand gestures.
  • p5Large SFX rumble and tumble lines around collapsing structures and waves on Onigashima.
  • p5Multiple overlapping speech bubbles indicating chaotic shouting from crowd of Beast Pirates.
  • p5Queen's face split across two panels showing roaring expression and gritted teeth close-up.
  • p5Background figures on island with raised arms and fleeing postures amid violent wave effects.
  • p5Queen's subordinates shown with varied expressions of fear and accusation toward him.
  • p6Den Den Mushi snail with Chief Jailer Babanuki's face reporting from Udon prison.
  • p6Queen answering Den Den Mushi call while lounging in striped outfit with multiple transponder snails nearby.
  • p6Queen's Den Den Mushi showing ringing SFX and excited expression lines.
  • p6Queen seated confidently on a platform with subordinates gathered below in a large hall.
  • p6Background transponder snails lined up with active signals and exclamation marks.
  • p6Queen gesturing with one hand while holding Den Den Mushi, relaxed posture.
  • p6Lower panel shows Queen on a ship deck with waves and Onigashima silhouette in background.
  • p6Queen's face in close-up with cigar and sunglasses, thoughtful expression.
  • p6SFX lines indicating ringing and communication activity around snails.
  • p7Udon Prisoner's Mine sign in ornate frame above rocky prison structures.
  • p7Large striped figure controlling a millet dango with extended hand and confident posture.
  • p7Caribou standing nearby with surprised expression and sweat drops.
  • p7Millet dango shown with control lines and musical notes indicating power effect.
  • p7Striped figure laughing widely with open mouth and raised arms in lower panels.
  • p7Background samurai prisoners visible behind bars with worried faces.
  • p7SFX burst lines around the millet dango and striped figure's movements.
  • p7Striped figure pointing at Caribou while declaring a favor owed.
  • p7Den Den Mushi on ground near striped figure at end of call.
  • p8Small bear-like figure in dark outfit with star patterns smiling in upper left panel.
  • p8Large group of yakuza bosses and samurai with raised fists and cheering postures around Luffy.
  • p8Luffy in center with arms raised high shouting, surrounded by crowd and motion lines.
  • p8Large SFX burst effect with multiple exclamation marks during the cheer.
  • p8Hyogoro shown in lower panels with surprised expression and sweat drops.
  • p8Yakuza bosses with striped outfits and angry or emotional faces shouting about debts and trust.
  • p8Crowd of prisoners and allies with varied expressions of excitement and determination.
  • p8Luffy's back view with raised arms and cheering crowd in background.
  • p8Hyogoro standing with shocked posture and speech bubble about unexpected reunion.
  • p9Four vertical close-up panels introduce yakuza bosses with name banners KIBI, RINGO, HAKUMAI, UDON above each face.
  • p9Yatappe shown with scarred forehead, wild hair, open shouting mouth, and intense eyes.
  • p9O-Chou depicted with flower-like hair ornaments, smiling expression, and elegant posture.
  • p9Tsunagoro shown with long hair covering eyes, broken hat motif, and wide grin.
  • p9Oomasa shown with striped hair, bloodied teeth, and fierce expression.
  • p9Central group scene shows kneeling Luffy in checkered outfit surrounded by four standing yakuza bosses.
  • p9Luffy kneels with head bowed, hands on ground, wearing checkered kimono and spotted scarf.
  • p9Yakuza bosses lean forward in exaggerated poses with open mouths and gesturing hands.
  • p9Cloaked figure with dog kanji on back stands in foreground with back turned to viewer.
  • p9Scattered debris and broken structures fill background indicating ruined setting.
  • p9Speech bubbles positioned around central cluster with dynamic angles and emphasis lines.
  • p10Luffy appears with wide surprised eyes and open mouth shouting GRAMPS.
  • p10Small horned figure reacts with double exclamation marks and sweat drops.
  • p10Luffy laughs with closed eyes and wide grin while gesturing energetically.
  • p10Hyogoro shown with angry expression yelling to stop the attack on Luffy.
  • p10Multiple yakuza draw weapons including knives with motion lines and threat gestures.
  • p10Luffy is grabbed and restrained by several arms amid chaotic scuffle.
  • p10Ruined port background with broken pillars and distant structures visible in lower panels.
  • p10Luffy stands on rubble with fist raised and defiant posture in final panel.
  • p10Speech bubbles with varied sizes and tail directions indicate multiple overlapping speakers.
  • p10Sweat drops and motion lines emphasize tension and sudden movement.
  • p11Wide establishing shot of ruined Kuri abandoned port Itachi with crowd and damaged buildings.
  • p11Large sign reading KURI ABANDONED PORT PORT ITACHI visible in upper right.
  • p11Denjiro unrolls a large blueprint scroll with intense expression and open mouth.
  • p11Close-up of Denjiro's face showing stern eyes and shouting mouth while holding scroll.
  • p11Large SFX どぃ!! emphasizes the reveal of the blueprint.
  • p11Group reaction panel shows mixed expressions of shock and excitement among several characters.
  • p11Background features destroyed port architecture and scattered figures.
  • p11Speech bubbles positioned above and around the central scroll reveal moment.
  • p12Raizo appears with shocked expression and multiple exclamation marks above head.
  • p12Raizo holds a Den Den Mushi while speaking with intense gaze.
  • p12Kin'emon and others shown with alarmed faces and open mouths reacting to news.
  • p12Curly-haired man and man in conical hat visible among the group.
  • p12Background shows ruined area with flags and distant figures.
  • p12Multiple overlapping speech bubbles indicate rapid exchange of information.
  • p12Lower panels depict ongoing discussion with varied character reactions.
  • p12Small figures in background emphasize scale of gathered forces.
  • p13Rocky mountainous landscape with scattered trees and distant figures in traditional attire.
  • p13Man in conical hat stands with back to viewer in wide establishing panel.
  • p13Close-up of Kin'emon with furrowed brows, gritted teeth, and sweat drops on face.
  • p13Raizo shown small in lower panel wearing dark robe and conical hat.
  • p13Thick smoke or steam clouds rising around Kin'emon during departure pose.
  • p13Large stylized motion lines and impact SFX at bottom of final panel.
  • p13Kin'emon in dynamic forward-leaning stance with arm extended.
  • p13Background group of samurai-like figures visible on rocky ridge.
  • p14Snowy landscape labeled Ringo Bandit Bridge with falling snow particles.
  • p14Kawamatsu in straw hat and dark clothing standing in snow.
  • p14Hiyori shown with tears, rose in hair, and distressed facial expression.
  • p14Curly-haired man with neutral expression and hands near face.
  • p14Small hut-like structure visible in snowy background.
  • p14Multiple close-up panels focusing on facial reactions and tears.
  • p14Kawamatsu depicted with open mouth and emotional posture.
  • p15Kawamatsu shown with wide open mouth saying KAPPAPPA.
  • p15Hiyori crying with visible tears and sweat drops on cheek.
  • p15Mechanical cyborg-like attacker with goggles and large weapon entering scene.
  • p15Explosion and impact lines surrounding Kawamatsu being blasted backward.
  • p15Debris and smoke clouds from sudden attack.
  • p15Close-up of Hiyori's surprised face with motion lines.
  • p15Attacker depicted with aggressive mechanical features and open mouth.
  • p16Straw-hatted samurai with sword standing alert in snowy debris field.
  • p16Two armed gunmen charging forward with rifles and blades.
  • p16Large impact SFX and motion lines during gunfire exchange.
  • p16Close-up panels of narrowed eyes observing the fight.
  • p16Hiyori ordered to get down in lower panel.
  • p16Gunmen shown with aggressive expressions and weapons raised.
  • p16Snow and dust particles swirling around combat scene.
  • p16One gunman laughing while declaring intent for revenge.
  • p17Large multi-limbed beast-like figure dominates top panel with open mouth and thrashing motion amid heavy impact lines and debris.
  • p17Striped-patterned object or limb visible on left side of chaotic top panel.
  • p17Multiple small figures shown running in mid panels with motion lines and dust clouds.
  • p17Curly-haired swordsman character depicted mid-action with sword drawn.
  • p17Fierce close-up mask face with swirling patterns, sharp teeth, and intense eyes fills lower large panel.
  • p17Large stylized exclamation SFX dominates center of bottom panel.
  • p17Small bottom inset shows Luffy's face with wide eyes and open mouth.
  • p17Panting SFX placed near running figures and beside mask face.
  • p17Ground and structures breaking apart with scattered debris in action panels.
  • p17Mask face has checkered lower jaw section and cloud-like smoke effects around edges.
  • p17Composition shifts from wide chaotic action to extreme facial close-up then tiny reaction inset.

Theories built on chapter 952

  1. 949Mummy
  2. 950The Dreams of the Strong
  3. 951Rampage
  4. 952Hiyori and Kawamatsu
  5. 953A Fox of a Single Disguise
  6. 954Like a Dragon Growing Wings
  7. 955Enma

Cite this chapter

One Piece, ch. 952 — Hiyori and Kawamatsuhttps://loresquare.com/one-piece/source/chapter/952

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